The Science Fiction Handbook

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出版者:Wiley-Blackwell
作者:M. Keith Booker
出品人:
页数:356
译者:
出版时间:2009-3-31
价格:GBP 22.99
装帧:Paperback
isbn号码:9781405162067
丛书系列:
图书标签:
  • 科幻
  • 科幻
  • 文学
  • 写作
  • 指南
  • 创意写作
  • 世界构建
  • 类型文学
  • 科幻小说
  • 幻想
  • 未来学
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具体描述

The Science Fiction Handbook offers a comprehensive and accessible survey of one of the literary world's most fascinating genres. Includes separate historical surveys of key subgenres including time-travel narratives, post-apocalyptic and post-disaster narratives and works of utopian and dystopian science fiction Each subgenre survey includes an extensive list of relevant critical readings, recommended novels in the subgenre, and recommended films relevant to the subgenre Features entries on a number of key science fiction authors and extensive discussion of major science fiction novels or sequences Writers and works include Isaac Asimov; Margaret Atwood; George Orwell; Ursula K. Le Guin; The War of the Worlds (1898); Starship Troopers (1959); Mars Trilogy (1993-6); and many more A 'Science Fiction Glossary' completes this indispensable Handbook

The Art of the Speculative: A Deep Dive into Imaginative Worldbuilding Unlocking the Potential of the Unseen and the Untold This comprehensive volume serves as an essential companion for aspiring and seasoned writers venturing into the boundless territories of speculative fiction. Far removed from the mechanics of crafting genre narratives, this book focuses intently on the architecture of imagination—the foundational principles required to construct worlds, societies, and technologies that feel both utterly alien and strikingly plausible. It is an exploration into the deep structure of "what if," moving beyond mere plot mechanics to examine the very philosophical underpinnings that give speculative fiction its lasting resonance. Part I: Deconstructing the Impossible – The Grammar of Speculation The initial sections dismantle the common misconception that speculative fiction is solely about gadgetry or fantastical races. Instead, we treat speculation as a rigorous intellectual exercise. We begin by examining Conceptual Anchoring: the process of identifying a single, world-altering variable—be it a change in physical law, a radical social shift, or a singular technological breakthrough—and tracing its inexorable, cascading consequences across all facets of human experience. We dedicate significant space to Internal Consistency and the Suspension of Disbelief. This is not simply about ensuring your magic system has rules, but about understanding why those rules must feel inevitable to the inhabitants of your created reality. We analyze historical examples of societal collapse and rapid advancement to establish a realistic framework for projecting future or alternative states. Topics include: The Economics of the Unforeseen: How does the introduction of zero-point energy or instantaneous transportation reshape global finance, labor structures, and resource distribution? We explore macroeconomic modeling applied to fictional scenarios. Linguistics of the Other: Moving beyond simple glossary creation, this chapter delves into how a species’ unique sensory apparatus or environment dictates the very structure of its communication, and how translation—or the failure thereof—drives conflict and understanding. Environmental Determinism: Analyzing the profound impact of altered atmospheric compositions, stellar distances, or planetary gravity on biological evolution, architecture, and cultural ritual. We map out techniques for synthesizing believable flora and fauna that organically fit the established milieu. Part II: The Human Equation in Extreme Environments Speculative fiction’s greatest strength lies not in its fantastical elements, but in its unflinching examination of human nature under pressure. This section pivots from world construction to character interrogation within those constructed realities. The Ethics of Transcendence: We explore narrative frameworks for handling moral dilemmas that arise when conventional boundaries—mortality, identity, privacy—are erased or redefined. Case studies involve narratives dealing with digital consciousness upload, radical biological augmentation, and post-scarcity societal structures. How do core human drives (love, fear, ambition) mutate when the stakes are cosmic or eternal? Narrative Structure in Non-Linear Realities: Many complex speculative concepts resist traditional Aristotelian structures. This chapter provides tools for structuring narratives that span millennia, involve nested realities, or rely heavily on unreliable, temporally-displaced narrators. We dissect techniques for managing massive casts of characters across generations while maintaining emotional continuity for the reader. Emphasis is placed on Thematic Resonance over Plot Exhaustion, ensuring the grand scale serves the intimate human story, rather than overwhelming it. Designing Credible Conflict: Conflict in speculative settings must rise logically from the established rules. We categorize conflict not just as Person vs. Person, but as Person vs. Systemic Inertia, Person vs. Metaphysical Law, and Person vs. Evolving Self. Detailed analysis is provided on crafting antagonists whose motivations are wholly rational within their worldview, making them formidable not through malice, but through sheer, divergent logic. Part III: The Writer as Futurist and Anthropologist The final section addresses the professional and philosophical responsibilities of the speculative writer. It treats the act of writing speculative fiction as a form of rigorous, imaginative anthropology applied to the future or the impossible. The Vocabulary of Immersion: Developing a precise, evocative lexicon that grounds the fantastic in sensory detail. This is less about inventing new words and more about choosing existing words with surgical precision to evoke unfamiliar sensations—the scent of ozone in an airless city, the texture of synthetic bone, the soundscape of a silicon ecosystem. Forecasting Cultural Drift: A deep dive into projecting how contemporary trends—political polarization, data saturation, climate anxiety—might mature or collapse over long timescales. We utilize models of cultural diffusion and technological adoption curves to lend weight to projections of societal evolution. This requires disciplined extrapolation, avoiding facile utopian or dystopian conclusions in favor of nuanced, messy middle-grounds where progress and regression coexist. The Craft of the Reveal: Mastering the pacing of information release. In worlds dense with novelty, the temptation is to infodump. This section outlines techniques for gradual, organic world-disclosure, ensuring that every piece of exposition solves one mystery while simultaneously introducing a more profound one, drawing the reader deeper into the established reality without ever feeling lectured. This includes strategies for integrating complex technical data seamlessly into dialogue and action. Conclusion: The Responsibility of Vision This handbook ultimately argues that the most powerful speculative fiction does not predict the future, but clarifies the present by shifting perspective. By mastering the construction of rigorous alternative realities, the writer gains unparalleled power to interrogate the assumptions governing our own time. The focus remains steadfastly on the craft: detailed methodologies for building, populating, and challenging imaginary worlds with uncompromising intellectual honesty and narrative mastery. It is a blueprint for constructing realities that resonate long after the final page is turned.

