一批流散海外的吐蕃文物的初步考察
解讀《巴協》中“藏式佛像”之說
Cave Temples in Dunhuang & the Period of Tibetan Rule(781-847)： the Vimaiakirti Debae，the Mahaparinirvana of the Buddha
敦煌石窟曆史的重構——敦煌吐蕃期洞窟諸現象之省思
被遺忘的曼陀羅：唐代初傳的金剛界曼陀羅
敦煌藏經洞齣土五代絹畫降魔圖像解讀
西夏石窟壁畫中水月觀音的傳承與流變
伏虎羅漢、行腳僧、寶勝如來與達摩多羅——十一世紀至十三世紀中國多民族美術關係史個案分析
Styles in Western Himalayan Art
拉薩藥王山南崖牛頭造像考
Hevajra and Mahakala：A Pair of Tantric Gilt Bronze BuddhistImages from Gansu Province
Dating the kesi-Thangka of Acala in the Tibet Museum，Lhasa
Is There Any“Anige Style”in Nepalo-Tibetan and Tibeto-Chinese Metal Sculpture of the Sa skya Yuan Period?
Chinese Influence in Some Wall Paintings at Zhwa lu and Their Political Meaning within Their Cultural Context
興化寺壁畫與晉南元代寺觀壁畫群的幾個問題
一幅巨作，幾點猜測——關於元代刻絲大威德金剛曼荼羅
從勝利幢到雨傘——談元代居庸關過街塔基門券兩壁之四天王造形
Sino-Tibetan Influence on Goryeo Buddhist Art in Korea
A Yung lo Embroidery Thangka：Iconographic and Historic Analysis
A Tibetan Thangka Painted in Beijing
Sino-Tibetan Tangkas of the Chenghua and Zhengde Periods in Western Collections
A Version ofthe Ngor Mandala Collection
略論明清唐卡繪畫中的玻璃器皿
試考雪堆白及其造像藝術
四川白埡寺藏傳佛教壁畫調查報告——壁畫的內容與時代
藏文題記觀世音銅像考——兼論卻英多吉題記造像的製作年代
Sitatapatra(Baisangai fomu；gDugs dkar po)：Interactions between Chinese and Tibetan Buddhism
清宮大白傘蓋佛母信仰探析
The Qianlong Emperor’s Crypt：Tibetan-Buddhist and Sino-Manchu Representations in the Mingtang Section
Qing Buddhist Architecture between Beijing，Inner Mongolia and Amdo： The Huilang Shi Dugang
The Iconography of the Sixteen Karmapas of Tibet，Karmapa-Representations in Tibet and the West——13th-21st Century
夏吾纔讓、張大韆和漢藏文化交流，1941-1943：界定中古和現代安多地區畫坊生産的研究方法
佛裝與僧裝的概念以及穿著形式
“定光佛授記”與定光佛
西藏曼荼羅緣起
大黑天圖像樣式考
佛教美術上的仁獸
Research on Technological Style in Studies of Tibetan and Sino-Tibetan Art
Regional Styles in Tibetan Furniture
納西族東巴教“神路圖”與藏傳佛教“生死之輪”比較研究
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