Reviews
"Author's 'lost' sequel reprinted by enthusiasts - The centenary of the arrival in Grayshott of the late author, Flora Thompson, was celebrated recently with the reprint, by a trio of local enthusiasts, of 'Heatherley'. Described as Flora's own 'lost' sequel to 'Lark Rise to Candleford', this new edition comprises a review of the original typescript with added illustrations and historical notes, as well as some fresh material found in her archives, now in the University of Texas.Published by Headley author and historian, John Owen Smith, with delightful pen and ink illustrations by Hester Whittle of Headley Down, the foreword has been written by Anne Mallinson, who for years has sought to promote the work of Flora Thompson from her former bookshop at Selborne and via local literary societies. Mrs Mallinson, whose own research was helped considerably by the late eminent biographer, Margaret Lane, offers a remarkable insight into the work of Flora Thompson which will add to the reader's enjoyment and understanding of this and other works." - Alton Herald - 5th March 1999
"Flora fans to welcome new volume - If your bookshelf already contains Flora Thompson's 'Lark Rise to Candleford' and one or both of the biographies on the author, you doubtless will want to buy 'Heatherley'. This is described as the lost sequel to the 'Lark Rise' trilogy and has just been re-published. In 'Heatherley', Flora again demonstrates her acute eye for people with a number of telling thumbnail portraits. - though in the light of their continued status it was a pity she did not make more of her sketches of George Bernard Shaw and Sir Arthur Conan Doyle. Flora's innate modesty even prevented her from naming them and she described Conan Doyle's Sherlock Holmes stories as the invention of "a new fiction." We must be grateful for publisher's footnotes identifying the authors. 'Heatherley' is a gentle discourse on the life and times of one part of Hampshire that Flora was to return to later in life when her husband became postmaster at nearby Liphook. Anyone fond of Lark Rise will want to explore this follow-up volume." - Peter Barrington - Bicester Advertiser - 14th January 1999 "This is a book in which to enjoy a variety of keenly-observed situations and topics. There is also a wide review of many nostalgic memories of the age. Flora Thompson returned to Heatherley as Laura in the last chapter, some 20 years after she left, and found the village "little changed in appearance." She walked among the old familiar scenes like a ghost of the past. Very few people were in the streets of the village and of those few, none recognised her. 'Heatherley', which is published by John Owen Smith and illustrated by Hester Whittle, is a book to which I will certainly return." - Roy Kersley - Bordon/Petersfield Post - 17th March 1999
Kathy Lemaire - School Librarian - Vol 47, Number 2, Summer 1999
Unlike the well-known 'Lark Rise to Candleford' trilogy, this later semi-autobiographical work was never published in Flora Thompson's lifetime. What makes this edition of 'Heatherley' particularly interesting is the footnotes and additional material, giving information about the people on whom she based her fictional characters. The publishers have taken great pains to consult Flora Thompson's original typescript for this edition, as well as earlier drafts which include an extra chapter, and thus have produced a fascinating document which could be read both for the story and for the background that it gives to the life of this village at the turn of the last century.
