This book analyses queer cultural production in contemporary China to map the broad social transformations in gender, sexuality and desire. It examines queer literature and visual cultures in China’s post-Mao and postsocialist era to show how these diverse cultural forms and practices not only function as context specific and culturally sensitive forms of social activism, but also produce distinct types of gender and sexual subjectivities unique to China’s postsocialist conditions.
From poetry to papercutting art, from ‘comrade/gay literature’ to girls love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of same-sex wedding in Beijing, the book reveals a queer China in all its ideological complexity and creative energy. Empirically rich and methodologically eclectic, Queer China skilfully weaves together historical and archival research, textual and discourse analysis, along with interviews and ethnography.
Breaking new ground and bringing a non-Western perspective to the fore, this transdisciplinary work contributes to multiple academic fields including literary and cultural studies, media and communication studies, film and screen studies, contemporary art, theatre and performance studies, gender and sexuality studies, China/Asia and Global South studies, cultural history and cultural geography, political theory and the study of social movements.
Hongwei Bao is Associate Professor of Media and Cultural Studies at the University of Nottingham, UK. He is the author of Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China.
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#52 包老師作為一個來自社群的學者一直都一種很真誠的書寫態度,讀起來也很舒服;酷兒作為一種後社會主義變形(metamorphosis),其主體性不斷地建立和消解,多種主體性共存,intro裏說這是第一本完全關注當代中國文學藝術和主體性構建的專著。在這個基礎上,理論論述大都點到為止而已,令人遺憾。
评分從學術界到藝術界,從電影到詩歌到剪紙,從鄉村到都市,從工人階級到中産階級,幾個篇章裏麵選取瞭非常有代錶性也很有意義的例子,用以體現中國“後社會主義裂變時期”下酷兒的生存圖鑒。當然例子是永遠不夠的,跨兒文化的缺失就很遺憾(雖然副標題已經明確瞭是of Lesbian and Gay)。總體還是非常有啓發性,讀完對中國酷兒文化的“Chineseness”也有瞭跟深入的理解。尤其是,作為酷兒組織/社群的一份子,深知前路且長。革命遠未成功,同誌必須努力。
评分#52 包老師作為一個來自社群的學者一直都一種很真誠的書寫態度,讀起來也很舒服;酷兒作為一種後社會主義變形(metamorphosis),其主體性不斷地建立和消解,多種主體性共存,intro裏說這是第一本完全關注當代中國文學藝術和主體性構建的專著。在這個基礎上,理論論述大都點到為止而已,令人遺憾。
评分#52 包老師作為一個來自社群的學者一直都一種很真誠的書寫態度,讀起來也很舒服;酷兒作為一種後社會主義變形(metamorphosis),其主體性不斷地建立和消解,多種主體性共存,intro裏說這是第一本完全關注當代中國文學藝術和主體性構建的專著。在這個基礎上,理論論述大都點到為止而已,令人遺憾。
评分從學術界到藝術界,從電影到詩歌到剪紙,從鄉村到都市,從工人階級到中産階級,幾個篇章裏麵選取瞭非常有代錶性也很有意義的例子,用以體現中國“後社會主義裂變時期”下酷兒的生存圖鑒。當然例子是永遠不夠的,跨兒文化的缺失就很遺憾(雖然副標題已經明確瞭是of Lesbian and Gay)。總體還是非常有啓發性,讀完對中國酷兒文化的“Chineseness”也有瞭跟深入的理解。尤其是,作為酷兒組織/社群的一份子,深知前路且長。革命遠未成功,同誌必須努力。
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