Samuel Shem's classic novel about medical internship. The House of God, is required reading in medical schools throughout the world and is celebrated for its authentic description of medical training and practice, for its Rabelaisian comedy, and for its humanism and vision. His new novel, and most ambitious work yet. The Spirit of the Place, tells the story of an expatriate doctor called home to Columbia, New York, in the early 1980s to face his own history and that of the place. It is a novel of love and death, mothers and sons, ghosts and bullies, doctors and patients, illness and healing. Settled into a passionate relationship with an Italian yoga instructor and happily working in a European spa, Dr. Orville Rose's newfound peace is shattered by a telegram informing him of his mother's death. On his return to Columbia, a Hudson River town of quirky people and "plagued by breakage," he learns that his mother has willed him a large sum of money, her 1981 Chrysler, and her Victorian house in the center of town. But there's a catch: he must live in her house continuously for a year and thirteen days. As he struggles with his decision--whether to stay and meet the terms of the will or return to his love and life in Italy--Orville reconnects with Bill Starbuck, the town doctor who mentored a young Orville and who practices a long-ago kind of medicine that treats the working poor, people neglected and forgotten by the medical and insurance industries. Now in his seventies, and in need of help with the practice, Bill convinces Orville to stay. During the course of his year and thirteen days, Orville reacquaints himself with Columbia and Columbians. He reunites with his sister and niece andcomes to terms with old rivals and bitter memories. And he doctors a community in desperate need of care. He also meets Miranda Braak, a remarkable young single mother who aspires to be the town historian. Her knowledge of and reverence for the past challenges Orville to examine his own history, and her courage, integrity, and love challenge him to grow. In this story filled with wit, pointed insight, and drama, Orville learns what it means to be a healer, and to be healed. The Spirit of the Place is Shem at his finest--compassionate, capacious, funny, full of big ideas and memorable personalities. It offers an authentic, unvarnished portrait of the medical profession and underscores the crucial link between the health of individuals and the health of communities.
Samuel Shem (pen name of Stephen Bergman) is a novelist, playwright, and, for three decades, a member of the Harvard Medical School faculty. His novels include The House of God, Fine, and Mount Misery. He is coauthor with his wife, Janet Surrey, of the hit Off-Broadway play Bill W. and Dr. Bob, the story of the founding of Alcoholics Anonymous (winner of the 2007 Performing Arts Award of the National Council on Alcoholism and Drug Dependence), and We Have to Talk: Healing Dialogues between Women and Men. Editors Carol Donley and Martin Kohn are cofounders of the Center for Literature, Medicine, and Biomedical Humanities at Hiram College. Since 1990 the Center has brought humanities and the health care professions together in mutually enriching interactions, including interdisciplinary courses, summer symposia, and the Literature and Medicine book series from The Kent State University Press. The first three anthologies in the series grew out of courses in the Biomedical Humanities program at Hiram. Then the series expanded to include original writing and edited collections by physicians, nurses, humanities scholars, and artists. The books in the series are designed to serve as resources and texts for health care education as well as for the general public.
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这本书带给我的,更像是一种心境上的洗涤。它没有提供简单的答案或廉价的安慰,反而以一种近乎残酷的诚实,揭示了生活中的复杂性与不确定性。但这种揭示并非令人沮丧,而是带来了一种出乎意料的释然——原来不必事事求全,不必事事清晰。作者通过笔下人物的经历,探讨了“接受不完美”这一主题,展现了人类在面对巨大变故时展现出的韧性和适应力。它像一面镜子,映照出我们自身在面对困境时的反应模式。阅读过程中的情绪起伏非常剧烈,从最初的困惑不解,到中间的感同身受,最后是一种近乎宁静的理解。这是一本需要时间去沉淀、去体会的作品,其价值随着时间的推移只会愈发醇厚。
评分这本书的叙事视角如同一个经验老到的向导,带领读者深入到一个我从未想象过的世界。作者对细节的捕捉达到了令人咋舌的程度,每一个场景的描绘都充满了鲜活的生命力,仿佛空气中都弥漫着某种特定的气味,或是能听到远处传来的微弱声响。我尤其欣赏其中对于人物内心挣扎的细腻刻画,那些潜藏在日常言语之下的复杂情感,被作者用一种近乎手术刀般精准的笔触剥开,展现出人性幽微的褶皱。 这种写作手法,让我在阅读过程中多次停下来,反复咀嚼那些精妙的措辞和布局,思考它们背后的深层含义。它不仅仅是一个故事,更像是一次对存在的本质的哲学探讨,只不过包裹在引人入胜的故事情节之下。书中的转折点处理得极其自然,绝非生硬的戏剧冲突,而是水到渠成的必然结果,这种高超的叙事技巧,让人对作者的功力由衷折服。阅读体验是沉浸式的,我感觉自己就是那个在字里行间穿梭的观察者,全身心地投入到作者构建的那个宏大而又微小的世界中去。
评分这本书的语言风格,用一个词来形容,那就是“克制的美学”。它不堆砌华丽的辞藻来炫耀文采,而是选择最恰当、最富有效率的词语来构建画面和情感。这种文字的经济性反而带来了巨大的冲击力。我注意到作者在处理对话时,尤其擅长“留白”,人物之间真正重要的交流往往发生在那些没有说出口的部分,通过肢体语言、眼神的交汇或是沉默的重量来传达。这要求读者必须全神贯注,积极地参与到文本的解读过程中,去填补那些精妙的空白。对于那些习惯于直白叙事的读者来说,可能需要一点时间来适应这种需要主动思考的阅读模式。但一旦适应了,你会发现这种互动性极大地增强了阅读的乐趣和深度,仿佛你不是在被动接受信息,而是在与作者共同完成创作。
评分坦白说,我一开始对这类主题持保留态度,总觉得过于宏大或空泛。然而,这本书以一种极其务实且充满泥土气息的方式,将那些抽象的概念落地了。作者似乎有着一种魔力,能将寻常之物赋予非凡的意义。例如,对一个简单的物件或一个不起眼的角落的描述,都能瞬间提升到象征性的高度,但又绝不显得矫揉造作。这种平衡的拿捏,是真正体现作者功力的所在。它让我开始重新审视我日常生活中那些被我忽略的细节,思考它们在我生命轨迹中所扮演的真正角色。节奏的掌控非常出色,时而如疾风骤雨,让人喘不过气,时而又放缓下来,给予读者足够的空间去消化前文的信息,进行自我反思。读完之后,我久久无法从那种被激发出来的强烈求知欲中抽离出来,迫不及待地想去探究更多相关的知识领域,这本书无疑在我心中播下了一颗种子,关于观察和理解世界的全新方式。
评分从结构上来说,这本书的设计堪称精巧的建筑艺术。它不是简单的线性叙事,而是运用了多层嵌套的结构,让你在阅读过程中不断地解开谜团,但每一个解开的谜团又立刻引出了新的、更深层次的疑问。这种设计,使得故事的张力始终保持在一个高位,你总有一种“接下来会发生什么?”的强烈好奇心驱使着你翻页。而且,作者在不同时间线和不同角色的切换上处理得异常流畅,即使是复杂的叙事跳跃,也依然能让读者清晰地把握住主线脉络,没有丝毫混乱感。这不仅仅是情节的编排,更像是对时间、记忆和感知本身的一次结构实验,非常大胆且成功。我赞赏作者敢于挑战传统叙事边界的勇气。
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