To the Chinese scholar， the preparation for recording his thought on paper was as important as the execution. On his desk lay the Four Treasures， the symbols of his calling: paper， brushes， inkslab and ink， so arranged as to inspire the best of his talent. Calligraphy in China ranked on a par with painting and poetry， as hallmarks of a man of accomplishment and discriminating taste. This book takes the reader into the scholar s study and seats him at that desk.
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