Alexander Sergeyevich Pushkin was born in Moscow in 1799. After traveling through the Caucasus and the Crimea, he was sent to Bessarabia, where he wrote The Captive of the Caucasus and The Fountain at Bakhchisaray, and began Eugene Onegin. His work took an increasingly serious turn during the last year of his southern exile, in Odessa. In 1824 he was transferred in north-west Russia, where he wrote his historical drama Boris Godunov, continued Eugene Onegin and finished The Gipsies. He was mortally wounded and died in January 1837.
Stanley Mitchell was born in 1932 in London. He read Modern Languages (French, German and Russian) at Oxford. He taught at various universities - Birmingham, Essex, Sussex, San Diego California, McGill, Montreal, Dar es Salaam Tanzania, Derby, University College London and Camberwell School of Art. Subjects included Russian literature and art, comparative literature, art history and cultural studies. He is currently Emeritus Professor of Aesthetics at the University of Derby and Honorary Senior Research Fellow in the Department of Art History at University College, London. He has translated Georg Lukacs and Walter Benjamin, written a variety of articles and reviews, and given numerous lectures and talks.
Tired of the glitter and glamour of St Petersburg society, aristocratic dandy Eugene Onegin retreats to the country estate he has recently inherited. With the arrival of the idealistic young poet Vladimir Lensky he begins an unlikely friendship, as the poet welcomes this urbane addition to his small social circle - and is happy to introduce Onegin to his fiancée, Olga, and her family. But when Olga's sister Tatiana becomes infatuated with Onegin, his cold rejection of her love brings about a tragedy that engulfs them all. Unfolding with dreamlike inevitability and dazzling energy, Pushkin's tragic poem is one of the great works of Russian literature.
In this new translation, Stanley Mitchell captures the cadences and lightness of the original poem, and discusses in his introduction Pushkin's life, writings and politics, as well as previous translations of the work. This edition also contains a chronology and suggested further reading.
何谓多余人? “多余人”是19世纪俄国文学中所描绘的贵族知识分子的一种典型。他们的特点是出身贵族,生活在优裕的环境中,受过良好的文化教育。他们虽有高尚的理想,却远离人民;虽不满现实,却缺少行动,他们是“思想上的巨人,行动上的矮子”,只能在愤世嫉俗中白白地浪费自...
评分 评分奥涅金作为一个贵族浪荡子、虚无主义者的典型,当然有他们最突出的两个特点,一是对什么都感兴趣,也对什么都不感兴趣。二是缺乏行动力。 奥涅金爱好广泛,博览群书,游历也很广泛,能接触上流社会也能到乡下生活,可以说奥涅金充满了求知欲和探索欲,但是求知完了探索尽了他...
评分看了该文(王智量:翻译人生痛与乐 -年 7月5日 人民日报 http://t.cn/zW5WaB6 )才知道,人民文学出版社 出的名著《叶甫盖尼.奥涅金》的“智量 译”,是指华东师范大学 的王智量先生。 王智量先生历经妻离子散和起落沉浮,墙上挂着屠格涅夫的一句“你想要幸福吗?先得学会受苦。”
评分读完陀思妥耶夫斯基关于普希金的随笔,他尤其提到《叶甫盖尼·奥涅金》。在谈到主人公的时候,陀思妥耶夫斯基从人性的角度分析了这个19世纪的青年“多余人”。尤其说到女主人公是俄罗斯民族文学中现实主义出现的第一个正面的成功的女性形象。这本书是普希金的第一本现实主...
在学校图书馆摸了一本打发时间,右手书左手2048。简直是愉快的养老生活。
评分在学校图书馆摸了一本打发时间,右手书左手2048。简直是愉快的养老生活。
评分这个译本感觉too rigid in style
评分这个译本感觉too rigid in style
评分就用作者自己的话来说吧 "I like this word exceedingly, Although it will not bear translation". 确实The essence of verses is distorted in the translatio
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