Some Like It Wilder

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出版者:The University Press of Kentucky
作者:Gene D. Phillips
出品人:
页数:392
译者:
出版时间:2009-12-22
价格:USD 39.95
装帧:精装
isbn号码:9780813125701
丛书系列:
图书标签:
  • billy_wider
  • 浪漫喜剧
  • 爱情
  • 公路旅行
  • 女性友谊
  • 自我发现
  • 幽默
  • 轻松阅读
  • 现代爱情
  • 独立女性
  • 冒险
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具体描述

One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.

《寂静之河》:在时间的迷雾中寻找失落的回响 作者:[虚构作者名:伊莱亚斯·凡恩] 出版日期:[虚构出版日期:2024年秋] 页数:[虚构页数:588页] 装帧:精装,附带手绘地图与家族谱系图 --- 内容梗概 《寂静之河》并非一个关于冒险或浪漫的传统故事,它是一部对记忆、遗忘与历史重量的沉思。故事的核心围绕着卡莱布·莫顿展开,一位隐居在苏格兰高地深处、年迈的制表匠。卡莱布毕生致力于修复那些被时间遗弃的机械装置,他相信每一个齿轮和游丝中都蕴含着逝去者的呼吸。 故事的引子是卡莱布收到的一份来自已故叔祖父——一位在一战中失踪的博物学家——的遗产:一个设计古怪、内部构造极其复杂的黄铜盒子。这个盒子没有钥匙孔,唯一的开启方式似乎与特定的时间点或特定的声波频率相关联。卡莱布的平静生活由此被打破,他开始追踪叔祖父留下的线索,这些线索散布在苏格兰、冰岛的火山边缘,以及阿尔卑斯山脉一个被遗忘的修道院图书馆中。 随着调查的深入,卡莱布发现叔祖父的研究并非简单的自然历史收集,而是一场关于“时间本身是否具有物质性”的哲学追寻。他所追寻的,是一个传说中被称为“亚特兰蒂斯之钟”的装置——据说它能够记录下所有发生过、但未被人类感知的微小事件,如同河流的静默支流。 小说的叙事结构复杂而精妙,采用了多重视角交织的“嵌合式”叙事。读者将穿梭于卡莱布当下的困惑、叔祖父一战前的狂热日记,以及一段穿插其中的、关于19世纪一位受雇于贵族的钟表修复师的命运片段。这位修复师,被卷入了一场围绕着“永动机”的阴谋,他最终的命运似乎与“亚特兰蒂斯之钟”的最终位置息息相关。 核心主题与探讨 一、记忆的机械性与人类的脆弱 卡莱布的工作是修复时间。然而,小说深刻探讨了:修复一个钟表,究竟是在恢复它的功能,还是在重现它所承载的历史?卡莱布在处理那些祖父辈留下的物件时,不断与那些他从未谋面的人进行“无声的对话”。小说质疑,如果记忆可以被精确地机械化记录,人类情感的不可预测性是否还能保持其价值?它将冰冷的机械精度与人性的温暖、易逝进行了强烈的对比。 二、地理的隐喻与流放者的心灵地图 故事的大部分场景设置在偏远、荒凉但极具美感的地点:爱丁堡老城的湿冷巷道、冰岛米湖地区永恒的硫磺气味、以及苏格兰西海岸被海雾笼罩的孤岛。这些地理空间不仅仅是背景,它们是角色内心状态的投射。卡莱布的流浪,象征着现代人对“根源”的疏离感。河流,尤其是苏格兰那些蜿蜒入海的河流,被用作时间流逝的永恒隐喻——它们看似一成不变,实则每分每刻都在变化。 三、科学、迷信与禁忌知识的边界 叔祖父的研究触及了科学的边缘。他跨越了传统的博物学,开始接触那些被主流科学界视为伪科学的领域,例如声学共振理论与地质时间尺度。小说审视了求知欲的代价,以及当知识的追求到达极致时,它如何从理性的探索引向近乎宗教般的狂热。黄铜盒子本身,成为了一个关于“我们能知道多少”的哲学难题。 四、声音与沉默的对决 《寂静之河》对声音的描写极具特色。从制表厂里精确的“嘀嗒”声,到风暴中盖过一切的雷鸣,再到叔祖父笔记中记录的那些“人类听不见的次声波”。声音的缺失——即“寂静”——成为了叙事中的一个关键角色。当卡莱布最终接近“亚特兰蒂斯之钟”时,他面对的可能不是一个发声的奇迹,而是一个能将所有声音彻底吸收的、绝对的虚无。 叙事风格与文学价值 凡恩的文笔细腻而富有层次感,擅长运用精确到近乎偏执的细节描写来营造氛围。他继承了古典哥特小说的忧郁基调,但注入了现代的疏离感和对物理定律的迷恋。 小说的节奏是缓慢而沉潜的,更像是在深海中潜水,而非在海面上航行。每一章都像是一个精心打磨的怀表零件,需要耐心观察才能理解其整体运作。 《寂静之河》对钟表、机械、地理学和早期声学理论的详尽描绘,使得小说具有了独特的“技术浪漫主义”色彩。它不仅仅是一个关于寻宝的故事,更是对人类试图量化、控制和记录时间的徒劳努力所进行的一曲挽歌。读者将被引导进入一个由精密仪器、古老地图和未解之谜构筑的迷宫,最终发现,有些河流,是注定无法被捕获和命名的。 这部作品适合那些偏爱安布罗塞·比尔斯式的阴郁哲思、沉迷于温斯顿·格雷厄姆式的历史细节,以及对帕特里克·麦格雷戈·怀特式的苏格兰高地氛围有着深厚情感的读者。 --- 读者评价摘录(虚构): “凡恩用他的文字构建了一个宏伟的、会呼吸的机械迷宫。读完此书,你会开始怀疑自己听到的每一次心跳,是否也是一种被记录的噪音。” ——《文学评论季刊》 “这是一部关于‘空’的杰作。它探讨了我们为了填补历史的空白,付出了多少心力,而最终发现,有些空白才是最真实的存在。” ——《泰晤士报文学副刊》

