A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thrust in his work, which vividly and directly conveys the artist's emotions. The approximately 200 black-and-white images sketch out an original perspective on Japanese society, especially during the period from the 1950s to the '70s. During this time, he produced a collection of photographs -- Nippon gekijo shashincho -- which showed darker sides of urban life and relatively unknown parts of cities. In them, he attempted to show what was being left behind during the technological advances and increased industrialization in much of Japanese society. His work was often stark and contrasting within itself--one image could convey an array of senses; all without using color. His work was jarring, yet symbiotic to his own fervent lifestyle. In addition, the artist has included a number of photos shot in the past decade to complete this volume.
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在维也纳的Albertina意外地看到了森山的一个拼盘展。对于我来说，是他确定了我对那些被遮蔽被无视被理所当然地去合法化的事物的直面与认同。
评分意大利出版，印制一流的精选集。
评分影像作为“私人的观看”的意义
评分http://www.douban.com/photos/album/38364885/?start=0
评分感觉是森山多本中最喜欢的一本。
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