A modern verse play dealing with the problem of man's guilt and his need for expiation through his acceptance of responsibility for the sin of humanity. "What poets and playwrights have been fumbling at in their desire to put poetry into drama and drama into poetry has here been realized.... This is the finest verse play since the Elizabethans" (New York Times).
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和the four quartets应当是差不多时间写的吧一样贯穿关于时间,future & past & changes的思考 - 虽然有不少criticism但应该是Eliot三个play里面我最喜欢的一部 对话和戏剧性和语言/chorus的balance相对最舒服
评分和the four quartets应当是差不多时间写的吧一样贯穿关于时间,future & past & changes的思考 - 虽然有不少criticism但应该是Eliot三个play里面我最喜欢的一部 对话和戏剧性和语言/chorus的balance相对最舒服
评分(1939) R4 w/ Fabia Drake. We must carry on as nothing has happened.
评分(1939) R4 w/ Fabia Drake. We must carry on as nothing has happened.
评分和the four quartets应当是差不多时间写的吧一样贯穿关于时间,future & past & changes的思考 - 虽然有不少criticism但应该是Eliot三个play里面我最喜欢的一部 对话和戏剧性和语言/chorus的balance相对最舒服
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