作者简介

Review

"Phillips intertwines Wilder's life story, drawn from archival records and his interviews with Wilder, with his films, providing a plot synopsis, quotes, anecdotes, and mildly interesting trivia for each film."―Library Journal

"Phillips presents Wilder in accurate detail and sets many legends to rest. He understands and analyzes each project with support from his copious research, countless interviews with those who knew and worked with Wilder, as well as an interview with the grand master himself. . . . He goes beyond the surface and deep into the complex mind and soul of the famous film director. . . . This book is, in my view, definitive."―Vincent LoBrutto, author of Martin Scorsese: A Biography

"Wilder often clashed with the strict production codes and national conservatism in order to present lively characters and plots that were out of the ordinary. He left behind a rich legacy and the reputation for being a master at his craft."―Vincent LoBrutto, author of Martin Scorsese: A Biography

"Phillips, who interviewed Wilder several times, has mastered the voluminous correspondence between Wilder and his antagonists and collaborators, which reveals a hidden history of studio filmmaking that often contradicts the myths."―DGA Quarterly

"Some Like it Wilder is an absolute must for any fan of film history or for film history collections in general."―Wisconsin Bookwatch

"[Phillips] tells the story of this iconic filmmaker's journey from being a writer who escaped Nazi controlled Germany to becoming an Academy award-winning director."―kydirect.net

"Wilder's life story, told before, is very usefully updated here. Recommended."―Choice

"Featuring Gene D. Phillips' unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking"―Turner Classic Movies

"The real trick is to keep the narrative interesting, and Father Phillips is certainly up to the task, so much so that his book has recently been touted on the America Movie Classics cable television network―surely a promotional coup for the University Press of Kentucky. Wilder's life story told many times before is here usefully updated."―J.M. Welsh, Literature/Film Quarterly

"Some Like It Wilder: The Life and Controversial Films of Billy Wilder paints both a comprehensive and affectionate portrait of Wilder. . . . The work remains and speaks for itself, but this book will give anyone interested in Wilder a fresh insight into how it got made."―Pretty Clever Films

From the Inside Flap

Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906--2002) may be best known for the legendary shot of Marilyn Monroe's dress billowing over a subway grating in The Seven Year Itch (1955). This "shot seen round the world" is representative not only of Hollywood's golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions.

Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder: The Life and Controversial Films of Billy Wilder, offering new insights into the acclaimed director's professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director's life and times. Phillips's unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man.

Phillips traces Wilder's path from Berlin, where he worked as a scriptwriter for one of the city's largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay.

Wilder's maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder's films, offering a personalized and heartfelt account of the life and genius of this compelling director.

