Tired of the glitter and glamour of St Petersburg society, aristocratic dandy Eugene Onegin retreats to the country estate he has recently inherited. With the arrival of the idealistic young poet Vladimir Lensky he begins an unlikely friendship, as the poet welcomes this urbane addition to his small social circle - and is happy to introduce Onegin to his fiancée, Olga, and her family. But when Olga's sister Tatiana becomes infatuated with Onegin, his cold rejection of her love brings about a tragedy that engulfs them all. Unfolding with dreamlike inevitability and dazzling energy, Pushkin's tragic poem is one of the great works of Russian literature.
In this new translation, Stanley Mitchell captures the cadences and lightness of the original poem, and discusses in his introduction Pushkin's life, writings and politics, as well as previous translations of the work. This edition also contains a chronology and suggested further reading.
Alexander Sergeyevich Pushkin was born in Moscow in 1799. After traveling through the Caucasus and the Crimea, he was sent to Bessarabia, where he wrote The Captive of the Caucasus and The Fountain at Bakhchisaray, and began Eugene Onegin. His work took an increasingly serious turn during the last year of his southern exile, in Odessa. In 1824 he was transferred in north-west Russia, where he wrote his historical drama Boris Godunov, continued Eugene Onegin and finished The Gipsies. He was mortally wounded and died in January 1837.
Stanley Mitchell was born in 1932 in London. He read Modern Languages (French, German and Russian) at Oxford. He taught at various universities - Birmingham, Essex, Sussex, San Diego California, McGill, Montreal, Dar es Salaam Tanzania, Derby, University College London and Camberwell School of Art. Subjects included Russian literature and art, comparative literature, art history and cultural studies. He is currently Emeritus Professor of Aesthetics at the University of Derby and Honorary Senior Research Fellow in the Department of Art History at University College, London. He has translated Georg Lukacs and Walter Benjamin, written a variety of articles and reviews, and given numerous lectures and talks.
何谓多余人? “多余人”是19世纪俄国文学中所描绘的贵族知识分子的一种典型。他们的特点是出身贵族,生活在优裕的环境中,受过良好的文化教育。他们虽有高尚的理想,却远离人民;虽不满现实,却缺少行动,他们是“思想上的巨人,行动上的矮子”,只能在愤世嫉俗中白白地浪费自...
评分《欧根•奥涅金》是被翻译得最多的文本之一,查良铮、冯春、王士燮、剑平、刘宗次、智量都译过,而吕荧——这个“唯一敢为胡风申辩的人”——的译本也以它的平易赢得了我的心。虽然不少语句比起智量来略显土鳖,而且一些旧译专名今天读来已经很不习惯,如P4鲁斯兰和柳德米拉...
评分读完陀思妥耶夫斯基关于普希金的随笔,他尤其提到《叶甫盖尼·奥涅金》。在谈到主人公的时候,陀思妥耶夫斯基从人性的角度分析了这个19世纪的青年“多余人”。尤其说到女主人公是俄罗斯民族文学中现实主义出现的第一个正面的成功的女性形象。这本书是普希金的第一本现实主...
评分在重庆磁器口旧书店淘到的旧书。1982年上海译文出版社,冯春译。扉页还有它第一任主人的签名和购书年月——“谢勤 1982.12”。读的过程中发现了里面夹着糖纸“鲜花奶糖”和一张便签。这种穿越时光的相遇,有着难以为旁人所感受的奇妙呀。 决定把便签上的内容分享给大家(其实只...
评分俄文学选修课上老师讲到这部作品,之前已经看了一遍。因为是译文所以在语言方面减色不少,原文毕竟是诗歌,但如果要是读原文的话所需的时间也就不是一星期了,而且自己对于俄语的领悟确实也无可恭维。 这部小说比较吸引我的是作品中流露出的俄罗斯优雅与浪漫的气质。决斗,如...
这个译本感觉too rigid in style
评分在学校图书馆摸了一本打发时间,右手书左手2048。简直是愉快的养老生活。
评分在学校图书馆摸了一本打发时间,右手书左手2048。简直是愉快的养老生活。
评分在学校图书馆摸了一本打发时间,右手书左手2048。简直是愉快的养老生活。
评分“Habit is heaven's gift to us: A substitute for happiness.”
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