In the ashes of a dying world, Red finds a letter marked “Burn before reading. Signed, Blue.”
So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.
Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.
Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s what you do in war. Isn’t it?
A tour de force collaboration from two powerhouse writers that spans the whole of time and space.
Amal El-Mohtar
Amal El-Mohtar is an award-winning author, editor, and critic. Her short story “Seasons of Glass and Iron” won the Hugo, Nebula, and Locus awards and was a finalist for the World Fantasy, Sturgeon, Aurora, and Eugie Foster awards. She is the author of The Honey Month, a collection of poetry and prose written to the taste of twenty-eight different kinds of honey, and contributes criticism to NPR Books and The New York Times. Her fiction has most recently appeared on Tor and Uncanny Magazine, and in anthologies such as The Djinn Falls in Love & Other Stories and The Starlit Wood: New Fairy Tales. She is presently pursuing a PhD at Carleton University and teaches creative writing at the University of Ottawa. She can be found online at @Tithenai.
Max Gladstone
Max Gladstone is the author of the Hugo-nominated Craft Sequence, which Patrick Rothfuss called “stupefyingly good.” The sixth book, Ruin of Angels, was released September 2017. Max’s interactive mobile game Choice of the Deathless was nominated for the XYZZY Award, and his critically acclaimed short fiction has appeared on Tor and in Uncanny Magazine, and in anthologies such as XO Orpheus: Fifty New Myths and The Starlit Wood: New Fairy Tales. John Crowley described Max as “a true star of 21st-century fantasy.” Max has sung in Carnegie Hall and was once thrown from a horse in Mongolia.
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如果影视化,会有很多发挥空间,别拍成电视剧,两小时的影片足矣。你有千种形态,你是万物,你是这时间长河中我在意的一切。有被这样的浪漫触动,但我终究还是没那么喜欢这种纯粹的浪漫故事。
评分比起说这是一本科幻书,更像是一本情书散文书。一开始读的时候满头雾水,抱着一直想要放弃的心情读下去,后面越来越好看。奇妙地用歌名、十六进制颜色、燃烧颜色对应自己爱人的元素、石头、花朵、蝴蝶、土著语、书名、谚语等来称呼自己的爱人。在时间线之间的穿梭与因果修改,有种拉普拉斯妖的感觉。记得里面提及的时间线有——圆明园、瘟疫对印加帝国的影响、Bess of Cavendish、神秘博士、贸易变动对明朝汇率的影响、亚特兰蒂斯、林则徐、郑成功……但是,再次提醒下,这是一本关于爱情的书。
评分之前看到有人说书里短暂的讨论了明朝时候银币短缺的后果还有林某人虎门销烟等等的这么个time travel故事 看简介又红又蓝的双方也以为会有些什么政治上的隐喻 实在是大大的误解 本质上是个YA爱情故事 虽然写的很poetic (可能因为是书信体 感觉故事发展略..choppy(? 当然也可能是本人水平不够不懂欣赏这种意识流
评分如果影视化,会有很多发挥空间,别拍成电视剧,两小时的影片足矣。你有千种形态,你是万物,你是这时间长河中我在意的一切。有被这样的浪漫触动,但我终究还是没那么喜欢这种纯粹的浪漫故事。
评分扫了一眼短评好多点我没get到?我要再读一遍
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