Hegel's Phenomenology of Spirit has attracted much attention recently from philosophers, but none of the existing English-language books on the text addresses one of the most difficult questions the book raises: Why does the Phenomenology make such rich and provocative use of literary works and genres? Allen Speight's bold contribution to the debate on the work of Hegel argues that behind Hegel's extraordinary appeal to literature in the Phenomenology lies a philosophical project concerned with understanding human agency in the modern world. It shows that Hegel looked to three literary genres - tragedy, comedy, and the Romantic novel - as offering privileged access to three moments of human agency: retrospectivity, theatricality, and forgiveness. Taking full account of the authors whom Hegel himself refers to (Sophocles, Diderot, Schlegel, Jacobi), Allen Speight has written a book with a broad appeal to both philosophers and literary theorists.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
開篇討論是否可以將精神現象學一書看為教育成長小說。本書主要是一般文論和文獻引用，少有對黑格爾哲學的細節理解。
评分開篇討論是否可以將精神現象學一書看為教育成長小說。本書主要是一般文論和文獻引用，少有對黑格爾哲學的細節理解。
评分開篇討論是否可以將精神現象學一書看為教育成長小說。本書主要是一般文論和文獻引用，少有對黑格爾哲學的細節理解。
评分開篇討論是否可以將精神現象學一書看為教育成長小說。本書主要是一般文論和文獻引用，少有對黑格爾哲學的細節理解。
评分開篇討論是否可以將精神現象學一書看為教育成長小說。本書主要是一般文論和文獻引用，少有對黑格爾哲學的細節理解。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有