"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line. Kirkland, a Los Angeles-based photographer famous for his portrayals of Chanel and Marilyn Monroe, gives us a glimpse of the sympathetic character beneath the hard-working fashion doyenne's ever-impeccable exterior, with his elegant shots of Mademoiselle leaving her suite at the Ritz Hotel, in her apartment and studio at 31 rue Cambon and watching a runway show from the apartment's famous mirrored staircase.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
那種優雅那種氣質 太愛coco的態度和勇於改革的精神 以緻於就算滿大街都愛chanel 我也沒關係 因為我真的愛chanel文化
评分文化香奈兒展覽的最大bonus。老佛爺寫的前言好感人。
评分文化香奈兒展覽的最大bonus。老佛爺寫的前言好感人。
评分就像Karl說的 Coco有些bitchy 但bitchy的她總是那麼有活力 看過她的幾部片子以後 每次看她笑心裏總有些不是滋味 看她坐在The Mystery Stairs上 我不知道我羨不羨慕這個女人
评分文化香奈兒展覽的最大bonus。老佛爺寫的前言好感人。
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