Amazon.com In Standing in the Shadows, Michelle Spring's third novel about Laura Principal, Cambridge-based private eye, the detective investigates the brutal murder of a widow at the hands of her 11-year old foster child. Daryll Flatt was convicted of crushing Geraldine King's skull with a barrage of rocks and concrete blocks. As a police detective on the case puts it, "This was a Chicken Little kind of death. The sky fell in." Two years after the murder, Daryll's older brother hires Principal to learn more about why he did it. As she interviews the boy's neighbors, social workers, and relatives about his character, Principal begins to notice that a) most people thought the boy was hyperactive and disturbed but not homicidal, and b) the men she talks with liked the widow, but the women generally did not. Along the way, Principal learns more than she wanted to know about the messy lives of the well-kept denizens of Cambridge. She meets nosy, vitriolic neighbors, men who are unkind to their wives, and a fellow in a gorilla suit who exposes himself to young children. And yes, she begins to get the distinct feeling that she is being followed. The story is an engrossing one, and Laura Principal is good company. She's a thoughtful, observant narrator who has entertaining friends and coworkers. There's not much action in this book, but there is plenty of suspense, thanks to the odd assortment of characters Spring has created. Initially, none of these characters appear to be particularly suspicious (except the man in the ape outfit), but most of them have done something horribly wrong. Principal doesn't want to believe that a little boy could murder a nice old lady. She can't understand why people are so awful to one another. She keeps asking herself, Why would a person hurt another person like that? That's a pretty compelling question. -Jill Marquis From Kirkus Reviews Nobody ever said Daryll Flatt's life was any bed of roses. By the time he was 11, he'd already been deserted by his abusive father, abandoned by the brother who said he loved him but took off for a job in Australia anyway, and bereaved of the grandmother who'd taken him in. But does any of that excuse his bashing in the head of Geraldine King, the temporary foster mother his social worker had placed him with? Now that Daryll, who unhesitatingly confessed to the Cambridge police, has served 18 months of his sentence, Howard Flatt, back from Australia, wants inquiry agent Laura Principal to find out why the boy killed his guardian. What makes a child kill? asks Laura, whose scant experience (Every Breath You Take, 1994) has done nothing to prepare her for this case. Luckily, the investigators Q-and-A with Geraldine's uncordial neighbors and Daryll's uncaring relatives will be broken up by distractionsan unexpected brush with her partner Sonny Mendlowiz's latest divorce case, an attempt to track down the flasher who's been menacing her friend Helen Cochrane's daughterthat will end up throwing unexpected light on Geraldine's murder. Highly competent parboiled British detective work, even if a crucial few of the dramatis personae remain muffled. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. See all Editorial Reviews
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坦白说,初读之下,我有些抗拒这种叙事方式,它太过碎片化,像是一系列精心编排的梦境片段,缺乏传统意义上的线性连贯。然而,正是这种看似松散的结构,最终成就了它独特的魅力。每一次翻页,都像是在一个新的场景中被突然唤醒,充满了未完成的对话和悬而未决的动作。我不得不反复回顾前面的章节,试图将这些散落的珍珠串联成一条完整的项链。作者的语言功力令人叹服,他能用极其简短的句子,构建出宏大而复杂的情感场域。例如,描写一场久远的记忆时,他可能只用了三个名词和两个动词,但其蕴含的信息量和情感张力,远超千言万语的堆砌。这本书考验的不仅仅是耐心,更是读者的重构能力和联想能力。它更像是一份需要读者主动参与完成的艺术品,而不是被动接受的故事。读完后,我感到的不是故事结束的空虚,而是一种完成了一项艰巨任务后的满足感,仿佛自己也参与了这场漫长而隐秘的揭示过程。
评分这本书的文体结构给我一种阅读古典史诗的错觉,尽管题材明显是现代的,但那种史诗般的厚重感和宿命论的基调却贯穿始终。想象一下,用巴洛克式的繁复和精雕细琢来描绘现代都市的疏离与疏离,这就是这本书给我的感觉。作者似乎对细节有着近乎偏执的迷恋,无论是对一个特定时代背景下物品的描述,还是对某种特定气味的捕捉,都精确到让人能用感官去触摸文字。这使得阅读过程变得缓慢而富有仪式感,我需要放慢语速,细细品味每一个修饰语和比喻。尽管阅读体验是缓慢的,但其内在的驱动力却极其强大,推动着我不断向前,去探究这个宏大世界观背后的运行法则。它不仅仅是一个故事,更像是一个被精心设计出来的微观宇宙,每一个零件都咬合得天衣无缝,展现出作者惊人的架构能力。
评分这本书的成功之处,很大程度上归功于其对“灰色地带”的无情解剖。在这里,英雄与恶棍的界限模糊不清,每个人都带着无法磨灭的污点前行。我被书中角色之间那种建立在相互利用和微妙依赖之上的关系所深深吸引。他们之间的互动充满了张力,每一次试探性的言语,都可能隐藏着致命的陷阱。作者并没有试图去美化或合理化这些角色的行为,而是以一种近乎冷酷的客观视角,将他们置于极端压力之下,观察人性最原始的反应。这种不加粉饰的真实感,比任何完美的道德楷模都要来得震撼人心。我尤其欣赏其中关于权力腐蚀和自我欺骗的主题处理,那种逐步沦陷的过程,描写得细腻入微,让人不寒而栗。它迫使我审视自己内心深处那些不愿意承认的阴暗面,看完后,我看待周围世界的目光都变得更加审慎和复杂。
评分这部作品给我带来了一种近乎失重的阅读体验,仿佛我不是在翻阅纸张,而是在一个迷雾缭绕的古老剧院中穿梭。作者对于氛围的营造达到了令人咋舌的境界,每一个转折、每一次对光影的描摹,都精准地牵引着读者的情绪。我尤其欣赏作者在刻画人物内心挣扎时所采用的那种疏离而又透彻的笔法,角色的选择往往是极端的,但其动机的阐述却异常细腻,让人在感到不适的同时,又忍不住想探究更深处的动机。叙事节奏的掌控堪称教科书级别,它懂得何时该放缓脚步,如同慢镜头般展现一个关键性的眼神交流,又能在关键时刻猛然加速,将所有线索汇集于一个令人窒息的高潮。我花了很长时间才从那种被深邃阴影笼罩的感受中抽离出来,它成功地在我的脑海中构建了一个自洽却又充满悖论的世界观。这本书不满足于提供简单的答案,它更像是一面棱镜,将我们习以为常的现实折射出无数难以名状的色彩和形状。对于那些追求阅读深度,并且不畏惧沉浸于复杂心理迷宫的读者来说,这是一场不容错过的智力探险。
评分从纯粹的叙事娱乐性角度来看,这部作品的吸引力在于其对“未知”的持续性开发。它从不急于揭示真相,而是巧妙地设置了一层又一层的迷雾,让你永远保持在一个“即将明白”却又“永远未明”的状态。我个人认为,作者在对“记忆的不可靠性”这一主题的探讨上,达到了一个新的高度。人物的回忆往往相互矛盾,甚至自我推翻,这使得读者无法完全信任任何一个叙述者,从而产生了强烈的疏离感和不确定性。这种手法虽然对读者的专注度要求很高,但一旦你接受了这种游戏规则,它所带来的智力上的满足感是无与伦比的。读完合上书的那一刻,我脑海中闪回的不是清晰的画面,而是一系列强烈的、带着某种特定色调的情绪片段,仿佛作者在我的潜意识里植入了一段复杂的密码,需要我用余生去尝试解读。
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