This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as 'The War of Resistance against Japan'). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms - especially dramas, cartoons, and newspapers - to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
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閱於2012-2015
评分The popularization and politicization of culture——popular culture gained its prominence during the wartime by virtue of the manipulation and remaking of the intellectuals.
评分戰時大眾文化研究的必讀作品,主論點是文化曆經城市嚮農村、精英嚮大眾、商業嚮政治的轉變,反映同時推進中共政治革命的成功,並預言1949年後的文化形態。作者很有見地的做法 1)五四時期走嚮民間與戰時文藝下鄉的比較 2)國共兩黨的通俗文藝運動的實施與效果的比較。作品因聚焦各方麵文藝的梳理所以不免擴展、深入有限,以及缺乏民眾的反應,但整體架構、問題意識、流暢行文還是受益良多~
评分這本書還是相當有意思,隻是缺乏瞭電影和音樂的部分,覺得有一些遺憾~
评分這本書還是相當有意思,隻是缺乏瞭電影和音樂的部分,覺得有一些遺憾~
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