Tired of plain vanilla ABC books? Apple, ball, cat... Here's a witty charmer that you'll like as much--if not more--as your kids do. Valorie Fisher's Ellsworth's Extraordinary Electric Ears features a single, perfectly arranged diorama in homage to every letter. Plastic figurines, paper cutouts, tiny clay sculptures, and artfully repurposed everyday objects (see Holly's "humble handbag home") populate each cheery scene, all filled to bursting with items beginning with the designated letter. (On the "C" page, there are at least 20 different things beginning with the letter "C".) Even better than the silly tableaux are the breathless alliterations accompanying each scene. Just try to read them without adding aural italics and exclamation points galore: "Nigel's nifty newspaper neckties were nothing but a naughty nuisance," "Vacationing in the valley of a violent volcano was very invigorating for Violet," and "Zelda's zigzagged zebra was the zippiest at the zoo" are among the best.
The book is beautifully suited both to very young kids who are in full noun-acquisition mode as well as to older children who've become adept at matching images and words beginning with specific letters. For example, the "L" page features several items a toddler could pick out--lion, ladder, lemons--without fully understanding that these things are grouped together because they start with the same letter. There are also less readily named items in the picture: a llama, a laundry basket, and a locomotive. And then there's the book's grownup appeal: "Pepita's pink paper parasols were particularly popular with pirates." Check out all the swarthy, half-dressed pirate figurines clutching paper drink umbrellas and see how long it takes you to start planning a theme party around your favorite letter of the alphabet. (Ages 2 to 6) --Jennifer Lindsay --This text refers to the Hardcover edition.
PreSchool-Grade 4-Here's an alphabet book that calls to mind Walter Wick's "I Spy" pictures crossed with characters from William Joyce's A Day with Wilbur Robinson (HarperCollins, 1990). Wonderfully retro-looking plastic toys are arranged and photographed in unlikely madcap tableaux in which nearly every object begins with the same letter. A compact caption appears below each full-page picture. In the eponymous scene about Ellsworth ("E"), a plastic man in a suit-complete with raincoat and briefcase-sprouts small light bulbs from his ears as elephants and an emu look on. It's a zany approach for pre-readers, who will recognize the initial sounds of most of the toy creatures and objects, as well as for older children, who will enjoy the imaginative juxtaposition of items. A list by letter at the back of the book will help readers identify picture parts they missed or aren't sure about. The full-page, full-color illustrations are fairly simply composed with only the foreground in focus, as if to capture a frame of a film or a scene in motion. Alphabet purists may quibble about misleading figures with different initial letters in some pictures (the pigs on the "F" page, the jar of cookies in the kangaroo's kitchen on the "K" page), but most children will recognize them as necessary parts of the wacky short tales depicted. Overall, an unusual and delightful book.