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这个故事,简直就像是突然打开了一扇通往另一个时空的门。我完全沉浸在了那些细致入微的乡村生活场景里,每一个转折点都处理得那么自然,让我几乎能闻到空气中泥土和新鲜草地的味道。作者对人物心理的刻画简直达到了出神入化的地步,那些看似微不足道的日常琐事,在他们手中却被赋予了深刻的意义。我特别欣赏作者对于那种微妙的人际关系的捕捉,那种既疏离又紧密的情感纠葛,让人在阅读时忍不住跟着一起揪心。它不是那种轰轰烈烈的大事件堆砌起来的叙事,而是更像是将一整段光阴温柔地摊开在你面前,让你细细品味。读完之后,那种意犹未尽的感觉久久不能散去,仿佛自己也成了一名匆匆过客,目睹了一段真实发生过的历史。我一直很喜欢那种慢节奏的文学作品,而这一本,无疑是其中的佼佼者,它有种让人愿意放慢呼吸,去感受每一个细节的力量。我简直迫不及待想知道,接下来的日子里,这些可爱又复杂的人们会面临怎样的挑战和选择。
评分我向来对那些能够成功地将宏大历史背景与个体命运紧密结合的作品抱有极高的期待,而这本书,在这方面做得尤为出色。它没有将历史事件当作单纯的背景板,而是让这些时代洪流真实地冲刷着每一个角色的日常生活,影响他们的每一个微小决定。这本书的节奏把握得极佳,时而紧凑如骤雨,时而舒缓如春日斜阳,这种韵律感极大地增强了阅读的沉浸体验。我特别留意了作者在环境描写上所花费的心思,那些关于季节、天气、劳作的描写,不仅仅是为了充实篇幅,它们本身就是叙事的一部分,是塑造角色性格的无形力量。读完之后,我感到一种强烈的连接感,仿佛我不仅读了一个故事,更是参与了一段时光的见证。这本书的文学价值是毋庸置疑的,它以一种近乎诗意的方式,颂扬了普通人生活中蕴含的巨大勇气和不屈的希望。
评分这本书给我的整体感觉是——坚韧不拔的生命力。它所描绘的那个世界,虽然充满了艰辛和不确定性,但角色们身上那种与命运抗争到底的劲头,是无比鼓舞人心的。作者没有将角色塑造成完美无缺的英雄,相反,他们的缺点、错误和迷茫都清晰可见,但这反而让他们显得更加真实可信。我欣赏那种朴素的、不加修饰的叙事力量,它直接击中读者内心深处对“真实生活”的渴望。在阅读过程中,我几次被突如其来的幽默感逗乐,这种恰到好处的调剂,避免了故事陷入过于沉重的泥潭,使得整体阅读体验张弛有度。如果说有什么不足,那可能就是故事的结尾部分,我希望能够更深入地探索某些角色的未来走向,不过也许正是这种开放式的结局,才让故事拥有了更持久的生命力,让读者愿意在合上书本后,继续在自己的脑海中为他们书写后续。
评分我必须承认,这本书的叙事结构非常大胆且富有层次感。它巧妙地在不同时间线上穿梭,却始终保持着清晰的脉络,这本身就是一种高超的技巧。有时候,我感觉自己像是在看一幅精心绘制的挂毯,每一根丝线都代表着一个角色的命运,而作者负责将它们精确地编织在一起,既独立又互相支撑。特别是那些关于社区变迁的描写,那种对传统生活方式逐渐消逝的淡淡忧伤,被处理得非常克制和到位,没有过度煽情,却足以触动人心最柔软的部分。阅读体验是极富沉浸感的,我仿佛能听到远处传来的钟声,感受到季节更迭带来的气温变化。这种写实主义和淡淡的怀旧情绪的完美结合,让这本书超越了一般的“时代剧”,而具有了一种近乎史诗般的厚重感。它不是在讲述一个故事,而是在记录一种精神上的迁徙。这本书对我的影响是深远的,它让我重新思考了“家”和“归属感”的真正含义。
评分读这本书的过程,更像是一次精神上的马拉松,它要求读者投入巨大的耐心和专注力,但回报是极其丰厚的。作者对于语言的运用简直是信手拈来,他能用最朴素的词汇勾勒出最华丽的场景,这种返璞归真的文风,恰恰是现代文学中难得一见的宝藏。我尤其赞赏其中对于女性角色内心世界的细腻剖析,她们的挣扎、希望和隐忍,都被描绘得淋漓尽致,真实得让人感到有些心疼。我读到某些章节时,会忍不住停下来,回味那几句充满哲理的对话,它们不像说教,更像是从生活深处自然涌现的智慧结晶。这本书的魅力在于其“留白”之处,它给了读者足够的空间去填补想象,去赋予角色更多的生命和背景故事。这种互动性,使得每一次重读都能发现新的惊喜,这绝对是一部值得反复品味的作品,它的深度远远超过了初次阅读时所能感知的范畴。
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