From Publishers Weekly
Journalist Koppel found the inspiration for this book, based on her 2006 New York Times article, after discovering Florence Wolfson’s diary in a Manhattan dumpster. Koppel eventually locates Florence in Florida and surprises the 90-year-old with this artifact from her past, which reveals her views on growing up as an intelligent, ambitious and creative teenager on the Upper West Side of Manhattan in the 1930s. Florence received the diary as a present on her 14th birthday. She recorded everything from her first kiss (with a boy) to her crush on actress Eva Le Galliene (which led her to question her sexuality) to her passion for writing and art. The diary acts as a window into a fascinating and privileged world, one that Koppel tries to recreate by writing in a novelistic way, using no more than snippets of text from Florence’s diary and, we can presume, multiple interviews as support. The result, which some readers may find frustrating and others rewarding, is that the original inspiration—the diary itself—becomes no more than a starting point for a much larger story: that of Florence’s life.
Review
"Skillful reporting, fine prose and [an] excellent eye for period detail. . . . A story about not one but two lovable characters—and the city that brought them together." -- New York Times Book Review
"THE RED LEATHER DIARY is a fascinating book—inventive and inspiring." -- Erica Jong, #1 New York Times bestselling author of Fear of Flying
Rescued from a Dumpster on the Upper West Side of Manhattan, a discarded diary brings to life the glamorous, forgotten world of an extraordinary young woman.
For more than half a century, the red leather diary lay silent, languishing inside a steamer trunk, its worn cover crumbling into little flakes. When a cleaning sweep of a New York City apartment building brings this lost treasure to light, both the diary and its owner are given a second life.
Recovered by Lily Koppel, a young writer working at the New York Times, the journal paints a vivid picture of 1930s New York--horseback riding in Central Park, summer excursions to the Catskills, and an obsession with a famous avant-garde actress. From 1929 to 1934, not a single day's entry is skipped.
Opening the tarnished brass lock, Koppel embarks on a journey into the past, traveling to a New York in which women of privilege meet for tea at Schrafft's, dance at the Hotel Pennsylvania, and toast the night at El Morocco. As she turns the diary's brittle pages, Koppel is captivated by the headstrong young woman whose intimate thoughts and emotions fill the pale blue lines. Who was this lovely ingénue who adored the works of Baudelaire and Jane Austen, who was sexually curious beyond her years, who traveled to Rome, Paris, and London?
Compelled by the hopes and heartaches captured in the pages, Koppel sets out to find the diary's owner, her only clue the inscription on the frontispiece--"This book belongs to . . . Florence Wolfson." A chance phone call from a private investigator leads Koppel to Florence, a ninety-year-old woman living with her husband of sixty-seven years. Reunited with her diary, Florence ventures back to the girl she once was, rediscovering a lost self that burned with artistic fervor.
Joining intimate interviews with original diary entries, Koppel reveals the world of a New York teenager obsessed with the state of her soul and her appearance, and muses on the serendipitous chain of events that returned the lost journal to its owner. Evocative and entrancing, The Red Leather Diary re-creates the romance and glitter, sophistication and promise, of 1930s New York, bringing to life the true story of a precocious young woman who dared to follow her dreams.
More Praise for The Red Leather Diary
BookPage
"Florence's life reads like E.L. Doctorow's Ragtime in places, with all the famous paths crossed and situations experienced; while descriptions of city life recall Marjorie Hart's Summer at Tiffany... Together, Koppel and Florence take readers through a world dizzy with new ideas, rhythms and inventions."
Booklist
"After a front-page story appeared in the New York Times Sunday City section, interest in Florence's fascinating story prompted the author to write a full-length book that works as both a biography and a spellbinding glimpse into a vanished era."
Library Journal
"Koppel's love of New York is obvious in the details she draws from Florence's diary, which show how the city has changed in ways both big and small. An entertaining and enjoyable work..."
Reader's Digest Editors' Choice
"In The Red Leather Diary, Lily Koppel finds an old journal in a Dumpster, gets lost in its rich take on 1930s New York and, improbably, tracks down the now-90-year-old woman whose life--real and imagined--fills its worn pages--"
Elle
"New York Times writer Lily Koppel's The Red Leather Diary melds three life-affirming subjects--Florence Wolfson's journal of life in 1930s Manhattan, Koppel's discovery of it in a Dumpster decades later, and the meeting of the two women--into one enchanting memoir."
Vogue
"Sparked by a felicitous discovery in an Upper West Side dumpster, New York Times writer Lily Koppel spins an enthralling true fairy tale about a Depression-era ingénue."
Publishers Weekly
"A window into a fascinating and privileged world. . . . Rewarding."
