On Grandma's birthday, Katie goes with her to a museum and encounters some of the subjects in five paintings: two each by Monet and Renoir and one by Degas. She closes her eyes in front of one painting and opens them to find she's a guest in Monet's The Luncheon. There she gathers flowers for a birthday bouquet to give Grandma, but they don't fare too well on the crossing back into the museum. Next, her mission whisks her into three more works of art, including Renoir's Her First Evening Out, where the girl inadvertently wanders onstage during a performance by, as the artwork soon reveals, Degas's ballet dancers. Though Mayhew (Koshka's Tales) offers a breezy introduction to this school of painting, the book's duplication of works by two artists limits the scope of the lesson. Mayhew's softly focused watercolors approach the precious and his renditions of the characters frolicking through the fields present a jarring juxtaposition to the subjects represented in the original works (reproduced here on the museum walls). Ages 4-7.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
PreSchool-Grade 2-This British import pays joyful homage to the world of the Impressionists. When Katie and her grandmother visit an art museum to celebrate the elder's birthday, the girl wanders into a gallery where she admires Claude Monet's The Luncheon. The garden in the painting is filled with flowers that she is sure her grandmother would love. With a blink of her eyes, Katie is magically transported into the painting. There she meets Monet's son, Jean, along with his mother and nanny. The characters in the scene are nonchalant about the girl's arrival and Jean helps her gather un bouquet, then treats her to a tour of his father's studio. Katie hops out of the picture as facilely as she entered it. Still seeking the perfect posies for Grandma, she ventures into other paintings. Katie achieves her final triumph as she wanders onto a stage filled with Degas's dancers, where she is showered with flowers by an enthusiastic audience. Arms overflowing with blossoms, she returns to the museum to find her grandma. Lovely watercolors emulate the style of the Impressionists but with a more childlike slant. This technique of juxtaposing the masterpieces with more naive versions effectively conveys the transitions in the story line. Not only does this delightful fantasy succeed as art education, but it's a charming story as well.
Rosalyn Pierini, San Luis Obispo City-County Library, CA
Copyright 1999 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Ages 4^-7. It is Grandma's birthday, and young Katie is celebrating the occasion with her at the art museum. As Grandma explains the impressionists' technique displayed in the paintings around them, Katie wanders off to admire the flowers Monet painted in The Luncheon. Closing her eyes and sniffing as though she could actually smell them, Katie wishes she had such lovely flowers to give Grandma for her birthday. When she opens her eyes, Katie finds herself in the picture, conversing with young Jean Monet, the painter's son. Katie begins wandering in and out of other classic impressionist works in search of more flowers. She even dances across the stage in Renoir's Her First Evening Out. Katie's impromptu ballet is applauded by the audience, which tosses flowers of appreciation on the stage. Gathering the blossoms into a bouquet, Katie exits the stage through Degas' The Blue Dancers and crawls over the picture frame to return to the museum and give the flowers to Grandma. Imitating the masters' daubing style in his colorful illustrations, Mayhew creates an innovative adventure. His lighthearted approach to art appreciation will whet the appetites of youngsters preparing to visit an art museum for the first time. Ellen Mandel --This text refers to the Hardcover edition.
Not for the first time, the heroine of a picture book steps into some museum paintings and learns a little about the artists and their eras. In search of flowers for her grandmother, Katie first steps into a Monet, ``The Luncheon,'' and romps with the painter's son, Jean. Next Katie drops in on Renoir's ``Girl with a Watering Can,'' revisits Jean in Monet's ``Field of Poppies,'' and eventually ends up on stage with Degas's ballerinas. The dissolving boundaries of these paintings communicate to children how art provides a window into the past, while Mayhew's illustrations are light-filled and playful, complementing the styles of the inset reproductions. (Picture book. 4-7) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.
