Alicia's Gift

Alicia's Gift pdf epub mobi txt 电子书 下载 2026

出版者:
作者:Duchen, Jessica
出品人:
页数:416
译者:
出版时间:2007-7
价格:79.00元
装帧:
isbn号码:9780340839331
丛书系列:
图书标签:
  • 奇幻
  • 儿童文学
  • 友谊
  • 冒险
  • 礼物
  • 魔法
  • 成长
  • 想象力
  • 家庭
  • 勇气
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具体描述

Forbidden by her parents to become a musician, Kate Bradley is stunned when her small daughter reveals an exceptional talent for the piano. Kate is determined to give Alicia the chance to succeed and it's not long before the fame of the Peak District prodigy begins to spread. Alicia, though, craves her father's approval: Guy, with a demanding job, is rarely at home, alienated by Kate's obsession with her daughter's burgeoning career. Meanwhile Alicia's tearaway brother is sidelined, and warns his sister that Kate doesn't mother her but smother her. As the heap of white lies designed to keep Alicia concentrating on her piano in peace escalates into a mountain of deceit, conflict threatens to overwhelm the entire family -- with potentially devastating consequences.

《时间的织锦:文明的兴衰与人类的永恒追问》 导言:回响于群星间的低语 这是一部宏大叙事的历史哲学著作,它并非聚焦于某个单一的英雄事迹或特定的历史片段,而是将目光投向人类文明的整体脉络,试图在浩瀚的时间长河中,捕捉那些驱动社会形态演变、塑造人类集体意识的底层逻辑与永恒主题。本书的视角跨越了地理的界限,融合了考古学、人类学、社会学乃至天体物理学的观察,构建了一个多维度的叙事框架,探讨“进步”的真实含义,以及人类在面对有限生命与无限宇宙时的精神困境。 第一部分:起源的迷雾与工具的诞生 本部分深入探究人类从狩猎采集社会向定居文明过渡的“大转型”。我们摒弃了对新石器革命的线性赞美,转而审视其伴随的代价——社会分化、资源集中与对土地的首次束缚。 第一章:火种与火种的悖论。 我们详细分析了“控制火焰”这一行为如何不仅是技术上的飞跃,更是认知结构上的革命。火焰带来了安全与烹饪,但也催生了对“他者”的区分与排斥。通过对早期人类遗迹中工具磨损模式的分析,我们描绘出早期社群中知识传承的非书面化过程,以及口头文化如何构建起第一个复杂的道德与法律体系。 第二章:大河的塑造者与文字的阴影。 聚焦于美索不达米亚、尼罗河谷、印度河流域以及黄河文明的早期形态。本书强调,并非所有大河流域都必然导向中央集权的帝国,而是特定地理条件(如可预测的水文周期)与特定社会组织(如祭司阶层的崛起)共同作用的结果。我们对楔形文字和象形文字的起源进行了细致的对比研究,论证了书写系统的诞生,是人类首次将记忆外部化,这极大地解放了认知能力,但也为“被记录者”与“被遗忘者”的鸿沟埋下了伏笔。我们探讨了早期税收记录和法律条文如何固化了不平等,以及“神授王权”叙事如何在权力结构中扮演了无可替代的粘合剂角色。 第二部分:帝国的循环与意义的追寻 这部分的核心议题是关于“帝国”这一政治形态的普遍性与脆弱性。我们考察了从波斯帝国、罗马帝国到汉帝国的共同特征,并试图解析其结构性崩溃的内在机制。 第三章:尺度之困:管理巨大疆域的张力。 详细分析了信息传递的延迟、官僚体系的僵化以及文化同质化(或反抗)如何在长期运作中削弱帝国的核心功能。本书提出一个关于“帝国有效统治半径”的理论模型,认为任何庞大帝国都存在一个技术和官僚效率的极限,一旦超越此限,内耗与地方割据的风险便急剧增加。我们着重分析了基础设施(如罗马大道、长城)的双重性:它们既是控制的工具,也是文化交流的载体,最终都成为维护高昂统治成本的负担。 第四章:精神的堡垒:哲思与信仰的避难所。 当物质世界陷入循环的泥沼时,人类的精神需求愈发强烈。本章对比了轴心时代的几大思想流派——从印度的奥义书到希腊的柏拉图主义,再到儒家的伦理实践。我们认为,这些思想的共同目标是为“无常的世间”提供一套超越性的秩序感和道德指南。这些哲学与宗教的构建,是人类对抗“虚无”的集体努力,它们在帝国衰落时为民众提供了延续身份认同的锚点。 第三部分:连接的加速与知识的爆炸 本部分将目光转向中世纪晚期至近现代的转型,特别是印刷术、科学革命和全球贸易网络的兴起,如何彻底打破了先前文明的循环模式。 第五章:活字的反叛与知识的民主化。 尽管印刷术被认为是技术进步的象征,但本书强调其在社会结构上的“颠覆性”。它削弱了传统知识垄断者(如修道院和宫廷学者)的权力,使得异见得以迅速传播,从而催生了宗教改革和启蒙运动。我们详细分析了早期科学共同体(如英国皇家学会)的形成过程,它们如何通过同行评审和共享实验数据,建立了超越地域限制的“真理生产机制”。 第六章:机器的伦理学与自然的重塑。 工业革命被重新审视为一场生态与社会边界的全面扩张。我们探讨了化石能源的使用如何暂时性地打破了土地的限制,使人类文明获得了前所未有的物质积累能力,但同时也开启了对地球系统稳定性的系统性挑战。本章引入了对“效率”崇拜的批判性分析,指出技术进步带来的舒适感往往是以牺牲生态平衡和长期韧性为代价的。 第七章:宏大叙事的黄昏与碎片化的未来。 随着现代性的深入,民族国家的崛起、全球化进程的加速以及信息技术的爆炸式发展,将人类社会推向了一个充满不确定性的新阶段。我们审视了20世纪意识形态斗争的根源,认为它们是人类在旧的、宏大的统一叙事(如神权或绝对理性)瓦解后,试图建立新的、替代性真理体系的激烈尝试。本书的最后部分,着重于当代社会中“注意力稀缺”与“信息过载”的辩证关系,探讨人类在面对海量数据时,如何重建意义和保持认知上的清醒。 结语:在确定性与可能性的边缘 《时间的织锦》最终回归到个体在历史洪流中的位置。文明的兴衰并非简单的数学公式可以套用,它是由无数个体的选择、信仰的碰撞以及偶然的机遇共同编织而成的复杂图案。本书旨在提供一个审视历史的透镜,帮助读者认识到:我们所处的时代,无论如何喧嚣,都不过是人类永恒追问——“我们是谁?我们从哪里来?我们将去往何方?”——在当下语境下的再一次回响。我们并非要提供终极答案,而是要呈现提问的深度与广度。

