Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as "100 Famous Views of Edo" (1856-1858). This book provides an introduction to his work and an overview of his career.Available in over 20 languages, Tachen's "Basic Art series" offers budget-minded readers quality books on the greatest artists of all time. The neat, slick format and nice price tag make "Basic Art" books perfect for collecting.Every book in the "Basic Art series" features: a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist; approximately 100 color illustrations with explanatory captions; and, a concise biography.
Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as "100 Famous Views of Edo" (1856-1858). This book provides an introduction to his work and an overview of his career.Available in over 20 languages, Tachen's "Basic Art series" offers budget-minded readers quality books on the greatest artists of all time. The neat, slick format and nice price tag make "Basic Art" books perfect for collecting.Every book in the "Basic Art series" features: a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist; approximately 100 color illustrations with explanatory captions; and, a concise biography.
About the Author
Adele Schlombs studied sinology, East Asian art history, European art history and comparative religious studies at Cologne and Heidelberg Universities. From 1984 to 1987 she studied at Kyoto University and finished her dissertation in 1989 at Heidelberg University with Prof. Lothar Ledderose. In 1991, she took over the directorship of the Museum of East Asian Art in Cologne and since then has organized numerous loan exhibitions of Japanese and Chinese art.
评分
评分
评分
评分
坦率地说,我带着一种略微挑剔的眼光来审视这本画册的,毕竟对于这种经典艺术家的作品集,市场上充斥着太多平庸的再现。然而,这本书的呈现方式却出乎意料地高明。它没有将所有的作品堆砌在一起,而是似乎精心设计了一条叙事线索,引导读者从早期的细腻到后期的奔放,这种节奏的把握非常到位。特别是那些描绘桥梁和水流的作品,线条的张力与画面的稳定感形成了绝妙的对比,每次驻足于这些页面前,我都会反复揣摩作者是如何做到让静止的木刻板上呈现出如此强烈的动感的。装帧的细节处理得极为考究,比如扉页上那种手工拓印的纹理,虽然不仔细看可能注意不到,但正是这些不经意的细节,极大地提升了收藏价值和阅读体验。它让我深刻体会到,艺术的力量不在于宏大叙事,而恰恰在于对日常景象的独特洞察和精妙的提炼。
评分这本新近读到的画册,简直是一场视觉的盛宴,那种扑面而来的江户风情,不是靠干巴巴的文字描述就能体会的。我特别喜欢它对光影的处理,尤其是那些描绘雪景和雨天的章节,笔触的处理简直是神来之笔。你几乎能感受到空气中湿漉漉的凉意,还有雪花落在蓑衣上的那种细微的声响。装帧设计也十分用心,纸张的质感和墨色的晕染效果配合得天衣无缝,这让我感觉自己拿的不是一本普通的印刷品,而是一件精心打磨的工艺品。其中关于旅行的那些场景,那些旅人跋涉在崎岖山路上的形象,寥寥数笔就勾勒出了旅途的艰辛与沿途风光的壮丽,让人不禁联想到自己过去的某段旅程,那种对远方的向往和对当下处境的释然,都在这些画面中得到了奇妙的平衡。我对版画艺术一直抱有浓厚的兴趣,而这本书无疑是这方面的一个绝佳范本,它不仅仅是记录风景,更是在记录一种文化符号,一种对于自然界转瞬即逝的美的永恒捕捉。
评分从一个纯粹的美学角度来看,这本画册是对传统构图法则的一次精彩的现代演绎。我被那种对不稳定平衡的偏爱深深吸引——画面主体常常偏向一侧,但通过巧妙的负空间和对角线的引导,整个画面却又达到了完美的和谐。这让我想起当代设计中对极简主义的追求,但这里的极简却蕴含着深厚的历史积淀。那些描绘市井生活和节庆场面的插页,虽然人物众多,但作者总能通过视线引导和景深处理,避免了画面的拥挤和混乱,每个人物都有其存在的理由和姿态。这本书的装帧材料选择也体现了一种低调的奢华,封面那种略带粗粝感的布面,与内页细腻的铜版纸形成了触感上的对比,这种多重感官的刺激,使得每一次翻阅都成为一种享受,它不仅是一本艺术书籍,更是一件值得在书架上细细品味的艺术品。
评分我必须承认,这本书在版式设计上大胆而新颖,完全跳脱了传统画册的刻板印象。它巧妙地运用了对开页的布局,有时将一幅作品拆分并置于两页,形成一种强烈的视觉冲击力和空间延展感;有时又将多幅小品集合在一起,构成一个主题系列,这种灵活的处理方式,极大地丰富了阅读的层次感。我注意到,印刷的色彩控制得非常精准,即便是经过数百年的时光洗礼,原作中那种特有的矿物颜料的质感,依然能透过现代的印刷技术得到了忠实的再现,尤其是那种深沉的群青和温润的赭石色,层次感丰富到令人赞叹。这本书的编辑显然是真正理解艺术的,他们没有将重点放在冗长的传记介绍上,而是通过作品自身的序列和并置,来讲述一个关于美学演进的故事,让读者成为自己解读艺术的向导,这才是最令人称道之处。
评分这本书带给我的感受,更像是一次深入的冥想体验,而不是简单的欣赏画作。我发现自己常常在一张图前停留很久,不是为了辨认具体的地点,而是去感受那种情绪的流动。那些被描绘的季节更迭,那种时间缓慢流逝的感觉,在快节奏的现代生活中显得尤为珍贵。我尤其欣赏其中对于“间隙”的运用,比如画面中大面积留白的云层,或者被建筑阴影遮蔽的部分,这种“未完成感”反而激发了观者的想象力,让每位读者都能在其中填补自己的情感色彩。相比于一些过于强调细节描摹的图册,这本书的妙处在于它的概括性和象征性。它没有试图告诉你看清每一个细节,而是邀请你感受整体的氛围和意境。这对于那些追求心灵平静和精神滋养的读者来说,无疑是一份上佳的馈赠,每翻阅一次,都像是给紧绷的神经做了一次温柔的按摩。
评分安藤广重
评分AMAZING
评分真想临几幅
评分安藤广重
评分真想临几幅
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有