Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics -- a politics of style. While film critics no longer regard the commercial films of the era as mere propaganda, they continue to regard the cinema under fascism as "escapist" diverting audiences from the harsh realities of life under fascism. The Folklore of Consensus problematizes the notion of "escapism", examining the complexity that redeems the films from frivolity and evasion. It shifts the focus from a preoccupation with cinema as the public and spectacular purveyor of "fascinating fascism" to a more immediate and intimate terrain that bears on formulations about the role of mass culture then and now.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有