The World Around the Chinese Artist pdf epub mobi txt 電子書 下載2025
- 藝術史
- 海外中國藝術研究
- 書畫
- 藝術史
- 藝術·書畫
- 藝術
- 有關再現論述模式是否依然有其活力
- Edwards
- 中國藝術
- 世界視角
- 藝術與文化
- 觀察與思考
- 當代藝術
- 中西對話
- 文化認同
- 藝術錶達
- 人文視野
- 全球視野
具體描述
In this series of lectures on the painters Hsia Kuei (twelfth-thirteenth centuries), Shen Chou (fifteenth-sixteenth centuries), and Shih-t'ao (seventeenth-eighteenth centuries), Richard Edwards explores the special relationship between the self and landscape in Chinese art. These three painters, each important in his own time and deemed a master by later critics, were all concerned with the subjective in the objective world. In Chinese painting there is no clear desire to separate these two realms; rather, there is a constant, conscious play between the physical reality of the world and the subjective vision of the artist. The artist is continually imitating the world--sometimes more, sometimes less--but he never denies its appearance to the point of total abstraction; nor, in the other extreme, does he claim for the physical world an existence independent of his own involvement.
著者簡介
Richard Edwards is Professor Emeritus of East Asian Art and Art History, University of Michigan.
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