具體描述
In this study, Christiane Hertel interprets the suppositions underlying Vermeer's canonization in the nineteenth century and also addresses the critical problem of locating his paintings in history. The specific concepts guiding critics were developed in the context of a reappraisal of Dutch painting in the nineteenth century, particularly in Germany and France. Based on current as well as historical discussions of a theory of aesthetic reception, her book makes a contribution to the evolving self-definition of the discipline of art history.
著者簡介
圖書目錄
Introduction: reception and interpretation; Part I. Idyll: The German Reception of Dutch Art and Vermeer's Paintings of Social Life: Introduction; 1. Hegel's legacy to German scholarship on seventeenth-century Dutch painting; 2. Vermeer's paintings of social life as 'disturbed idylls'; 3. Temporality and difference: 'The Chinese Hat'; Part II. Fiction: The French Reception of Vermeer and the Modernity of Vermeer's Cityscape: Introduction; 4. French travel literature of the nineteenth-century; 5. Art criticism 1859-1913: the 'Oriental' Vermeer; 6. The modern Vermeer: Marcel Proust's Remembrance of Things Past; 7. Seriality and originality: Vermeer's View of Delft, his 'Identical World' and Dutch painting in Proust's Remembrance of Things Past; 8. 'Fernbild'; Part III. Allegory: The Question of Authority in Vermeer's The Art of Painting and Allegory of Faith: Introduction: 'The Rat and the Snake'; 9. Theories and concepts of allegory; 10. Vermeer's The Art of Painting; 11. Veritas Filia Temporis; 12. Vermeer's Allegory of Faith; Epilogue; Notes; References; Index.
· · · · · · (收起)
· · · · · · (收起)
讀後感
評分
評分
評分
評分
評分
用戶評價
评分
评分
评分
评分
评分
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有