In this remarkable work, master story-teller Edgar Allan Poe (1809-1849) builds on known scientific truths to propound a universe governed by the immutable laws of attraction and repulsion, i.e., expansion and a return to unity. The irascible, vindictive God of the Old Testament and the Deists' Master Clockmaker are routed by Poe's pantheistic World Spirit who, through the force of expansion, is diffused throughout his creation. Moreover, we humans are all part of this universal spirit and each of us is his own god. Published after his death, as Poe desired, "Eureka" remains a startlingly different work from the author's more popular offerings.
EDGAR ALLAN POE was born in Boston on January 19, 1809. Following the deaths of his actor-parents soon after his birth, Poe was informally adopted by a wealthy tobacco merchant, John Allan of Richmond, Virginia. Poe thus grew up in a prosperous household, with opportunities for travel abroad and education, but his relationship with his adoptive family was unstable. After being expelled from the University of Virginia and, later, from West Point, Poe was disowned by Allan in 1831.
Poe moved to Baltimore in the early 1830s to live with his paternal aunt, Mrs. Maria Clemm; there he began his career as an editor and critic for various literary journals. These jobs were usually short lived, either because Poe soon quit or was fired for erratic behavior, possibly as the result of alcohol. He began to acquire a literary reputation, however, for his essays, tales, and poems, which appeared in various magazines. Poe's story "MS Found in a Bottle," which he had entered in a contest sponsored by the Saturday Visitor, won a prize of fifty dollars.
In 1836, Poe married his thirteen-year-old cousin, Virginia Clemm, whose fragile beauty and early death in 1847 inspired the pale, moribund heroines of his fiction. It was during his marriage that Poe wrote his most famous stories and poems, including "The Fall of the House of Usher," "The Gold Bug," and "The Raven." Poe's own premature end at the age of forty, on October 7, 1849, is traditionally ascribed to his dissolute ways, including heavy drinking and drug taking. However, a recent medical study of the events surrounding Poe's final days at Washington College Hospital in Baltimore attributes his death not to alcohol (to which Poe was extremely sensitive), but to encephalitic rabies. It is suggested, then, that the cause of Poe's death was either misunderstood or else deliberately falsified to make Poe an object lesson for the temperance movement of his day.
Though he was often maligned by his countrymen in his lifetime, after his death Poe's literary works, brilliantly imaginative, innovative, and often macabre, began to attract a wide readership abroad: He was enthusiastically taken up in France by Baudelaire and, later, the "decadent" and "symbolist" poets. And in England, Poe's ratiocinative character, Detective Auguste Dupin (of "The Purloined Letter" and "The Murders in the Rue Morgue"), inspired Arthur Conan Doyle's Sherlock Holmes. Today Poe stands as the creator of detective fiction and the American Gothic tale. Despite lingering criticism, he is recognized as one of the greatest American writers of the nineteenth century.
爱伦·坡忽而将这本书称作“散文诗”,忽而又称作“随笔”,但论述的又是科学、神学、人生等问题。马凌先生在书末的导读非常清晰有效地解释了这本书在爱伦·坡自己的创作和其它领域里的位置、意义,很受用,就不多讨论这个“意义”上的问题了,我觉得最好玩的还是,文体问题。 ...
评分首先得感谢“豆瓣读书”,把我领入了爱伦坡的黑色悲观浪漫世界。在读《我发现了》之前,我又仔细阅读了爱伦坡的短片小说集,所谓哥特式真的直击心灵、冲击着感官和思想。地窖、古堡、活埋,一切黑色之后便是反抗和类似上帝显灵一般的惩戒。 出版团队的完美表现! 拿到书的那一...
评分说实话,这不是一本好读的书,至少我本人在看第一遍的时候感觉相当迷茫(笑)。但是看完之后大概也抓住了一点点大概的意思吧。事实上,对于中国的读者来说,这本《我知道了》融入了太多爱伦坡对宗教的见解,而中国的读者在宗教尤其是神学这一话题上,是存在着一种天然的缺失的...
评分“你全部的随从,飞过有月光的天空—— 散开——像萤火虫在西西里的夜晚, 然后飞向另一些世界在另一个白天!” 爱伦·坡在《阿尔阿拉夫》的这段诗行下有一段注释,指出引起他注意的、萤火虫聚集成一团后又从中心向四面八方飞散出去的行为,这点点萤火飞舞旋转的玄妙情景竟使我...
评分作为一个并未看过爱伦坡任何一本作品,起手就是《我发现了》的爱伦坡小白,我发现我高估了自己。显然这本书并不是为了完成鉴书任务能在一周内消化的类型,虽然结尾马凌教授的导读在正文前就给了我很大的帮助。教授说将科学观念与神学观念合二为一并非坡的独创,却始终是西方哲...
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