"Stigma, shame and hardship---this is the lot shared by families whose young men have been swept into prison. Braman reveals the devastating toll mass incarceration takes on the parents, partners, and children left behind."-Katherine S. Newman ""Doing Time on the Outside" brings to life in a compelling way the human drama, and tragedy, of our incarceration policies. Donald Braman documents the profound economic and social consequences of the American policy of massive imprisonment of young African American males. He shows us the link between the broad-scale policy changes of recent decades and the isolation and stigma that these bring to family members who have a loved one in prison. If we want to understand fully the impact of current criminal justice policies, this book should be required reading."-Mark Mauer, Assistant Director, The Sentencing Project "Through compelling stories and thoughtful analysis, this book describes how our nation's punishment policies have caused incalculable damage to the fabric of family and community life. Anyone concerned about the future of urban America should read this book."-Jeremy Travis, The Urban Institute In the tradition of Elijah Anderson's "Code of the Street" and Katherine Newman's "No Shame in My Game," this startling new ethnography by Donald Braman uncovers the other side of the incarceration saga: the little-told story of the effects of imprisonment on the prisoners' families. Since 1970 the incarceration rate in the United States has more than tripled, and in many cities-urban centers such as Washington, D.C.-it has increased over five-fold. Today, one out of every ten adult black men in the District is in prison and three out of every four can expect to spend some time behind bars. But the numbers don't reveal what it's like for the children, wives, and parents of prisoners, or the subtle and not-so-subtle effects mass incarceration is having on life in the inner city. Author Donald Braman shows that those doing time on the inside are having a ripple effect on the outside-reaching deep into the family and community life of urban America. Braman gives us the personal stories of what happens to the families and communities that prisoners are taken from and return to. Carefully documenting the effects of incarceration on the material and emotional lives of families, this groundbreaking ethnography reveals how criminal justice policies are furthering rather than abating the problem of social disorder. Braman also delivers a number of genuinely new arguments. Among these is the