作者简介

Jessica Duchen’s latest novel, Songs of Triumphant Love, was published by Hodder & Stoughton in 2009 and has been acclaimed as ‘enthralling’ by Joanna Lumley and ‘startlingly original’ by the Lancashire Evening Post.

Jessica was born in London, where her parents settled after leaving South Africa in the 1950s. She regrets that she can’t remember her encounter with JR Tolkein in Oxford at the age of six, which has become a family legend. She first tried to write a novel at the age of 12. Her efforts soon found their way into the hands of a distinguished author and a literary agent, who both provided valuable encouragement. After studying at Cambridge, she worked as an editor in music publishing and magazines until going freelance to develop her writing.

Her novels focus on the tensions and cross-currents between family generations, ranging from a painful exploration of the effects of anorexia (Rites of Spring) and the rearing of a child prodigy (Alicia’s Gift) to the long-term effects of displacement and cultural clashes (Hungarian Dances and Songs of Triumphant Love). Music is also a recurring theme and in 2009 the celebrated violin and piano duo Philippe Graffin and Claire Désert recorded a CD directly inspired by Hungarian Dances and designed as a companion to the novel. It is available from Onyx Classics.

As a journalist, she writes regularly for The Independent and Standpoint Magazine, and has interviewed most of the world’s finest musicians (see Archive). Her work appears frequently in BBC Music Magazine, The Strad and Classic FM Magazine; she has also contributed to The Guardian, The New Statesman and Gramophone. She has given pre-concert talks at the Barbican, Wigmore and Royal Festival Halls and served on the juries of the Royal Philharmonic Society Awards and the BBC Music Magazine CD Awards. Jessica Duchen's Classical Music Blog has frequently been ranked among the world's top blogs of its kind.

Jessica’s ‘literary concerts’ for musicians and actors have been performed in the UK, France, Australia and America. Her first play, A Walk Through the End of Time, a one-act drama introducing Messiaen’s Quartet for the End of Time, was commissioned by her frequent collaborator, violinist Philippe Graffin, the artistic director of the Consonances Festival, Saint-Nazaire, in 2007 and won her the Medal of the Town of Saint-Nazaire (see StageWorks). She and the great tenor Robert Tear gave the play’s UK premiere in 2008.

Jessica’s first books were biographies of the composers Erich Wolfgang Korngold and Gabriel Fauré (see Books). She wrote the text for 'Inside London', Dorothy Bohm’s photographic portrait of the city, and has published several short stories, notably Too Much Mozart, commissioned by Graffin for the booklet of his CD with Nobuko Imai of the Mozart Sinfonia Concertante.

Jessica married violinist Tom Eisner in 1998. She enjoys the company of her family, friends and cat, reads widely and loves cinema, cookery, theatre, ballet and art. She has no hobbies, only a way of life.

目录信息

读后感

评分

Sometimes I think I am lucky because I am just an ordinary person, so I can do what I want to do in my life, although I am still drifting. Alicia of course reveals an exceptional talent for the piano,but that is her luck as well as misfortune because "Ever...

评分

Sometimes I think I am lucky because I am just an ordinary person, so I can do what I want to do in my life, although I am still drifting. Alicia of course reveals an exceptional talent for the piano,but that is her luck as well as misfortune because "Ever...

评分

Sometimes I think I am lucky because I am just an ordinary person, so I can do what I want to do in my life, although I am still drifting. Alicia of course reveals an exceptional talent for the piano,but that is her luck as well as misfortune because "Ever...

评分

Sometimes I think I am lucky because I am just an ordinary person, so I can do what I want to do in my life, although I am still drifting. Alicia of course reveals an exceptional talent for the piano,but that is her luck as well as misfortune because "Ever...

评分

Sometimes I think I am lucky because I am just an ordinary person, so I can do what I want to do in my life, although I am still drifting. Alicia of course reveals an exceptional talent for the piano,but that is her luck as well as misfortune because "Ever...

用户评价

评分

It is really hard to be a prodigy..sign......读起来容易翻起来难

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It is really hard to be a prodigy..sign......读起来容易翻起来难

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如果出了中文版我可是译者哦

评分

如果出了中文版我可是译者哦

评分

如果出了中文版我可是译者哦

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