Looks at the rise and fall of Japans mammoth comic industry since the 1960s. In this stimulating and refreshing work, Kinsella documents the structure and history of the manga industry, probes into its related subculture and the anti-nerd otaku panic, and examines the difficult and fascinating relationship between the artists and editors who create manga. In the process, she argues that Japanese comics have shifted from being a lower class medium for marginal citizens to become a novel form for official communication, recently embraced by big business and national institutions. This ascent of manga through various layers of postwar society reflects the wider transformation of politics and social organization in Japan during the last years of the twentieth century.
具體描述
讀後感
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用戶評價
had some good interviews.
评分對這個國民文化有很多criticism。話說談起當時的漫畫種類，可不像現在這般。果然還是因為是成人漫畫的緣故嗎？不是我關心的點，所以對我來講，還蠻無聊的。
评分had some good interviews.
评分對這個國民文化有很多criticism。話說談起當時的漫畫種類，可不像現在這般。果然還是因為是成人漫畫的緣故嗎？不是我關心的點，所以對我來講，還蠻無聊的。
评分對這個國民文化有很多criticism。話說談起當時的漫畫種類，可不像現在這般。果然還是因為是成人漫畫的緣故嗎？不是我關心的點，所以對我來講，還蠻無聊的。
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