A little girl is magically transported into great paintings. Fun and funny. -- The Times 20050901
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这本书的装帧设计着实令人眼前一亮,封面选用了那种略带磨砂质感的纸张,触感温润而不失高级感。色彩的搭配上,设计师似乎深谙如何营造出一种既古典又现代的视觉冲击力。我尤其欣赏封面上那组微妙的色彩渐变,它不张扬,却在光线下能捕捉到细微的层次变化,让人联想到某种印象派画作中对光影的捕捉,虽然我手里拿的这本是平装版,但它的边角处理得非常平整,内页的纸张选择也相当考究,墨色的清晰度和纸张的白度拿捏得恰到好处,阅读时眼睛非常舒适,即便是长时间沉浸其中也不会感到疲劳。装订的工艺也十分扎实,即便是反复翻阅,书脊也保持了良好的形态,没有出现松动的迹象,这对于一本我打算长期珍藏的书来说,是非常重要的加分项。书脊上的烫金字体虽然低调,但清晰有力地传达了书名和作者信息,整体散发着一种内敛的艺术气息,拿在手里,总有一种捧着一件精美艺术品的错觉,这无疑提升了阅读前的期待值,它不仅仅是一本书,更像是一个精心制作的物件。
评分从整体的用户体验角度来看,这本书的设计者显然是将“便携性”和“阅读体验”置于一个非常高的优先级上。平装版的优势在于其相对轻便的重量,这使得它非常适合随身携带,无论是通勤路上还是咖啡馆小憩时,都能轻松地从包里取出。尽管是平装,书脊的柔韧性也做得很好,即使是新书,也能够轻易地完全摊开平放在桌面上,读者无需费力地用手去按压书页,这对于需要边读边做笔记或参考资料的读者来说,无疑是一个巨大的便利。这种设计上的细心考量,显示了出版方对实际阅读场景的深刻理解,他们明白,一本好书不应该只在书桌上被阅读,而应该融入读者的日常生活之中。这种对细节的打磨,让阅读行为本身成为了一种愉悦的、无缝衔接的日常活动,而不是一种需要特定环境才能完成的任务。
评分我必须强调一下这本书的“体量感”带来的心理暗示。虽然是平装本,但它的页数相当可观,分量十足,这立刻给读者一种“内容丰富、信息量大”的预期。这种沉甸甸的感觉,往往意味着作者在资料搜集和论述深度上投入了巨大的心血,让人在翻开之前就已经对其专业性和详尽性充满了信心。在阅读过程中,我发现作者叙事时的语速是极其稳定且富有弹性的,他不会为了追求所谓的“快节奏”而牺牲细节的描绘,相反,他对事件的铺陈和背景的交代是徐徐展开的,像一个经验丰富的导游,不急不慢地带领我们走过每一个重要的场景。这种节奏的把握,让信息的吸收过程变成了一种享受而非负担,读者得以有足够的时间去反刍和思考作者提出的观点,而不是被动地被文字推着走,这在很多快餐式阅读材料中是难以寻觅的宝贵特质。
评分这本书的语言风格展现出一种罕见的平衡感,它既保持了学术作品应有的严谨性和准确性,又巧妙地避开了那种拒人于千里之外的晦涩与陈词滥调。作者的措辞是精准的,每一个用词都像是经过千锤百炼,没有冗余的形容词或模糊不清的代词。然而,当他需要描绘某些场景或表达深刻见解时,笔锋会突然变得富有画面感和感染力,仿佛一幅精心绘制的插画突然跃然纸上,这种从理性到感性的无缝切换,极大地增强了文字的说服力和感染力。更难得的是,通篇下来,作者的“声音”始终如一,没有出现前后语气不一或论调突变的现象,这显示出极强的自控力和一致性的写作标准,使得读者在面对复杂的主题时,也能始终感受到一位清晰、可靠的引路人在身旁引导,其文字的魅力就在于此——既有深度,又不失温度。
评分这本书的排版布局简直是教科书级别的典范,文字的行距和字间距都经过了细致的考量,形成了极佳的阅读节奏感。我注意到作者在处理长段落时,会巧妙地运用一些短句和分段来打断阅读的惯性,这使得信息在脑海中更容易被消化和吸收,而不是一味地堆砌。而且,这种排版风格似乎很懂得“留白”的艺术,页面周围充裕的空白区域,不仅让眼睛得到了休息,也让每一行文字都仿佛有了呼吸的空间,避免了视觉上的拥挤感。在涉及一些特定术语或重要论点的地方,作者或排版师会采用略微不同的字体样式或加粗处理,但这种强调非常克制,绝非突兀的“大喊大叫”,而是如同一个温和的提示,引导读者的注意力聚焦到关键信息上,这种对细节的尊重,充分体现了出版方对阅读体验的重视。这种对阅读流程的精妙设计,使得即便是初次接触此类题材的读者,也能轻松地跟上思路,毫无阅读障碍。
评分用轻松的笔触介绍了诸多印象派的代表作,看完就发现童书真能代表一个国家出版业水平。。。
评分用轻松的笔触介绍了诸多印象派的代表作,看完就发现童书真能代表一个国家出版业水平。。。
评分用轻松的笔触介绍了诸多印象派的代表作,看完就发现童书真能代表一个国家出版业水平。。。
评分用轻松的笔触介绍了诸多印象派的代表作,看完就发现童书真能代表一个国家出版业水平。。。
评分用轻松的笔触介绍了诸多印象派的代表作,看完就发现童书真能代表一个国家出版业水平。。。
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