Kathie Meizner, Montgomery County Public Libraries, Chevy Chase, MD
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.
PreS-Gr. 2. In this inventive alphabet book, Ellsworth has extraordinary electric ears, Holly is hugely happy in her humble handbag home, and Alistair the alligator has an alarming appetite for acrobats. Fisher matches her imaginative text with fresh, funny artwork that captures the action in a very unusual way. Using doll house-style figurines, found items, toys from her childhood, and created pieces, Fisher constructs colorful scenes that will be wild, witty fun for both children and adults, each at their own level. "Betty believed in a big but balanced breakfast" is illustrated by a picture showing a black bear wearing a pink tutu and balancing a banana, a beet, and other items on her nose. Like the I Spy books, this will provide hours of fun, and children may be tempted to stage their own outrageous scenarios with things found around the house. Ilene Cooper
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
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这本书的语言风格简直是教科书级别的范本,每一个句子都经过了精心的打磨,达到了近乎完美的韵律感和节奏感。我得承认,一开始被那些看似繁复的句式略微震慑住了,但很快就被那种磅礴的气势和深邃的意境所吸引。作者似乎对每一个词语的选取都有着近乎偏执的追求,使得原本平淡的场景也因用词的精准而焕发出惊人的光彩。尤其是一些意象的运用,非常大胆且富有创造力,它们不是生硬地嵌入,而是自然地融入了文本肌理,成为理解深层含义的关键钥匙。我特别喜欢作者在描述内心独白时所展现出的那种近乎诗歌般的流畅感,那种将哲思与情感完美融合的处理手法,让人拍案叫绝。对于那些追求语言美感的读者来说,这本书无疑是一座值得反复挖掘的宝藏,每一次重读都会发现新的惊喜,解锁更深层的含义。它不仅仅是在讲述一个故事,更像是在向我们展示语言所能达到的最高境界,那种冲击力是久违的,令人振奋。
评分我必须强调这本书在情感张力上的强大掌控力。作者对于人物之间微妙的情感拉扯处理得极其细腻和真实,那些未说出口的话语和眼神中的闪烁,往往比长篇大论的独白更具穿透力。无论是关于爱、失去还是和解,那种情感的描摹都不是扁平化的,而是充满了矛盾和层次感,让人感同身受地体会到人性的复杂与脆弱。书中有几个关键的冲突场景,作者的处理方式堪称教科书级别的情绪递进,从最初的压抑到最终的爆发,节奏把控得堪称完美,让人屏息凝神,手心冒汗。更厉害的是,作者懂得在极度的情感张力中留出喘息的空间,用一些看似无关紧要的生活细节来中和那种过度的戏剧性,使得整体的情绪曲线更加符合真实的人生体验,避免了廉价的煽情。这使得整本书的情感体验是真实且具有重量的,读完之后,不是被泪水冲刷过的疲惫,而是一种被深刻触动后的平静与释然,这种高阶的情感处理能力,是许多作家穷尽一生也难以企及的。
评分从技术层面来看,这本书的构建是一项工程壮举。作者构建了一个宏大而又细节丰富的世界观,其内部逻辑之严密,令人惊叹。我尤其佩服作者对于细节的考据和编排,那些看似不经意的背景信息或历史回溯,实际上都为后文的爆发埋下了重要的伏笔,整个结构如同一个精密的瑞士钟表,每个齿轮都严丝合缝,环环相扣。这种对全局的把控能力,清晰地表明了作者在动笔之前,就已经在脑海中完成了多次完整的演练和推敲。阅读过程中,我时不时会发现一些早先埋下的线索突然被激活,那种“原来如此”的恍然大悟感,是阅读侦探小说以外文学作品时最令人愉悦的体验之一。这本书不仅仅是文学创作,更像是一次复杂的系统工程,作者不仅是编故事的人,更像是这个世界的建筑师,为我们提供了一套完整且自洽的体验。对于那些热爱深度解读和结构分析的读者来说,这本书提供了极其丰富的“可供挖掘”的宝藏。
评分这本书简直是一场文字的盛宴,作者的叙事功力令人叹为观止。故事的展开流畅自然,每一个转折都恰到好处,让人忍不住一口气读完。角色塑造极其立体丰满,即便是配角也个性鲜明,仿佛是生活在我们身边真实存在的人。特别是主角的心路历程,细腻入微,那种挣扎、迷茫到最终的豁然开朗,简直能引起所有经历过成长期的人的强烈共鸣。我尤其欣赏作者对于环境和氛围的描绘,那种细腻到可以让人触摸到的质感,让整个故事的背景活了起来,不仅仅是单纯的背景板,更像是推动情节发展的另一个无声的角色。阅读过程中,我常常需要停下来,回味那些精妙的对话,那些对话往往信息量巨大,却又蕴含着深刻的人生哲理,绝非那种流于表面的空洞说教。这本书的结构也设计得非常巧妙,看似松散的叙事线索,到最后却能完美地汇聚成一个震撼有力的主题,这种高超的掌控力,体现了作者扎实的文学底蕴。看完之后,心中久久不能平静,感觉自己仿佛完成了一次漫长而深刻的内心探险,收获颇丰。
评分说实话,我原本对这类题材并不抱太大希望,总觉得会落入俗套,但这本书完全颠覆了我的预期。它的创新性体现在对传统叙事模式的大胆解构与重塑上。作者似乎并不满足于线性叙事的约束,而是巧妙地运用了多重视角和时间跳跃,使得整个故事的层次感极为丰富。这种非线性的处理方式非但没有造成阅读上的障碍,反而极大地增强了故事的悬念和吸引力,迫使读者必须积极地参与到情节的拼图中去。更令人惊喜的是,作者在处理复杂主题时所展现出的那种洞察力,它触及了人类存在的一些根本性问题,但又避免了说教,而是通过角色微妙的互动和环境的暗示来传达。这种“润物细无声”的哲学渗透,比那些直白的论述要高明得多。这本书的后劲非常足,合上书本后,那些关于时间、记忆和选择的思考依然在我脑海中盘旋不去,它成功地在我的认知结构中留下了一道深刻的印记,这才是真正优秀的作品所具备的持久生命力。
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