Jacobson's Organ

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出版者:W. W. Norton & Company
作者:Lyall Watson
出品人:
页数:272
译者:
出版时间:2000-4-17
价格:USD 19.95
装帧:Paperback
isbn号码:9780393332919
丛书系列:
图书标签:
  • cultural-studies
  • aesthetics
  • 嗅觉
  • 神经科学
  • 生物学
  • 进化
  • 动物行为
  • 感官
  • 科学
  • 自然
  • 心理学
  • 嗅觉系统
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具体描述

Amazon.com Review

The nose knows, says Lyall Watson, and in Jacobson's Organ, he sets out to prove that a humble, often overlooked set of nasal pits helps us decide whom to hit on, and whom to hit. First identified in 1811 by Danish anatomist Ludwig Levin Jacobson, the vomeronasal organ has been implicated in the reception of pheromones, those ephemeral chemical signals animals use to communicate nonverbally.

Watson organizes his thesis around the seven broad classes of smells identified by pioneering naturalist Carolus Linnaeus: floral, goatish, musky, foul, nauseating, spicy, and garlicky. In each section, Watson presents evidence of a surprising and unacknowledged role of smell and pheromones in human life. Is it possible that first impressions are the result of chemical signals? Watson thinks so, and also that pair-bonding, fistfights, love of offspring, and memories may have more to do with our humble nose than we think. In what is bound to be one of his more controversial stretches, Watson implicates nasal plastic surgery in postoperative mood changes:

Every time a surgeon slices away at a nasal septum in the name of fashion or vanity, both sides of Jacobson's organ are at risk of being damaged or even removed entirely, without thought for the consequences.... If you are considering cosmetic surgery on your nose, know that it could deprive you of the very things in life which having a new, cute, little button nose were supposed to improve.

Jacobson's Organ is full of Watson's pithy opinions and conjectures. Some are supported by science, some are not. But as we learn more about the role of the vomeronasal structures in human chemical communication, it becomes clear that a nosey approach is nothing to sneeze at. --Therese Littleton --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

There's little doubt that smell plays a significant role in the lives of humans. Watson (Beyond Supernature), like many before him, argues convincingly that odors are superb at rekindling lost memories. He is also in good company when he asserts that some smells and some pheromones often have consequential but unconscious effects on humans. Beyond rehashing what has become widely accepted, Watson attempts to discuss the importance of Jacobson's Organ, the "unconscious partner to the nose." Jacobson's Organ, also called the vomeronasal organ, consists of two small pits in front of the nasal septum with nerves feeding directly to the most primitive, limbic area of the brain. Scientists believe that the vomeronasal organ in humans, as in reptiles, can sense large molecules that have no impact on our ordinary sense of smell. Watson claims that it is "a chemical clearing house for subliminal impressions, for... bad vibes, warm fuzzies, instant dislikes and irresistible attractions. Just the sort of will-o'-the-wisps with which any decent sixth sense ought to be concerned." Perhaps there is a sixth sense mediated by Jacobson's Organ. The problem, however, is that Watson spends virtually all of his time providing eclectic information on the traditional sense of smell, only alluding to Jacobson's Organ. Only in his final chapter does he focus on it directly; and there, to his credit, he writes, "everything that follows here is pure speculation on my behalf." As with his earlier work, Watson provides tantalizing conjectures, but his uncritical acceptance of the paranormal reduces his credibility. (Apr.)

