This timeless cycle of short stories lays bare the life of a small town in the American Midwest. The central character is George Willard, a young reporter on the Winesburg Eagle to whom, one by one, the town's inhabitans confide their hopes, their dreams, and their fears. The town of friendly but solitary people comes to life as Anderson's special talent exposes the emotional undercurrents that bind its people together. Malcolm Cowley's introduction is a penetrating reappraisal of "the only storyteller of his generation who left a mark on the style and vision of the generation that followed...Hemingway, Faulker, Wolfe, Steinbeck, Caldwell, Saroyan, and Henry Miller...each owes an unmistakable debt to Anderson."
Born in 1876, Sherwood Anderson grew up in a small town in Ohio - an experience that was the basis of his greatest achievements as a writer. He served in the Spanish-American War, worked as an advertising man, and managed an Ohio paint factory before abandoning both job and family to embark on a literary career in Chicago. His first novel, Windy McPherson's Son, was published in 1916; his second, Marching Men, a characteristic study of the individual in conflict with industrial society, appeared in 1917. But it is Winesburg, Ohio (1919), with its disillusioned view of small-town lives, that is generally considered his masterpiece. Later novels - Poor White, Many Marriages, and Dark Laughter - continued to depict the spiritual poverty of the machine age. Anderson died in 1941.
《亚利桑那之梦》里年青的阿克塞尔背井离乡去纽约做一份说不上有前途的工作但坚持着留在那里。他并不是一个野心勃勃的人,相反,他具有的更多的是不适合成功的梦幻般恍惚的气质,他之所以喜欢纽约是因为:在大城市里,你可以看见别人,但别人不会看见你。而《追风筝的人》里的...
评分你读过舍伍德·安德森吗? 在读这本书之前,我对舍伍德•安德森这个名字几乎完全陌生,只知道这本书还有另一个更为人熟知的名字——《小城畸人》,相比这一更明确的译名,《俄亥俄,温斯堡》虽然表意模糊,但念起来,却更有味道,有诗的韵律感,而这种诗意和韵律感几乎贯穿...
评分首篇“畸人书”其实已经阐明了为何这些人被称为“畸人”。“使人变成畸人的,便是真理”,“一个人一旦为自己掌握一个真理,称之为他的真理,并且努力依此真理过他的生活时,他便变成畸人,他拥抱的真理便变成虚妄”。 安德森的这部书足够深刻,也足够警醒。所谓自我放逐,只是...
评分当树上的果实一个个红红的等待摘取时,果树上的枝桠当中还会躲藏着那些不好看的萍果,外表不圆润,缺乏光鲜,看着青涩,但是真正的摘取品尝一下,你的口味就会被与众不同所改变。这里所说的比喻来自《小城畸人》里面的一个故事。小城畸人---之一是个医生,有怪癖的人。高高大大...
评分《亚利桑那之梦》里年青的阿克塞尔背井离乡去纽约做一份说不上有前途的工作但坚持着留在那里。他并不是一个野心勃勃的人,相反,他具有的更多的是不适合成功的梦幻般恍惚的气质,他之所以喜欢纽约是因为:在大城市里,你可以看见别人,但别人不会看见你。而《追风筝的人》里的...
看前面几篇还颇受触动,可是越到后来就觉得这样一群固执地沉溺在自己世界里又受不了寂寞的人本就是——活该,连带作者这种细腻忧伤的笔调也让我很、恼、火。
评分看前面几篇还颇受触动,可是越到后来就觉得这样一群固执地沉溺在自己世界里又受不了寂寞的人本就是——活该,连带作者这种细腻忧伤的笔调也让我很、恼、火。
评分Seemingly unusual grotesques...Everyone's a freak, in one way or another.
评分Seemingly unusual grotesques...Everyone's a freak, in one way or another.
评分Seemingly unusual grotesques...Everyone's a freak, in one way or another.
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