Jorge Francisco Isidoro Luis Borges Acevedo (Spanish pronunciation: [xoɾxe lwis boɾxes]) (24 August 1899 – 14 June 1986) was an Argentine writer and poet born in Buenos Aires. In 1914, his family moved to Switzerland where he attended school and traveled to Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in Surrealist literary journals. He also worked as a librarian and public lecturer. Borges was bilingual, speaking both Spanish and English. He was a target of political persecution during the Peron regime.
Due to a hereditary condition, Borges became blind in his late fifties.[1] In 1955, he was appointed director of the National Public Library (Biblioteca Nacional) and professor of Literature at the University of Buenos Aires. In 1961, he came to international attention when he received the first International Publishers' Prize Prix Formentor. His work was translated and published widely in the United States and in Europe. He died in Geneva, Switzerland, in 1986.
J. M. Coetzee said of Borges: "He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish American novelists.
Labyrinths (1962) is an English-language collection of short stories and essays by Jorge Luis Borges.
It includes Tlön, Uqbar, Orbis Tertius, The Garden of Forking Paths, and The Library of Babel, to name some of Borges' more famous stories. Many of the stories are from the collections Ficciones (1944) and El Aleph (1949). The English edition was edited by Donald A. Yates and James E. Irby
Collected Stories
Tlön, Uqbar, Orbis Tertius
The Garden of Forking Paths
The Lottery in Babylon
Pierre Menard, Author of the Quixote
The Circular Ruins
The Library of Babel
Funes the Memorious
The Shape of the Sword
Theme of the Traitor and the Hero
Death and the Compass
The Secret Miracle
Three Versions of Judas
The Sect of the Phoenix
The Immortal
The Theologians
Story of the Warrior and the Captive
Emma Zunz
The House of Asterion
Deutsches Requiem
Averroes' Search
The Zahir
The Waiting
The God's Script
宇宙像一个迷宫?还真是老掉牙的隐喻。 Borges难道不是一个有点小聪明又恰好读过很多书的玄学家吗?难怪中国人会喜欢他:他读过道德经等书,喜欢中国的哲学,所以和中国人简直是互为观众。 Borges喜欢引经据典,寻章摘句,自以为逻辑超严密,其实废话超多。用n个小短篇反复地...
評分宇宙像一个迷宫?还真是老掉牙的隐喻。 Borges难道不是一个有点小聪明又恰好读过很多书的玄学家吗?难怪中国人会喜欢他:他读过道德经等书,喜欢中国的哲学,所以和中国人简直是互为观众。 Borges喜欢引经据典,寻章摘句,自以为逻辑超严密,其实废话超多。用n个小短篇反复地...
評分宇宙像一个迷宫?还真是老掉牙的隐喻。 Borges难道不是一个有点小聪明又恰好读过很多书的玄学家吗?难怪中国人会喜欢他:他读过道德经等书,喜欢中国的哲学,所以和中国人简直是互为观众。 Borges喜欢引经据典,寻章摘句,自以为逻辑超严密,其实废话超多。用n个小短篇反复地...
評分宇宙像一个迷宫?还真是老掉牙的隐喻。 Borges难道不是一个有点小聪明又恰好读过很多书的玄学家吗?难怪中国人会喜欢他:他读过道德经等书,喜欢中国的哲学,所以和中国人简直是互为观众。 Borges喜欢引经据典,寻章摘句,自以为逻辑超严密,其实废话超多。用n个小短篇反复地...
評分宇宙像一个迷宫?还真是老掉牙的隐喻。 Borges难道不是一个有点小聪明又恰好读过很多书的玄学家吗?难怪中国人会喜欢他:他读过道德经等书,喜欢中国的哲学,所以和中国人简直是互为观众。 Borges喜欢引经据典,寻章摘句,自以为逻辑超严密,其实废话超多。用n个小短篇反复地...
讀到Everything and Nothing真的流瞭淚 / 另,除瞭艾柯的How to Write a Thesis,這本也該是博士研究必讀瞭,精準的敘事結構下一本正經地“引用”與“鬍謅”,有時贅述成為瞭錶述觀點的唯一方式 / 提到De Quincey,這本書裏對阿根廷西班牙的地理圖繪也該納入到psychogeography的討論中 / 相比於博爾赫斯本人對東方哲學的討論和想象,國內(建築學院學生作品)對《花園》和《圖書館》幾篇短文的盲目消費更顯可笑
评分edi. 1970, reread
评分印象最深的竟然是the Lottery of Babylon
评分讀到Everything and Nothing真的流瞭淚 / 另,除瞭艾柯的How to Write a Thesis,這本也該是博士研究必讀瞭,精準的敘事結構下一本正經地“引用”與“鬍謅”,有時贅述成為瞭錶述觀點的唯一方式 / 提到De Quincey,這本書裏對阿根廷西班牙的地理圖繪也該納入到psychogeography的討論中 / 相比於博爾赫斯本人對東方哲學的討論和想象,國內(建築學院學生作品)對《花園》和《圖書館》幾篇短文的盲目消費更顯可笑
评分時隔一年。
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