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我必须承认,一开始我对这本书的期望值并没有那么高,以为它会是那种常见的大杂烩式的科幻入门读物,充斥着重复和肤浅的概述。然而,这本书很快就颠覆了我的印象,特别是在处理“世界构建”(Worldbuilding)的实际操作层面时,它展现出的实用性和细腻程度令人咋舌。它不是教你“写什么”,而是教你“如何思考一个世界应该如何运作”。作者细致地分解了从行星地质学到社会学、经济学等各个维度对虚构世界的影响,并提供了大量的“思考框架”,而不是生硬的“写作模板”。例如,在探讨人工智能伦理时,作者构建了一套基于资源稀缺性和计算成本的评估体系,来判断不同文明对AI的接纳程度,这种细思极恐的推演,远比泛泛而谈“AI是否会反叛人类”要深刻得多。这本书的价值在于,它迫使你跳出故事的表面,去审视支撑这个故事的底层逻辑是否坚不可摧。对于那些想要创作出具有长久生命力的科幻作品的作者而言,这本书提供的工具箱,其价值无可估量。

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说实话,这本书的阅读体验更像是一场马拉松,而不是一次轻松的下午茶。它的密度极高,几乎没有一句话是用来填充篇幅的“水词”。我特别欣赏作者在探讨不同科幻流派的演变时所展现出的那种历史纵深感。从早期的“太空歌剧”到后来的“赛博朋克”,再到如今新兴的“生物朋克”,作者巧妙地将这些文学现象与它们所产生的社会、技术背景联系起来,形成了一幅宏大的社会文化变迁图景。举个例子,他对赛博朋克美学的剖析,不仅仅停留在霓虹灯和雨夜的表面描绘,而是深入挖掘了技术异化、身份模糊这些核心主题是如何在冷战后期的全球化背景下生根发芽的。阅读过程中,我不得不频繁地停下来,查阅作者引用的那些晦涩难懂的哲学论文和早期科幻杂志的片段。这无疑增加了阅读的难度,但也极大地拓展了我的知识边界。这本书不是那种让你读完后感到“放松愉悦”的作品,它更像是一次智力上的洗礼,要求你全神贯注,甚至需要反复阅读才能完全吸收其中的精髓。对于那些追求深度分析和文化根源的读者来说,这种挑战绝对是值得的。

