图书标签: 出版史 近代史 美国 历史 版权 法律 书籍史 中国出版
发表于2024-11-04
Pirates and Publishers pdf epub mobi txt 电子书 下载 2024
A detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China
In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs.
Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework.
Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge.
Fei-Hsien Wang is assistant professor of history at Indiana University, Bloomington. She is also a research associate at the Centre for History and Economics at the University of Cambridge.
新题目做出了老意思。“版权”话语的后殖民分析为表,晚清民国出版业(包括作者)的社会史是里。题目本身做的面面俱到,但是少有与更大的学术问题的对话;对于“国家社会关系”的理解还停留在“社会”是否与“国家”合作……章节安排也比较混乱。
评分在安守廉-郑成思的“中国历史上有无版权”之争中另辟蹊径,将目光从立法史转向社会史,关注出版商如何“利用”版权之观念,进而析出近代中国对版权的四种理解模式——实体之“版”的所有权/作者脑力劳动成果的所有权/政府因书籍之社会贡献而授予的特权/政府对通过审查的书籍所授予的特权。扎实但却多少有些无趣...
评分梳理了从十九世纪80年代至新中国建国初期,版权在中国发展的历史。选取的分析案例比较有代表性,尤其是上海书业的北平detective branch一章,很有趣。主要方向在于研究文化碰撞下,版权概念在不同经济、政治、社会组织框架下的流变。
评分新题目做出了老意思。“版权”话语的后殖民分析为表,晚清民国出版业(包括作者)的社会史是里。题目本身做的面面俱到,但是少有与更大的学术问题的对话;对于“国家社会关系”的理解还停留在“社会”是否与“国家”合作……章节安排也比较混乱。
评分梳理了从十九世纪80年代至新中国建国初期,版权在中国发展的历史。选取的分析案例比较有代表性,尤其是上海书业的北平detective branch一章,很有趣。主要方向在于研究文化碰撞下,版权概念在不同经济、政治、社会组织框架下的流变。
评分
评分
评分
评分
Pirates and Publishers pdf epub mobi txt 电子书 下载 2024