Starred Review. Moscow-based Senior Investigator Arkady Renko, in his outstanding sixth outing (after Wolves Eat Dogs), investigates a murder-for-hire scheme that leads him to suspect two fellow police detectives, Nikolai Isakov and Marat Urman, both former members of Russia's elite Black Berets, who served in Chechnya. Isakov, a war hero, is now running for public office. Renko must also look into reports that the ghost of Stalin has begun appearing on subway platforms and why several bodies of Black Berets who served in Chechnya with Isakov have turned up in the morgue. Despite repeated threats to his life, Renko stubbornly perseveres, seeking justice in a land that has no official notion of that concept. Smith eschews vertiginous twists and surprises, concentrating instead on Renko as he slowly and patiently builds his case until the pieces fall together and he has again, if not exactly triumphed, at least survived. This masterful suspense novel casts a searing light on contemporary Russia. 250,000 first printing. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
His sixth Arkady Renko novel in 26 years, Martin Cruz Smith has produced a suspenseful page-turner packed full of vivid characters, clever dialogue, and hair-raising plot twists. In addition to a gripping mystery, readers will embrace the detailed, harrowing descriptions of the harshness and violence of life in the "New Russia." Critics unanimously praised Smith's sobering depiction of contemporary, post-Communist Russia; indeed, the country emerges as a character in its own right. The Wall Street Journal complained of implausible story lines and the questionable nature of Renko's career choices, but most critics were delighted to see Arkady Renko back in action. Readers will no doubt share their enthusiasm.
Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to the Hardcover edition.
*Starred Review* At the end of Wolves Eat Dogs (2005), it looked like Arkady Renko, the browbeaten Russian cop perpetually caught in the backdraft of history, had emerged from grayed-out Chernobyl with an uncontaminated shred of hope--a new relationship, perhaps even a reason for living. By the time we pick up the story, however, Renko is back in Moscow, the relationship is splintering, the teenager he had unofficially adopted is living on the streets, and his career is once again on the scrap heap. So it's only natural that the odd man out would land the case nobody wants: investigating the purported sightings of Joseph Stalin's ghost at a Moscow subway station. It's clear that the Stalin scam is being used by reactionaries as a way of fanning the "good old days" movement, but raining on the parade of a bunch of aging WWII vets reliving old glory has lose-lose all over it. Then Renko catches the scent of a bigger story behind Stalin's ghost--war crimes committed by the reactionaries' golden-boy politician--and follows it to remote Tver, where Smith unveils another of his unforgettable set pieces: the search for and exhumation of Russian soldiers massacred on the eastern front. From Gorky Park (1981) onward, this series has always been about the perils of digging: whether it's bodies under the snow or radioactive facts that the powerful want to keep hidden, the treasures that Renko seeks always contain the seeds of his own destruction. But somehow digging his own grave is what keeps Renko alive--and keeps us reading. Bill Ott
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