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这本书的排版和装帧设计本身就透露出一种严谨的古典气息,这与内容本身的超前性形成了有趣的张力。我尤其欣赏作者对“科幻在艺术史中的位置”这一部分的论述,他不仅仅将其视为一种文学类型,而是将其提升到了批判哲学和社会预言的高度。作者巧妙地引用了大量艺术史上的作品——从早期对未来城市的浪漫主义构想,到后来对技术灾难的焦虑表达——来佐证科幻文学如何始终走在时代精神的前沿。这种跨学科的整合能力令人叹服,它让你意识到,那些关于飞船、激光枪的想象,背后都深深植根于人类对自身命运和工具理性的复杂情感。阅读过程中,我感觉自己仿佛被置入一个巨大的知识网格之中,每一个概念点都与其他领域紧密相连,不再是孤立的知识碎片。这本书的真正力量在于它拓宽了读者的视野,让你看到科幻不仅仅是逃离现实的手段,更是理解现实、预见未来的最有力工具之一。它是一次彻底的心灵重塑之旅,远超乎一本“指南”的范畴。

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这本书的写作风格简直是古老而又充满力量的叙事方式的完美结合。它没有采用现代学术写作那种冰冷、去人化的结构,反而带有一种近乎布道者的激情。作者在论述某些科幻母题时,那种对人类未来命运的深切关怀跃然纸上,读起来让人热血沸腾。我最喜欢的是其中关于“接触理论”的那一章,作者并没有简单地罗列费米悖论的各种解答,而是将它们编织成了一个个引人入胜的微型故事,让你在阅读理论的同时,仿佛身临其境地参与了那些关于地外文明的猜想和辩论。他的语言极富画面感,即使在描述复杂的数学模型或物理概念时,也能勾勒出清晰的想象蓝图,这对于那些科学背景不那么扎实的读者来说,是一个巨大的福音。我感觉这不只是一本手册或指南,它更像是一位睿智的老者,坐在你身边,耐心而又激动地向你讲述他毕生对宇宙和人类潜能的观察与思考。这种充满人文关怀的理工科论述,是我在其他同类书籍中极少见到的独特魅力。

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这本书简直是科幻迷的圣经,我花了整整一个周末才算粗略地读完,但每一次翻页都像是进行了一次心智上的星际旅行。作者对“硬科幻”与“软科幻”的界定和探讨,那种深入骨髓的分析,让我对那些我过去只是泛泛而谈的概念,比如奇点理论、多重宇宙假设,有了一个全新的、结构化的理解。尤其让我印象深刻的是他对“时间旅行悖论”的梳理,他没有止步于经典的祖父悖论,而是引入了量子力学中的“多世界诠释”来提供一种可能的逻辑自洽性,那种推导过程的严谨和逻辑链条的清晰,绝对是教科书级别的。我过去读很多科幻理论书籍,总是感觉它们在技术细节上避重就轻,或者过度沉迷于哲学思辨而缺乏对科学基础的尊重,但这本完全不同。它像是一个经验丰富的工程师在为你拆解一艘外星飞船的引擎结构,每一个术语、每一个模型都有据可查,让你在享受想象力的同时,也能感受到知识的重量。如果你想从一个纯粹的爱好者,升级为一个能与创作者进行深度对话的鉴赏家,这本书是绕不过去的关键一步。读完后,我发现自己看科幻电影和阅读小说时,那些原本模糊的“设定”突然变得清晰可见,仿佛作者在你耳边低语,告诉你哪些是基于现有物理学边界的合理延伸,哪些是纯粹的浪漫想象,这种分辨能力本身就是一种极大的提升。

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竟然在仿生人电子羊那章看到了引用Hayles文章里的话。。

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竟然在仿生人电子羊那章看到了引用Hayles文章里的话。。

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竟然在仿生人电子羊那章看到了引用Hayles文章里的话。。

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竟然在仿生人电子羊那章看到了引用Hayles文章里的话。。

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竟然在仿生人电子羊那章看到了引用Hayles文章里的话。。

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