compelling assertion that incarceration is holding offenders unaccountable to victims, communities, and families. The author gives the first detailed account of incarceration's corrosive effect on social capital in the inner city and describes in poignant detail how the stigma of prison pits family and community members against one another. Drawing on a series of powerful family portraits supported by extensive empirical data, Braman shines a light on the darker side of a system that is failing the very families and communities it seeks to protect.
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这是一次关于记忆和身份重塑的史诗级探索。作者展现了一种近乎冷峻的客观视角,来审视那些被社会边缘化、被历史忽略的声音。书中的对话部分尤其精彩,充满了微妙的张力与未言明的潜台词,你总能感觉到角色们在言辞交锋的背后,隐藏着更深层次的权力博弈和情感较量。我特别喜欢作者对场景氛围的营造,那种压抑、潮湿的都市角落,那种在霓虹灯下闪烁却又无法抓住的希望碎片,都描绘得淋漓尽致。它不是那种提供标准答案的文学作品,它更像是一个开放性的邀请,邀请你去质疑既定的叙事和被美化的历史。每一次阅读的深入,都像是在剥开洋葱,露出的却是更令人心酸或震撼的真相。全书的节奏控制得极佳,在平缓的叙述中突然爆发的冲突,总能恰到好处地击中读者的情绪神经,让人措手不及却又拍案叫绝。那种对人性深处脆弱和坚韧的剖析,使得即便是最黑暗的片段,也闪烁着微弱却坚定的光芒。
评分这本书的语言风格是其最引人注目的特点之一。它混合了高度诗意的散文笔触和近乎新闻报道般的精准描述,形成了一种既疏离又强烈的感染力。作者似乎精通如何用最经济的词汇,去描绘最复杂的情感状态。书中对“等待”这一主题的探讨,达到了前所未有的细腻程度。那种长久的、磨蚀人意志的煎熬,被分解成了无数个微小的生理和心理反应,清晰可见。我尤其欣赏作者在处理道德模糊地带时的那种克制与精确,没有轻易地将角色定性为“好人”或“坏人”,而是展示了在极端压力下,人性的多面性是如何被激发和扭曲的。阅读过程中,我不断地在同情与审判之间摇摆不定,这正是优秀文学作品的魅力所在——它拒绝提供廉价的道德安慰。整本书读起来,节奏感非常强,像一部精心剪辑的艺术电影,画面感极强,能让读者身临其境地体验到角色所处的压抑环境和内心的挣扎。
评分这本书的叙事结构犹如一张精密编织的网,每一个章节都像一个独立的节点,却又相互牵引,共同构筑了一个庞大而复杂的主题迷宫。作者对人物内心世界的刻画达到了令人惊叹的深度,他们不是刻板的符号,而是鲜活、充满矛盾的个体。我尤其欣赏作者在处理时间流动上的手法,那种看似随意却又暗藏玄机的跳跃和回溯,极大地增强了故事的张力。读到一些关键转折点时,我甚至能清晰地感受到那种时间被拉伸、扭曲的心理感受。它不是那种读完就忘的消遣读物,它更像是一面镜子,迫使读者审视自身与社会、与过去、与未来的关系。细节的处理更是入木三分,环境的描写不是简单的背景板,而是与人物情绪和命运紧密交织的有机组成部分。比如,某一个特定的光线角度,或者某一个反复出现的物件,都承载着不为人知的潜台词,需要读者反复推敲才能领悟。全书行文流畅,但其间蕴含的哲学思辨却极为深刻,它挑战了我们对于“真实”与“虚构”边界的传统认知,让人在合上书本后,仍需花费大量时间去消化和整理脑海中翻腾的思绪。这种阅读体验,是极其少见的。
评分从纯粹的文体实验角度来看,这本书无疑是极其大胆和前卫的。它的章节结构打破了线性叙事的传统藩篱,采用了多重叙事者和非连续性的时间线,这要求读者必须保持高度的专注力,才能在那些碎片化的信息中拼凑出完整的图景。初读时可能会感到一丝困惑,但一旦适应了作者设定的阅读“节奏”,那种豁然开朗的感觉是无与伦比的。它巧妙地利用了文学中的留白艺术,许多关键信息并没有被直白地告知,而是隐藏在人物的犹豫、场景的转换和物品的特写之中。这种“留白”并非偷懒,而是一种高超的技巧,它将诠释的权力交还给了读者,使得每个人的阅读体验都带上了强烈的个人色彩。书中对于特定社会现象的批判,也并非口号式的控诉,而是通过细致入微的生活场景,不动声色地完成了对系统性问题的解构。读完后,我感到自己仿佛刚刚完成了一场高强度的脑力体操,既疲惫又充实,对于叙事艺术的可能性有了全新的认识。
评分乍看之下,这是一部关于环境与制度影响的严肃作品,但深入其中,你会发现它更像是一部探讨人类适应性极限的深度研究。作者对细节的偏执几乎到了令人发指的地步,无论是对特定时期某种机械运作的描述,还是对群体心理变化的捕捉,都展现了极其扎实的背景功课。最让我震撼的是它对“时间感”的瓦解。在特定的情境下,日子被拉长或压缩,过去的阴影如何渗透到现在的生活纹理中,被刻画得入木三分。这不是一个关于英雄主义的故事,而是一个关于普通人在巨大结构面前如何选择生存的寓言。书中那些看似不经意的配角,往往是理解全局的关键线索,他们的存在与消失,都精确地服务于核心的叙事目的。阅读体验是层层递进的,初读是故事,再读是结构,三读则是对社会机制的深刻反思。它迫使我停下来,思考我们日常生活中那些习以为常的规则,究竟是如何被构建,又是如何被悄无声息地维护的。这本书的余韵很长,像一首低沉的挽歌,久久回荡在心间。
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