The Typographic Imagination

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出版者:Columbia University Press
作者:Nathan Shockey
出品人:
页数:336
译者:
出版时间:2019-12
价格:$65.00
装帧:Hardcover
isbn号码:9780231194280
丛书系列:
图书标签:
  • 日本史
  • 日本
  • 历史
  • 印刷
  • MEDIA
  • Typography
  • Graphic Design
  • Visual Communication
  • Typeface
  • Lettering
  • Design History
  • Book Design
  • Visual Arts
  • Creativity
  • Typography Inspiration
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具体描述

In the early twentieth century, Japan was awash with typographic text and mass-produced print. Over the short span of a few decades, affordable books and magazines became a part of everyday life, and a new generation of writers and thinkers considered how their world could be reconstructed through the circulation of printed language as a mass-market commodity. The Typographic Imagination explores how this commercial print revolution transformed Japan’s media ecology and traces the possibilities and pitfalls of type as a force for radical social change.

Nathan Shockey examines the emergence of new forms of reading, writing, and thinking in Japan from the last years of the nineteenth century through the first decades of the twentieth. Charting the relationships among prose, politics, and print capitalism, he considers the meanings and functions of print as a staple commodity and as a ubiquitous and material medium for discourse and thought. Drawing on extensive archival research, The Typographic Imagination brings into conversation a wide array of materials, including bookseller trade circulars, language reform debates, works of experimental fiction, photo gazetteers, socialist periodicals, Esperanto primers, declassified censorship documents, and printing press strike bulletins. Combining the rigorous close analysis of Japanese literary studies with transdisciplinary methodologies from media studies, book history, and intellectual history, The Typographic Imagination presents a multivalent vision of the rise of mass print media and the transformations of modern Japanese literature, language, and culture.

作者简介

Nathan Shockey is assistant professor of Japanese at Bard College.

目录信息

Acknowledgments
A Note on Romanization and Translation
Introduction: The World Made Type
Part I: The Making of a Modern Media Ecology
1. Pictures and Voices from a Paper Empire
2. Iwanami Shoten and the Enterprise of Eternity
3. The Topography of Typography: Bibliophiles and Used Books in the Print City
Part II: Prose, Language, and Politics in the Type Era
4. New Age Sensations: Yokomitsu Riichi and the Contours of Literary Discourse
5. Brave New Words: Orthographic Reform, Romanization, and Esperantism
6. The Medium Is the Masses: Print Capitalism and the Prewar Leftist Movement
Conclusion: Ends, Echoes, and Inversions
Notes
Selected Bibliography
Index
· · · · · · (收起)

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