推薦序      從物質到人文的思考············································8
         前    言      某天咖啡館·······················································12
         第一章      早晨································································16
         這一切都是商品,也都有其涵蓋的地理與時間、供給與需求,以及原料、市場力與人的故事。而這些人有姓名、有痛苦、有薪水、有幻想、有父母,也有回憶。
         插    曲      物品································································66
         第二章      秘密································································68
         任何事物的核心都是由歷史編織而成,其間蘊藏著他的故事;就某種意義上來説,歷史形成事物本身的主要背景:衹要回首前塵,就能瞭解事物的本質。
         插    曲      地方·······························································108
         第三章      工作································································110
         在作業現場的環境下,每個人都有顯得異常脆弱或毫無防衛能力。光缐品質和工作性質毫不留情,工人膚程白蠟、漿糊或麵糰似的蒼白色,并出現蛛絲狀血管、乾癬、粉刺、皺紋、紅斑、鬆垂等各種毛病。
         插    曲      時間·······························································166
         第四章      神物·······························································168
         未必非得巫醫才能把物化爲物神,人人心中都有巫醫,一個與人性共存的腺粒體巫醫,一種必然性,一種與生俱來的權力。沒有物神的世界,仿佛是沒有記憶、沒有語言或意義的世界,不適於人類居住,是個沒有大氣的世界。
         插    曲      人··································································210
         第五章      傍晚·······························································212
         湖泊迅速褪去藍光,籠上灰土色,顯得暗沉無光。眾鳥歸飛急。男人家鬆了領帶,女人家換過鞋子。店家把【打烊】的告示翻向外,絞起遮日棚,未售出的物品好似空氣一般,耐心地待在架子上。
         後    語      某天咖啡館·····················································234
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