The excellent Russian detective Arkady Renko investigates supposed sightings of Josef Stalin in the Moscow subway, getting himself shot in the head in the process. Nostalgic, steel-toothed babushkas and heroes of the Great Patriotic War are of course among the wishful watchers and waiters Detective Renko spots hoping for a glimpse of the ghost of the Glorious Leader in the world's busiest subway, but so are an avant-garde filmmaker-turned-pornographer and a couple of American political consultants. Renko, whose relationship with enigmatic emergency physician Eva Kazka began in the ruins of radioactive Chernobyl in Smith's 2004 Wolves Eat Dogs, continues to find sex with the brilliant Ukranian stupendous, but they seem to be barely speaking out of bed. Part of the problem is Renko's obsessive detective work. He does not relent. Ever. But there is also the matter of Eva's continuing relationship with Nikolai Isakov, the commando she met years ago when she was patching up Chechnyans and Isakov was shooting them. Isakov is now a detective like Renko, but one with a political future and friends in high places. Isakov, whose political leanings are toward the old Soviet State, is also involved with the Stalin sightings and with the serial murders of a number of his old comrades from Chechnya. Complicating matters further for Detective Renko is the disappearance of Zhenya, the feral teenaged chess master he's been trying to civilize. The more Renko uncovers of Isakov's involvements, the more Renko's masters want him out of town. And it is outside Moscow, in the unreconstructed Soviet city of Tver, that everything comes to a boil as an unarmed, badly battered Renko takes on Isakov and his remaining associates.Smith's lawless modern Russia continues to prove as terrifying as the Cold-War state. Possibly scarier. (Kirkus Reviews)
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我刚开始阅读时,被作者开篇就抛出的论点震住了。那种直击核心、毫不拐弯抹角的叙事方式,像一把冰冷的解剖刀,瞬间切开了历史表面光鲜亮丽的表皮,直达那些被时间尘封的肌理和腐败之处。叙事节奏的控制堪称大师级的手笔,它时而如同一场暴风雪,信息量和情感冲击如狂风骤雨般袭来,让人喘不过气;而到了关键的转折点,它又能奇迹般地放慢速度,用极其精准、近乎科学的笔触去描绘那些微妙的心理变化和权力博弈的蛛丝马迹。我发现自己不得不频繁地停下来,不仅仅是为了做笔记,更是为了消化那些复杂的人物关系网和错综复杂的意识形态冲突。特别是作者在描述那些历史决策背后的动机时,所采用的那种多角度的审视,避免了简单的善恶二元论,而是将人性的灰色地带展现得淋漓尽致,让人不得不重新审视自己对“历史必然性”的理解。
评分这部作品的封面设计着实引人注目,那种深沉的色调和略显粗粝的质感,立刻让人联想到历史的厚重与某种挥之不去的阴影。我拿到书的时候,首先被它那种沉甸甸的分量所吸引,这似乎暗示着内容并非轻松之作,而是需要读者投入相当精力的深度阅读。排版方面,字体选择经典且易于阅读,但页边距的处理却显得十分克制,仿佛有意将读者的注意力尽可能地集中在文字本身,不给心灵喘息的空间。装帧上的细节处理也体现了出版方对这本书定位的重视,那种坚韧的平装本外壳,让人感觉这本书是准备陪伴读者度过漫长岁月的伙伴,而不是转瞬即逝的消遣品。初翻阅时,那种纸张特有的微小摩擦声,混合着油墨的清淡气味,共同营造出一种仪式感,仿佛我即将踏入一个需要严谨对待的历史迷宫。从这份物理呈现来看,它传递出的信息是:准备好,这不是一次寻常的阅读体验,它要求你正视那些复杂、甚至令人不安的主题。
评分阅读过程中,这本书对细节的偏执追求,几乎达到了令人敬畏的程度。它不像有些历史书那样,只关注重大事件的宏观走向,而是沉迷于那些看似微不足道的“小事件”——比如一次会议的茶点摆放方式、某位幕僚不经意间的一个眼神交流、或者一份被多次修改的备忘录上的一个被删除的词汇。正是这些被主流历史叙事所忽略的碎屑,被作者精心拾起,如同珠宝般打磨,最终拼凑出了一个远比我们想象中更真实、更具戏剧性的历史图景。我特别欣赏作者在处理资料时的那种“侦探式”的执着,仿佛他不是在撰写历史,而是在破解一桩跨越数十年的世纪悬案。这种对“真实”的近乎病态的追求,使得即便是最熟悉的事件,也呈现出了令人耳目一新的面貌。
评分这部书在语言风格上的多样性令人印象深刻。它不是那种一成不变的学术腔调,也不是刻意迎合大众的通俗写作。在描绘宏大政治集会的场景时,文字充满了史诗般的磅礴气势,仿佛能听到百万人的齐声呐喊,那种群众狂热的感染力几乎要穿透纸面。然而,当作者深入到某个核心人物的私人日记或密信的引述时,语言风格会陡然变得内敛、私密,充满了颤抖的细节和未尽之言,那种压抑感简直让人手心冒汗。更妙的是,在分析某些关键的政策变动时,它又会切换到一种近乎冷峻的、逻辑严密的分析模式,大量引用的数据和相互印证的史料,构建起一个无懈可击的论证结构,让人无法辩驳其推导过程的严谨性。这种在抒情、叙事与分析之间无缝切换的能力,极大地丰富了阅读的层次感。
评分这部作品的真正力量,或许在于它成功地在读者心中种下了一种挥之不去的“回响”。读完最后一个章节,合上书本的那一刻,我并没有感受到那种完成任务后的轻松,反而是一种深深的震撼和不安。它没有提供廉价的答案或简单的道德评判,而是将一个复杂、矛盾且充满悖论的时代面貌赤裸裸地展示在面前,然后,它就将如何理解这一切的重担,巧妙地转移到了读者的肩上。书中的某些场景和人物的抉择,会不时地跳出来,在你做日常决定时浮现,迫使你反思自己的立场和判断的依据。这本“书”与其说是一部关于过去的记录,不如说是一面映照当代社会权力运作和人性弱点的棱镜,其影响力远超阅读结束之时,是一种持续性的、潜移默化的精神介入。
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