Set against the tumultuous backdrop of a fragmenting Punjab and moving between Canada and India, Can you Hear the Nightbird Call? charts the interweaving stories of three Indian women – Bibi-ji, Leela and Nimmo – each in search of a resting place amid rapidly changing personal and political landscapes.
The ambitious, defiant Sikh Bibi-ji, born Sharanjeet Kaur in a Punjabi village, steals her sister Kanwar’s destiny, thereby gaining passage to Canada.
Leela Bhat, born to a German mother and a Hindu father, is doomed to walk the earth as a "half-and-half." Leela’s childhood in Bangalore is scarred by her in-between identity and by the great unhappiness of her mother, Rosa, an outcast in their conservative Hindu home. Years after Rosa’s shadowy death, Leela has learned to deal with her in-between status, and she marries Balu Bhat, a man from a family of purebred Hindu Brahmins, thus acquiring status and a tenuous stability. However, when Balu insists on emigrating to Canada, Leela must trade her newfound comfort for yet another beginning. Once in Vancouver with her husband and two children, Leela’s initial reluctance to leave home gradually evolves.
While Bibi-ji gains access to a life of luxury in Canada, her sister Kanwar, left behind to weather the brutal violence of the Partition of India and Pakistan in 1947, is not so fortunate. She disappears, leaving Bibi-ji bereft and guilt-ridden.
Meanwhile, a little girl, who just might be Kanwar’s six-year-old daughter Nimmo, makes her way to Delhi, where she is adopted, marries and goes on to build a life with her loving husband, Satpal. Although this existence is constantly threatened by poverty, Nimmo cherishes it, filled as it is with love and laughter, and she guards it fiercely.
Across the world, Bibi-ji is plagued by unhappiness: she is unable to have a child. She believes that it is her punishment for having stolen her sister’s future, but tries to drown her sorrows by investing all her energies into her increasingly successful restaurant called the Delhi Junction. This restaurant becomes the place where members of the growing Vancouver Indo-Canadian community come to dispute and discuss their pasts, presents and futures.
Over the years, Bibi-ji tries to uncover her sister Kanwar’s fate but is unsuccessful until Leela Bhat – carrying a message from Satpal, Nimmo’s husband – helps Bibi-ji reconnect with the woman she comes to believe is her niece – Nimmo. Used to getting whatever she has wanted from life, Bibi-ji subtly pressures Nimmo into giving up Jasbeer, her oldest child, into her care.
Eight-year old Jasbeer does not settle well in Vancouver. Resentful of his parents’ decision to send him away, he finds a sense of identity only in the stories , of Sikh ancestry, real and imagined, told to him by Bibi-ji’s husband, Pa-ji. Over the years, his childish resentments harden, and when a radical preacher named Dr. Randhawa arrives in Vancouver, preaching the need for a separate Sikh homeland, Jasbeer is easily seduced by his violent rhetoric.
Can You Hear the Nightbird Call? elegantly moves back and forth between the growing desi community in Vancouver and the increasingly conflicted worlds of Punjab and Delhi, where rifts between Sikhs and Hindus are growing. In June 1984, just as political tensions within India begin to spiral out of control, Bibi-ji and Pa-ji decide to make their annual pilgrimage to the Golden Temple in Amritsar, the holiest of Sikh shrines. While they are there, the temple is stormed by Indian government troops attempting to contain Sikh extremists hiding inside the temple compound. The results are devastating.
Then, in October of the same year, Indira Gandhi is murdered by her two Sikh bodyguards, an act of vengeance for the assault on the temple. The assassination sets off a wave of violence against innocent Sikhs.
The tide of anger and violence spills across borders and floods into distant Canada, and into the lives of neighbours Bibi-ji and Leela. Can You Hear the Nightbird Call? weaves together the personal and the political – and beautifully brings the reader into the reality of terrorism and religious intolerance.
Bibi-ji turned to gaze out at the street. They could become far more prosperous, she was sure of that. Opportunities lay around them like pearls on these streets. But they were visible only to people with sharp eyes.
“What are you looking at, Bibi-ji?” Lalloo asked, coming around to the front with a box full of pickle jars. He lowered it carefully on the floor and stared out the window.
“What am I looking for, Lalloo, for,” Bibi-ji corrected. “I am looking for pearls.”
“I don’t see anything there, Bibi-ji,” Lalloo remarked after a few moments.
She laughed. “Neither do I, but I will. I know I will.” The war had left the whole world poorer: why had Pa-ji not thought of opening a used-clothing store instead of this Indian grocery shop? She wondered whether the shop would do better in Abbotsford or in Duncan, where there were more Sikhs than here in Vancouver. But no, she had a feeling that it was a city with a future, one in which she would be wise to invest her money and her hard work.
