The dramatic arc of Saigo Takamori's life, from his humble origins as a lowly samurai, to national leadership, to his death as a rebel leader, has captivated generations of Japanese readers and now Americans as well - his life is the inspiration for a major Hollywood film, The Last Samurai , starring Tom Cruise and Ken Watanabe. In this vibrant new biography, Mark Ravina, professor of history and Director of East Asian Studies at Emory University, explores the facts behind Hollywood storytelling and Japanese legends, and explains the passion and poignancy of Saigo's life. Known both for his scholarly research and his appearances on The History Channel, Ravina recreates the world in which Saigo lived and died, the last days of the samurai. The Last Samurai traces Saigo's life from his early days as a tax clerk in far southwestern Japan, through his rise to national prominence as a fierce imperial loyalist. Saigo was twice exiled for his political activities -- sent to Japan's remote southwestern islands where he fully expected to die. But exile only increased his reputation for loyalty, and in 1864 he was brought back to the capital to help his lord fight for the restoration of the emperor. In 1868, Saigo commanded his lord's forces in the battles which toppled the shogunate and he became and leader in the emperor Meiji's new government. But Saigo found only anguish in national leadership. He understood the need for a modern conscript army but longed for the days of the traditional warrior. Saigo hoped to die in service to the emperor. In 1873, he sought appointment as envoy to Korea, where he planned to demand that the Korean king show deference to the Japanese emperor, drawing his sword, if necessary, top defend imperial honor. Denied this chance to show his courage and loyalty, he retreated to his homeland and spent his last years as a schoolteacher, training samurai boys in frugality, honesty, and courage. In 1876, when the government stripped samurai of their swords, Saigo's followers rose in rebellion and Saigo became their reluctant leader. His insurrection became the bloodiest war Japan had seen in centuries, killing over 12,000 men on both sides and nearly bankrupting the new imperial government. The imperial government denounced Saigo as a rebel and a traitor, but their propaganda could not overcome his fame and in 1889, twelve years after his death, the government relented, pardoned Saigo of all crimes, and posthumously restored him to imperial court rank. In THE LAST SAMURAI , Saigo is as compelling a character as Robert E. Lee was to Americans-a great and noble warrior who followed the dictates of honor and loyalty, even though it meant civil war in a country to which he'd devoted his life. Saigo's life is a fascinating look into Japanese feudal society and a history of a country as it struggled between its long traditions and the dictates of a modern future.
