In The Structure of Design, Leslie Earl Robertson recounts a storied career in engineering which has generated among the most innovative and formally daring buildings of the modern era, as well as his extensive collaborations with several titans of the practice: Minoru Yamasaki, Philip Johnson, Max Abramovitz, Romaldo Giurgola, I. M. Pei, Pei Partnership, KPF, Kiyonori Kikutake, and Gunnar Birkerts. Robertson’s large-scale projects with some of the leading sculptors of the day, including Richard Serra and Beverly Pepper, display the range of this engineer’s craft.
As a restless student from modest origins, Robertson’s first encounters with engineering were almost accidental, yet he would go on to be lead engineer of the landmark IBM buildings in Pittsburgh and Seattle while still in his early thirties. Immediately thereafter he embarked on what would become his most renowned project, the World Trade Center, to be followed by scores of major buildings around the world.
The Structure of Design is a personal and accessible chronicle of the partnerships and problem-solving that have forged classics of modern architecture, and a privileged look at how the key discipline of engineering influences design, as told by a genius and poet of structure.
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讀後感
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理雅老爺子教你如何在甲方、建築之間如魚得水。不少問題值得藉鑒，比如風振舒適度問題是世貿中心設計中首次提到的，風洞找形對於高層結構概念設計非常重要。手繪很重要。中國專傢sucks
评分理雅老爺子教你如何在甲方、建築之間如魚得水。不少問題值得藉鑒，比如風振舒適度問題是世貿中心設計中首次提到的，風洞找形對於高層結構概念設計非常重要。手繪很重要。中國專傢sucks
评分理雅老爺子教你如何在甲方、建築之間如魚得水。不少問題值得藉鑒，比如風振舒適度問題是世貿中心設計中首次提到的，風洞找形對於高層結構概念設計非常重要。手繪很重要。中國專傢sucks
评分理雅老爺子教你如何在甲方、建築之間如魚得水。不少問題值得藉鑒，比如風振舒適度問題是世貿中心設計中首次提到的，風洞找形對於高層結構概念設計非常重要。手繪很重要。中國專傢sucks
评分理雅老爺子教你如何在甲方、建築之間如魚得水。不少問題值得藉鑒，比如風振舒適度問題是世貿中心設計中首次提到的，風洞找形對於高層結構概念設計非常重要。手繪很重要。中國專傢sucks
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