One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.
Review
"Phillips intertwines Wilder's life story, drawn from archival records and his interviews with Wilder, with his films, providing a plot synopsis, quotes, anecdotes, and mildly interesting trivia for each film."―Library Journal
"Phillips presents Wilder in accurate detail and sets many legends to rest. He understands and analyzes each project with support from his copious research, countless interviews with those who knew and worked with Wilder, as well as an interview with the grand master himself. . . . He goes beyond the surface and deep into the complex mind and soul of the famous film director. . . . This book is, in my view, definitive."―Vincent LoBrutto, author of Martin Scorsese: A Biography
"Wilder often clashed with the strict production codes and national conservatism in order to present lively characters and plots that were out of the ordinary. He left behind a rich legacy and the reputation for being a master at his craft."―Vincent LoBrutto, author of Martin Scorsese: A Biography
"Phillips, who interviewed Wilder several times, has mastered the voluminous correspondence between Wilder and his antagonists and collaborators, which reveals a hidden history of studio filmmaking that often contradicts the myths."―DGA Quarterly
"Some Like it Wilder is an absolute must for any fan of film history or for film history collections in general."―Wisconsin Bookwatch
"[Phillips] tells the story of this iconic filmmaker's journey from being a writer who escaped Nazi controlled Germany to becoming an Academy award-winning director."―kydirect.net
"Wilder's life story, told before, is very usefully updated here. Recommended."―Choice
"Featuring Gene D. Phillips' unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking"―Turner Classic Movies
"The real trick is to keep the narrative interesting, and Father Phillips is certainly up to the task, so much so that his book has recently been touted on the America Movie Classics cable television network―surely a promotional coup for the University Press of Kentucky. Wilder's life story told many times before is here usefully updated."―J.M. Welsh, Literature/Film Quarterly
"Some Like It Wilder: The Life and Controversial Films of Billy Wilder paints both a comprehensive and affectionate portrait of Wilder. . . . The work remains and speaks for itself, but this book will give anyone interested in Wilder a fresh insight into how it got made."―Pretty Clever Films
From the Inside Flap
Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906--2002) may be best known for the legendary shot of Marilyn Monroe's dress billowing over a subway grating in The Seven Year Itch (1955). This "shot seen round the world" is representative not only of Hollywood's golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions.
Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder: The Life and Controversial Films of Billy Wilder, offering new insights into the acclaimed director's professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director's life and times. Phillips's unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man.
Phillips traces Wilder's path from Berlin, where he worked as a scriptwriter for one of the city's largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay.
Wilder's maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder's films, offering a personalized and heartfelt account of the life and genius of this compelling director.
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这个故事简直是关于人性的迷宫,作者以一种近乎冷酷的精确度,剖析了社会边缘人群的挣扎与渴望。开篇的场景设置就极具张力,仿佛能闻到空气中弥漫的尘土和酒精味。我特别喜欢作者对角色内心独白的描绘,那些看似简单却蕴含深意的片段,让我对主角的处境感同身受。小说的高潮部分处理得异常巧妙,没有采用常见的戏剧性爆发,而是选择了一种更为内敛、压抑的方式来展现角色的崩溃与重建,这种克制反而带来了更持久的震撼力。阅读过程中,我几次停下来,反复咀悦那些关于选择与宿命的哲学思考。叙事节奏把握得极好,时而如同一场缓慢的踱步,细细打磨每一个细节;时而又如同疾驰的列车,让人来不及喘息。全书在对社会阶层固化现象的揭露上,更是笔力千钧,那些无声的壁垒和看不见的枷锁,被描绘得淋漓尽致。读完后,那种沉甸甸的感觉久久不能散去,它不是提供慰藉的读物,而是直击灵魂的镜子。
评分这本书最吸引我的地方在于其对“身份”这一主题的解构。它探讨了我们如何被社会标签所定义,以及个体如何在这些定义中挣扎求存,甚至主动或被动地戴上多重面具。作者似乎并不急于给出一个明确的道德判断,而是将选择权完全交给了读者。书中几位关键人物的动机都极其模糊和矛盾,你很难用“好人”或“坏人”来简单概括他们。这种模糊性带来了极大的阅读张力——我们不断地在猜测,在修正自己对角色的认知。特别是其中几段长篇的内心独白,那种自我审视的残酷和坦诚,令人不寒而栗,却又忍不住一字不漏地读完。从叙事结构上看,它采用了非传统的倒叙与插叙相结合的方式,这种打碎时间顺序的手法,成功地营造出一种宿命论的悲剧感,仿佛一切都已注定,而角色的抗争不过是徒劳的挣扎。
评分初读此书,我被其近乎冷峻的现实主义风格所震撼。它没有丝毫浪漫化的倾向,直白地将生活中的丑陋、困境和人性的弱点暴露无遗。作者对于特定历史背景下小人物命运的关注,尤为深刻。那些在时代洪流中被碾压、被遗忘的个体,他们的日常琐事、微小的希望与彻底的绝望,都被捕捉得丝丝入扣。我特别喜欢那种“去中心化”的叙事视角,它不是聚焦于某个传统的英雄人物,而是将笔墨分散到许多边缘角色身上,通过他们的碎片化视角,共同构建出一个宏大而又真实的社会图景。这种群像刻画的难度极高,但本书做到了,每个配角都有其存在的重量和意义。此外,本书在对白的设计上极为精妙,简短、跳跃,充满了潜台词,往往一句话的交锋就能揭示人物之间复杂的力量关系。
评分不得不说,这是一部在语言运用上达到了炉火纯青境界的作品。作者的文字仿佛自带一种光影效果,能够将最平凡的场景也渲染出史诗般的质感。那些对环境和氛围的细致描摹,简直是教科书级别的范本。比如,对一场突如其来的暴雨的描写,不是简单地描述下雨,而是通过雨滴击打在不同材质上的声音、空气湿度的变化,以及角色因此产生的生理反应来构建场景,代入感极强。情节的推进并不完全遵循线性逻辑,它更像是一张不断交织和重叠的网,随着阅读的深入,那些看似无关紧要的伏笔会以一种令人惊叹的方式契合在一起。尤其欣赏作者在处理多线叙事时的功力,即便人物众多,关系复杂,也从未感到混乱,反而觉得每条线索都像是为了最终汇聚成一条汹涌的大河而存在的支流。阅读体验就像是在进行一场精密的解谜游戏,而最终的答案远比预想的要复杂和深刻得多。
评分这部作品的后劲实在太大了,属于那种读完后需要花好几天时间才能真正“走出来”的书。它在主题的深度和广度上都表现出色,不仅仅探讨了个人层面的情感纠葛,更深层次地触及了关于社会正义、集体记忆和身份认同的宏大议题。我尤其赞叹作者对于象征手法的运用,那些反复出现的意象——或许是一件褪色的旧物,或许是一个特定的地点——都在潜移默化中加深了作品的主旨。叙事者时不时会跳出来,以一种近乎记录者的冷静口吻进行评论,这种“抽离感”反而增强了故事的客观真实性。整本书的节奏控制得张弛有度,紧张感从未真正消散,即使在看似平静的段落里,也能感受到暗流涌动。它无疑是一部需要慢读、细品,并愿意投入大量思考才能充分领略其魅力的文学精品。
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