Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City where she worked in magazine publishing and marketing for nine years. She currently lives in Atlanta with her husband and daughter. This is her first novel.
“文化从来不是流水线能够打造出来的,文化要靠时间和心灵悉心酿造,是一代代人共同的精神成果,是自然积淀而成。”冯骥才先生的说法在一本美国人的小说中得到了印证,这就是美国作家凯瑟琳 斯多科特的《相助》,书中用一条爱的主线对那个种族歧视年代的人性做了鞭辟入里的分析...
评分文/严杰夫 回顾上个世纪60年代的美国,对于我们这些“第三只眼”来说,可能会产生如下疑问:19世纪60年代经过南北战争后,黑人奴隶不是已经得到解放了么,但在100年后的20世纪60年代,美国却仍然存在着严重的种族问题。显然,被玛格丽特·米切尔感动过的我们,对美国种族问...
评分在火车上,我读完《相助》,眼眶潮热。这感觉可真是久违了。 从内容和外观上来看,这书都算得上厚重,可读来的感觉却是轻快的。作者的文笔干净,纯净如水,译者的用词到位,优雅从容。它是小说,可我更倾向于把它看作一本启蒙书,有关人与人之间,人与社会之间爱与被爱的启蒙...
评分在火车上,我读完《相助》,眼眶潮热。这感觉可真是久违了。 从内容和外观上来看,这书都算得上厚重,可读来的感觉却是轻快的。作者的文笔干净,纯净如水,译者的用词到位,优雅从容。它是小说,可我更倾向于把它看作一本启蒙书,有关人与人之间,人与社会之间爱与被爱的启蒙...
评分文学史从浪漫主义到现实主义再到现代主义,里面有许多支流纵横交叉地缠绕着,大多与之有关的概念、争论都难以定论,但有一个可以说达成共识:对于大众,文学越来越远,小说越来越难懂。在小说追求技艺突破、在文本上翻腾的同时,它的工具功效在减弱:艺术拒绝社会意义...
写得太好,但不推荐给对美国南部和civil right不感兴趣的人。
评分写得太好,但不推荐给对美国南部和civil right不感兴趣的人。
评分非常鲜明的人物性格刻画 颇多感动与怅然 缺失的是现实的残酷
评分小说人物塑造更加丰满深刻,难得的在于对于希望和绝望相互交织的写法,并且毫不回避残酷的现实带来的压抑气氛。只是对Miss Celia和minny关系的描写似乎没有一个可接受的“完结”。电影抓住精要,简化处理情节让其自成为封闭完整的的叙事体,更难得的是拍成了明亮的轻喜剧却不失原著精髓
评分可读性很强的故事;白人化的视角,作者没有站在不同人物身份表述的实力,偏要搞个三线,甚至四五线叙事,尤其aibileen, 太苍白了,黑人视角,特别是黑人女性视角,不仅仅是语言上省音省字就可以刻画好的。可惜了这样的题材。向伟大的女性致敬,书里所有的男性角色都是扁的。
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