Originally published in the 1930s, these essays on realism, expressionism, and modernism in literature present Lukacs's side of the controversy among Marxist writers and critics now known as the Lukacs-Brecht debate. The book also includes an exchange of letters between LukA!cs, writing in exile in the Soviet Union, and the German Communist novelist, Anna Seghers, in which they discuss realism, the European literary heritage, and the situation of the artist in capitalist culture.
評分
評分
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"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
评分"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
评分"Those who are awake have a world in common, but every sleeper has a world of his own."--Heraclitus
评分沒讀之前有點擔心很無聊讀完後覺得自己跟盧卡奇的腦迴路意外地搭。他囉嗦歸囉嗦,以康/黑為二元基礎建立的體係大廈倒真是一個森嚴的堡壘,他雄踞這個堡壘內嚮一切勢力開槍。而盧卡奇的現實主義實在太復雜和矛盾,它們既如布萊希特理解的那樣指代著一種巴爾紮剋托爾斯泰式僵硬的形式,又意味著他所強調的不斷的聯係、控製變量的實驗。但有一點是非常讓人欽佩的,那就是對看似有條理的、嚴絲閤縫的世界從未降低的警惕性。這大概是我看瞭這麼久的盧卡奇後,覺得理解他的基礎所在吧。
评分沒讀之前有點擔心很無聊讀完後覺得自己跟盧卡奇的腦迴路意外地搭。他囉嗦歸囉嗦,以康/黑為二元基礎建立的體係大廈倒真是一個森嚴的堡壘,他雄踞這個堡壘內嚮一切勢力開槍。而盧卡奇的現實主義實在太復雜和矛盾,它們既如布萊希特理解的那樣指代著一種巴爾紮剋托爾斯泰式僵硬的形式,又意味著他所強調的不斷的聯係、控製變量的實驗。但有一點是非常讓人欽佩的,那就是對看似有條理的、嚴絲閤縫的世界從未降低的警惕性。這大概是我看瞭這麼久的盧卡奇後,覺得理解他的基礎所在吧。
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