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坦白说,一开始我对这种题材的接受度并不高,总觉得会落入刻板印象的窠臼。然而,这部小说的处理方式完全出乎我的意料。它没有流于表面的异域风情展示,而是深入到核心价值体系的肌理之中。最让我震撼的是那种“疏离感”的营造。主角作为一个局外人,被强行置入一个全新的、拥有严密规则的社会结构中,他观察、学习、模仿,却始终带着一层透明的隔膜。这种旁观者的视角,反而提供了一种独特的、清醒的批判力量。它让我们看到,即便是最固执的传统,也并非铁板一块,它们在面对新的力量和理念冲击时,会展现出令人意外的韧性与脆弱性。小说对于“仪式感”的描写,达到了近乎迷恋的程度,那些繁复的礼仪、精准的动作,被赋予了超越实用性的精神意义,仿佛是抵抗时间侵蚀的最后一道防线。这种对“形式美”的执着与最终的幻灭,构成了小说最核心的悲剧张力。
评分这是一部充满力量感的作品,但它的力量并非来自于血腥的场面,而是源于角色们内心深处那种难以言喻的坚韧。作者在描写冲突时,总是极其克制,将最激烈的情感浓缩在眼神的交汇、细微的手势或是沉默的对峙之中。这种“少即是多”的叙事哲学,使得那些爆发的瞬间更具震撼力。我尤其欣赏作者对环境的运用,自然景观——无论是雄伟的山脉、变幻莫测的天气,还是宁静的庭院——都不仅仅是故事的背景,它们本身就是角色情绪和命运的隐喻。例如,风雪交加的场景,完美烘托了人物在困境中的挣扎与孤立无援。整部书的基调是悲壮的,但其中闪烁着人性的光辉,那种为了维护某种信念即使面对毁灭也义无反顾的勇气,让人肃然起敬。阅读过程中,我常常为角色的处境感到窒息,但同时又被他们身上散发出的那种近乎神圣的献身精神所鼓舞。这是一次对忠诚、荣誉与个人价值的深刻探索之旅。
评分读完这本小说,我感觉仿佛经历了一场精神上的洗礼。它不是那种让你看完后能用三言两语总结出“正义战胜邪恶”的简单故事。不,这里的“对”与“错”是流动的,是相对的,是依附于特定的历史背景和信仰体系而存在的。作者高超的笔力在于,他没有简单地将一方塑造成绝对的光明,另一方描绘成蛮荒的黑暗。相反,他用一种近乎冷静的客观视角,去剖析两种文明在碰撞时产生的火花与痛苦的磨合。那些细腻入微的场景描写,无论是异国风情的市井生活,还是严苛的军事训练场面,都栩栩如生地呈现在眼前,让人仿佛能闻到空气中的气味,感受到皮肤上的寒意。角色之间的对话充满了机锋和哲思,每一句话都仿佛经过了千锤百炼,掷地有声。这本书的魅力在于它的“不确定性”,它挑战了我们既有的认知框架,迫使我们去理解那些看似“落后”或“野蛮”的坚持背后,所蕴含的某种超越性的美学价值。这绝对是一部需要反复咀嚼,才能体会出其中深意的佳作。
评分这部作品的结构之精巧,实在令人惊叹。它不仅仅是一个关于个人成长的故事,更像是一部关于文化交融与冲突的寓言。我特别喜欢作者在处理时间线上的手法,那种在过去的回忆与当下的行动之间自由穿梭的能力,极大地丰富了故事的层次感。比如,通过一些闪回的片段,我们得以窥见那个旧时代的精致与规范是如何一步步瓦解的,这种对比手法,使得主角当下所处的困境更显悲壮。语言风格上,它融合了某种古典的庄重感和现代叙事的节奏感,既有史诗般的宏大叙事,又不失对人物内心独白的精准捕捉。更值得称道的是,作者对于“失去”这一主题的探讨,是如此的深入和多维。失去的不仅仅是某种生活方式,更是一种身份认同,一种与世界相连的独特方式。每一次的得与失,都伴随着巨大的情感代价,让读者在为角色的遭遇感到揪心之余,也不禁反思自身生命中那些难以挽回的瞬间。这本书的后劲很足,读完后依然能感受到角色们的情绪和声音在脑海中回响。
评分这部史诗般的作品,那种跨越文化藩篱的深刻探究,真是让人拍案叫绝。作者仿佛拥有穿梭时空的能力,将我们带到了一个既熟悉又全然陌生的世界。故事的基调是沉郁的,弥漫着一种对逝去时代的挽歌色彩,但在这份忧郁之下,却涌动着一股对荣誉、忠诚以及自我救赎的炽热追求。我尤其欣赏它对人性复杂性的描摹,那些角色绝非脸谱化的符号,他们的挣扎、他们的矛盾、他们内心深处的挣扎与抉择,都显得如此真实可感。特别是主角在两种截然不同的价值观体系中摇摆不定、最终做出选择的过程,那种精神上的撕裂与最终的融合,处理得极其细腻且富有张力。叙事节奏的把握堪称大师级,时而如涓涓细流般铺陈细节,深入刻画环境与心境,时而又陡然加速,爆发出一场场令人屏息的冲突。那些关于武士道精神的探讨,并非简单的口号式赞美,而是融入了对个体命运与时代洪流之间关系的深刻反思。读完合上书页,耳边似乎还回荡着远去的鼓点和风声,久久不能散去,留下的是一种对“何以为人”的沉甸甸的思考。
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评分怪词多到影响阅读,深深怀疑我的词汇量; 西乡隆盛的一生深受儒家思想和中国文化影响,行事多有道义为先,内心经常挣扎,与一桥庆喜或与大久保利通相比,真是算不得玩权之人;幕末时代不愧是纷争迭起的戏剧历史,每个人每个组织的都各有立场,无法以对错论之;传统与现代的讨论,在今天仍有共鸣。
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