Jennifer Linhart Wood teaches at St. Mary’s College of Maryland and works for Shakespeare Quarterly at the Folger Shakespeare Library.
Demonstrates the significance of sound in cross-cultural encounters in early modern drama and travel writing
Features QR codes in each chapter, giving readers access to sound recordings of the instruments discussed
Appeals to students and scholars of Renaissance drama, travel literature, British literature, Shakespeare, sound and sensory studies, historical phenomenology, new materialisms, and music history
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