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这个故事简直是关于人性的迷宫,作者以一种近乎冷酷的精确度,剖析了社会边缘人群的挣扎与渴望。开篇的场景设置就极具张力,仿佛能闻到空气中弥漫的尘土和酒精味。我特别喜欢作者对角色内心独白的描绘,那些看似简单却蕴含深意的片段,让我对主角的处境感同身受。小说的高潮部分处理得异常巧妙,没有采用常见的戏剧性爆发,而是选择了一种更为内敛、压抑的方式来展现角色的崩溃与重建,这种克制反而带来了更持久的震撼力。阅读过程中,我几次停下来,反复咀悦那些关于选择与宿命的哲学思考。叙事节奏把握得极好,时而如同一场缓慢的踱步,细细打磨每一个细节;时而又如同疾驰的列车,让人来不及喘息。全书在对社会阶层固化现象的揭露上,更是笔力千钧,那些无声的壁垒和看不见的枷锁,被描绘得淋漓尽致。读完后,那种沉甸甸的感觉久久不能散去,它不是提供慰藉的读物,而是直击灵魂的镜子。

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这本书最吸引我的地方在于其对“身份”这一主题的解构。它探讨了我们如何被社会标签所定义,以及个体如何在这些定义中挣扎求存,甚至主动或被动地戴上多重面具。作者似乎并不急于给出一个明确的道德判断,而是将选择权完全交给了读者。书中几位关键人物的动机都极其模糊和矛盾,你很难用“好人”或“坏人”来简单概括他们。这种模糊性带来了极大的阅读张力——我们不断地在猜测,在修正自己对角色的认知。特别是其中几段长篇的内心独白,那种自我审视的残酷和坦诚,令人不寒而栗,却又忍不住一字不漏地读完。从叙事结构上看,它采用了非传统的倒叙与插叙相结合的方式,这种打碎时间顺序的手法,成功地营造出一种宿命论的悲剧感,仿佛一切都已注定,而角色的抗争不过是徒劳的挣扎。

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初读此书,我被其近乎冷峻的现实主义风格所震撼。它没有丝毫浪漫化的倾向,直白地将生活中的丑陋、困境和人性的弱点暴露无遗。作者对于特定历史背景下小人物命运的关注,尤为深刻。那些在时代洪流中被碾压、被遗忘的个体,他们的日常琐事、微小的希望与彻底的绝望,都被捕捉得丝丝入扣。我特别喜欢那种“去中心化”的叙事视角,它不是聚焦于某个传统的英雄人物,而是将笔墨分散到许多边缘角色身上,通过他们的碎片化视角,共同构建出一个宏大而又真实的社会图景。这种群像刻画的难度极高,但本书做到了,每个配角都有其存在的重量和意义。此外,本书在对白的设计上极为精妙,简短、跳跃,充满了潜台词,往往一句话的交锋就能揭示人物之间复杂的力量关系。

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不得不说,这是一部在语言运用上达到了炉火纯青境界的作品。作者的文字仿佛自带一种光影效果,能够将最平凡的场景也渲染出史诗般的质感。那些对环境和氛围的细致描摹,简直是教科书级别的范本。比如,对一场突如其来的暴雨的描写,不是简单地描述下雨,而是通过雨滴击打在不同材质上的声音、空气湿度的变化,以及角色因此产生的生理反应来构建场景,代入感极强。情节的推进并不完全遵循线性逻辑,它更像是一张不断交织和重叠的网,随着阅读的深入,那些看似无关紧要的伏笔会以一种令人惊叹的方式契合在一起。尤其欣赏作者在处理多线叙事时的功力,即便人物众多,关系复杂,也从未感到混乱,反而觉得每条线索都像是为了最终汇聚成一条汹涌的大河而存在的支流。阅读体验就像是在进行一场精密的解谜游戏,而最终的答案远比预想的要复杂和深刻得多。

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这部作品的后劲实在太大了,属于那种读完后需要花好几天时间才能真正“走出来”的书。它在主题的深度和广度上都表现出色,不仅仅探讨了个人层面的情感纠葛,更深层次地触及了关于社会正义、集体记忆和身份认同的宏大议题。我尤其赞叹作者对于象征手法的运用,那些反复出现的意象——或许是一件褪色的旧物,或许是一个特定的地点——都在潜移默化中加深了作品的主旨。叙事者时不时会跳出来,以一种近乎记录者的冷静口吻进行评论,这种“抽离感”反而增强了故事的客观真实性。整本书的节奏控制得张弛有度,紧张感从未真正消散,即使在看似平静的段落里,也能感受到暗流涌动。它无疑是一部需要慢读、细品,并愿意投入大量思考才能充分领略其魅力的文学精品。

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