The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents an array of critical, theoretical, and historical responses that pertain to this paradigm shift: its cause, its motivation, and its aesthetic, social, and political significance. This stimulating collection brings together the most significant writings from leading art historians, curators, artists, theorists, and philosophers, and it includes seminal historical articles, as well as recent criticism, including newly translated and commissioned essays.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
這本文集非常具有可讀性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒茲的時間，電影影像如何改變我們的藝術理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中談到瞭屏幕，還有部分章節談到瞭空間。王春辰：“集中的呈現瞭錄像藝術概念的擴大和它的發展曆程，見證瞭它如何成為當代藝術的顯學。”
评分還不錯這本
评分這本文集非常具有可讀性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒茲的時間，電影影像如何改變我們的藝術理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中談到瞭屏幕，還有部分章節談到瞭空間。王春辰：“集中的呈現瞭錄像藝術概念的擴大和它的發展曆程，見證瞭它如何成為當代藝術的顯學。”
评分這本文集非常具有可讀性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒茲的時間，電影影像如何改變我們的藝術理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中談到瞭屏幕，還有部分章節談到瞭空間。王春辰：“集中的呈現瞭錄像藝術概念的擴大和它的發展曆程，見證瞭它如何成為當代藝術的顯學。”
评分這本文集非常具有可讀性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒茲的時間，電影影像如何改變我們的藝術理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中談到瞭屏幕，還有部分章節談到瞭空間。王春辰：“集中的呈現瞭錄像藝術概念的擴大和它的發展曆程，見證瞭它如何成為當代藝術的顯學。”
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有