Dickens and the dream of cinema seeks to dissolve the barriers between literary and film studies. Grahame Smith, a major Dickens scholar who has also taught, researched and published in the field of film, suggests that Dickens's work plays a seminal role in the emergence of cinema. Taking his cue from Walter Benjamin's concept of each epoch dreaming the epoch that is to follow, Smith argues that Dickens's novels can be regarded as proto-filmic in the detail of their language as well as their larger formal structures. This possibility arises from Dickens's creative engagement with the city as metropolis, as it emerges in the London of the 1830s. Dickens's immersion in the visual entertainments of his own day, such as the panorama, and his interest in railway travel are also important ingredients in this anticipation of film. The book suggests a new way of reading Dickens by way of a form which only came into existence after his death, while simultaneously offering an account of his part in the manifold forces that led to the appearance of film towards the end of the nineteenth century. This original and groundbreaking study will appeal both to the many readers of Dickens and to students of early and silent cinema.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有