Erica Jong, #1 New York Times bestselling author of Fear of Flying
"The Red Leather Diary is a fascinating book--inventive and inspiring." -- Book Description
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这本书的叙事节奏把握得极其精准,像是一部精心打磨的悬疑片,每一个转折都恰到好处地勾住了读者的心弦。作者似乎深谙人性中对于“未知”的探索欲,用一种近乎电影运镜般的笔触,将那些深埋的情感和尘封的往事层层剥开。我尤其欣赏它在描绘人物内心挣扎时的那种细腻和克制,没有过度渲染的悲情,却在那些不经意的细节中,让读者真切地感受到主角在面对困境时的那种无助与坚韧。比如,某一个清晨,当主角对着镜子整理仪容时,那种对自我形象的重塑和对过去的回避,通过对方的眼神和肢体语言被刻画得入木三分。这本书的魅力,正在于它不急于给出答案,而是引导着我们跟随主角的每一步探索,去拼凑一个完整而复杂的生命图景。读到中途时,我甚至会不自觉地将自己的生活经历代入进去,思考那些自己曾经的选择和未曾说出口的遗憾,这种强烈的代入感,是许多作品所不具备的。它的文字如同陈年的佳酿,初尝略带酸涩,回味却悠长,让人在合卷之后,依然久久不能平静,反复咀嚼那些深刻的隐喻和精妙的结构。
评分这本小说的语言风格充满了古典韵味和哲思的深度,读起来就像是漫步在一条铺满鹅卵石的古老小径上,每一步都踏出了历史的回响。它大量使用了长句和复杂的从句结构,但奇妙的是,这些复杂的句式非但没有造成阅读障碍,反而营造出一种沉静、内省的氛围,仿佛作者正在以一种近乎冥想的状态,审视生命中的种种悖论。我注意到作者在词汇的选择上极其考究,许多用词都带着一种独特的历史厚重感,让人联想到那些被时间冲刷过的伟大文学作品。特别是描绘自然景物与内心世界的对应关系时,那种比喻的手法简直令人叹为观止。当主角感到迷茫时,外界的天气变化也随之晦暗不明,这种天人合一的表达方式,极大地增强了文本的文学质感。对于追求文字美感和思想深度的读者来说,这本书无疑是一场盛宴。它不追求大众的直白,而是更侧重于和那些愿意沉下心来品味文字韵律的知音进行深度对话。读完后,我感觉自己的词汇量和对复杂情感的理解力都有了潜移默化的提升。
评分从整体氛围营造上来说,这本书成功地构建了一个既私密又广阔的世界。私密在于它深入探讨了个体最隐秘的恐惧与渴望,广阔则在于它将个体的命运置于更宏大的历史或文化背景之下进行审视。作者擅长使用象征手法,许多场景和物品都带有强烈的象征意义,初读时可能不甚明了,但随着情节的深入,这些象征物便会如同拼图般契合,展现出更深层次的含义。我尤其欣赏作者处理冲突的方式,很多矛盾并非是外部的暴力冲突,而是内心世界中不同价值观的激烈碰撞,这种内在的张力比任何外部的动作场面都更具感染力。它成功地创造了一种“氛围感”——一种混合了怀旧、探索和一丝丝宿命感的独特情绪。这种情绪是如此具有粘性,让人沉浸其中,无法自拔。这本书无疑是一部需要用心去“感受”的作品,它不只是讲述了一个故事,它更像是在你的心头烙下了一种难以磨灭的情感印记,一种对生命深层意义的追问。
评分故事情节的推进方式非常别致,它更像是一张张被打乱的拼图,需要读者主动参与到重建叙事结构的过程中去。作者巧妙地运用了非线性叙事,在不同时间线之间自由穿梭,这种跳跃感一开始可能会让人略感挑战,但一旦适应了这种节奏,便会发现其中隐藏的巨大乐趣——那就是不断地进行推理和印证。每一次看似不经意的闪回,实际上都为后续的高潮埋下了至关重要的伏笔。我特别喜欢作者在关键信息点上的处理,他们总是在你认为已经掌握了真相时,突然抛出一个完全出乎意料的细节,迫使你推翻之前的判断,重新审视一切。这种智力上的博弈感,让阅读过程充满了刺激。它考验的不仅仅是阅读能力,更是逻辑分析和记忆能力。我甚至在读的时候,会在笔记本上画时间轴,试图梳理清楚人物关系和事件的因果链条。这种主动参与解谜的过程,极大地提升了阅读体验的参与度和满足感,让人有一种自己也是叙事共同创作者的错觉。
评分这本书对于“身份认同”这一宏大主题的探讨,达到了令人震撼的高度。它没有给出廉价的答案,而是将身份的构建过程,描绘成一场漫长而痛苦的自我考古。主角的每一次探索,都像是挖掘自己灵魂深处的矿藏,伴随着阵痛,也伴随着发现稀有宝石的狂喜。书中对不同人生阶段的自我认知差异进行了深刻的反思,特别是关于“过去的我”与“现在的我”之间如何和解与融合的问题,处理得极其冷静而有力。作者似乎在提醒我们,我们所理解的“自我”,并非一成不变的实体,而是一个不断被经验重塑的动态过程。这种对存在主义式命题的探讨,使得这本书的价值超越了一般的消遣读物。它提供了一个极佳的视角,去审视我们自己的人生轨迹中那些被遗忘或被刻意忽略的篇章。读完后,我深刻地感受到,真正的成长,往往来自于对自身矛盾性的接纳,而不是对完美的苛求。这种对生命本质的深刻洞察,让这本书具有了反复重读的价值。
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