《 Jacobson's Organ》:一场关于感知、记忆与现实的深刻探索 《Jacobson's Organ》并非一本简单的虚构故事集,而是一次对人类感知极限、记忆塑造以及现实本质的沉浸式探险。作者以精湛的笔触,编织出一系列令人难忘的角色和场景,他们共同揭示了我们理解世界和自身存在方式中那些隐秘而强大的力量。这本书的核心在于,它邀请读者质疑那些我们习以为常的“事实”,并审视那些微妙的、常常被忽视的元素,它们如何共同构建我们个人的世界。 故事的开端,我们将跟随一位艺术家,他沉溺于色彩与光影的迷离之中,试图捕捉那些转瞬即逝的情感瞬间。他的画作并非对现实的简单模仿,而是对内在情感的翻译,是对视觉经验背后深层意义的挖掘。通过他的视角,我们开始理解,我们所见并非仅是物理世界的投射,更是由我们过去的经历、情感状态以及文化背景共同调和而成的独特感知。他的创作过程,与其说是在画布上作画,不如说是在试图重构一种更纯粹、更原始的视觉语言,一种能够绕过大脑理性分析,直接触及灵魂的语言。 随后,叙事转向一位历史学家,他致力于解开一段被遗忘的家族史。他所面对的不仅是零散的文献和口述传说,更是时间的迷雾以及记忆的不可靠性。他发现,历史的“真相”并非固定不变的实体,而是随着叙述者的视角、立场以及后世的解读而不断变化。他搜集到的信息,如同破碎的镜子,每一片都映照出不同的侧面,而真正的完整图像,却始终难以拼凑。在这个过程中,历史学家本人也逐渐成为一个“记忆的容器”,他所经历的追寻,也反过来塑造了他对过去和现在的理解。他开始意识到,我们所坚信的“事实”,往往建立在选择性的记忆和情感的过滤之上。 书中另一条引人入胜的线索,是一位音乐家,他花费数年时间试图创作一首能够唤醒人类深层情感共鸣的乐章。他相信,声音拥有超越语言的力量,能够直接触及潜意识,唤起那些被压抑或遗忘的情感。他的探索,是对听觉感知的一次极致挑战,也是对人类情感神经网络的一次精密描摹。他尝试在音乐中融入自然界的细微声响,历史事件的回响,以及人际关系的微妙互动,试图通过听觉的层层叠加,创造出一种“万物之声”的体验。他试图找到的,是连接个体经验与集体无意识的音乐桥梁,一种能够让不同背景的人们产生共通情感的“集体旋律”。 《Jacobson's Organ》通过这些看似独立却又彼此呼应的人物故事,共同构建了一个宏大的主题框架。书中反复出现的,是对“感知”这一概念的细致解构。它探讨了视觉、听觉、触觉等感官如何协同工作,又如何因为个体的差异而产生截然不同的体验。作者并未仅仅满足于描述感官的生理机制,而是深入探究了感官经验背后所承载的心理和情感信息。 同时,记忆在书中扮演着至关重要的角色。书中角色们在追寻真相、创作艺术、理解自我时,无不与记忆的曲折复杂打交道。作者揭示了记忆并非是忠实记录的硬盘,而是一种动态的、不断被重塑的过程。过去的事件,会因为当下情感和认知的变化而被重新解读,甚至被替换。这种对记忆本质的深刻洞察,让读者不禁反思自己对过去的回忆,以及这些回忆如何影响着现在的行为和未来的选择。 最终,《Jacobson's Organ》将读者引向对“现实”本身的哲学思考。通过描绘不同角色对世界的感知方式以及他们对记忆的运用,作者提出了一种观点:我们所认为的“现实”,或许并非一个客观独立的存在,而更多地是我们自身感知、记忆和认知构建的产物。我们每个人都生活在一个由自己所构建的,独一无二的“现实泡泡”中。书中人物的挣扎与顿悟,正是他们试图突破自身认知界限,去触碰更广阔、更真实存在的历程。 《Jacobson's Organ》是一部充满智性挑战和情感张力的作品。它用细腻的笔触,描绘了人类内心世界的复杂图景,鼓励读者去探索自身感知的盲区,审视记忆的真实面貌,并对我们所处的世界提出深刻的疑问。这本书将带你踏上一段非凡的旅程,在那里,你将重新认识自己,以及你与这个世界的独特关系。它不是提供答案,而是提出问题,邀请你一同加入这场关于理解和存在的永恒探索。

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