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我通常对文学作品的叙事节奏有着极高的要求,如果开头几页不能迅速抓住我的注意力,我往往会失去继续下去的耐心。然而,这本书的开篇处理,虽然没有采用那种爆炸性的、直接抛出核心冲突的手法,却以一种近乎诗意的方式缓慢地铺陈着场景和情绪的底色。作者似乎更热衷于构建一个完整的“世界观”的雏形,通过对环境和人物微小动作的细致描摹,营造出一种令人不安却又无法抗拒的引力场。尤其是其中一段关于光线如何穿过老旧窗户的描述,简直让我仿佛能闻到空气中尘埃的味道和陈旧木材的香气。这种细腻的感官描写,体现了作者对语言的掌控力达到了一个非常成熟的阶段。它没有急于交代“发生了什么”,而是专注于表现“感觉如何”,这在当代快餐式阅读中实属难得。我欣赏这种自信,敢于慢下来,让读者自己去发掘隐藏在字里行间的张力。
评分读这本书时,我最直观的感受是作者的“声音”非常独特,它既有一种古典文学的厚重感,又巧妙地融入了现代视角下的疏离与反思。我注意到作者在处理内心独白和外部对话之间的切换时,技巧炉火纯青,界限模糊而又界限分明。那些内心深处的挣扎和矛盾,没有被刻意放大为戏剧性的独白,而是被巧妙地编织进了日常的对话和行动中,需要读者具备一定的解读能力才能完全领会其深意。这种内敛的叙事方式,要求读者必须全神贯注,错过一个眼神的特写或一个不经意的停顿,都可能导致对情节深层含义的误读。对我而言,这绝对不是一本可以边听音乐边阅读的书,它需要绝对的安静和专注,才能真正与其构建的心理迷宫产生共鸣。这种挑战读者的写作态度,我非常赞赏,它让阅读本身成为了一场智力上的探险。
评分这本书的语言节奏感有一种独特的韵律,尤其是在描写那些需要爆发情感张力的场景时,作者会突然加快句子的节奏,使用大量短促而有力的动词,营造出一种喘不过气来的紧张感。然而,这种紧张感仅仅是短暂的“高潮”,随后便会迅速回归到一种近乎冰冷的叙述风格,仿佛一个经验丰富的导演,知道何时该用强光,何时该用柔光。我特别喜欢作者在选择副词和形容词上的克制,很多时候,仅仅通过名词和动词的精确搭配,便能实现比堆砌辞藻更强大的画面冲击力。这显示了作者在文字提纯方面所下的功夫,他懂得如何让语言为叙事服务,而不是让叙事成为展示语言技巧的工具。总的来说,这本书给我带来的阅读体验是一种持续的、高品质的“共振”,它不仅讲述了一个故事,更在我的脑海中搭建了一个全新的感知世界。
评分这本书的封面设计简直是一幅视觉的盛宴,那种深邃的蓝色调,混合着夜幕降临时特有的灰紫色,立刻将我拉入了一种神秘而略带忧郁的氛围中。印刷质量无可挑剔,纸张的触感温润而厚实,每一次翻页都带着一种仪式感。我喜欢作者在章节标题的处理上所展现出的那种克制而优雅的文字功底,每一个词语的选择都像是精心打磨过的宝石,闪烁着不同的光芒。虽然我还没来得及深入阅读内文的叙事结构,但仅凭这装帧和排版,我就能感受到这不仅仅是一本书,更像是一件值得珍藏的艺术品。设计师显然对细节有着近乎偏执的追求,内页的留白处理得恰到好处,给予文字足够的呼吸空间,这对于一部可能涉及细腻情感描摹的作品来说,至关重要。这种对“质感”的重视,让我对作者将要呈现的故事充满了美好的期待,我敢断言,它在书架上一定会是最引人注目的那一个。它散发出的那种沉静的力量,预示着这不是一部可以轻易快速读完的作品,它需要时间,需要你静下心来,去感受那种精心构建的氛围。
评分从题材的广度来看,这本书似乎触及了一些非常宏大且复杂的主题,虽然我目前还无法完全勾勒出全貌,但从零星的线索中,我嗅到了一种对历史宿命感与个体自由意志之间永恒拉扯的探讨。作者似乎并不满足于仅仅讲述一个故事,他更像是在利用故事的框架,去审视人类在面对不可抗拒的命运洪流时所展现出的韧性与脆弱。这种深度的挖掘,使得作品的基调显得异常严肃且富有哲思。我特别留意了那些带有象征意义的物件或场景,它们在不同的情境下被反复提及,暗示着一种循环往复的母题。这种对宏大命题的审慎处理,避免了说教式的灌输,而是通过人物的命运投影出来,高明之处在于,它成功地将深刻的哲学思辨融入了引人入胜的人物关系网络之中,使得原本可能枯燥的探讨变得鲜活而充满人情味。
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