随州擂鼓墩二号墓

随州擂鼓墩二号墓 pdf epub mobi txt 电子书 下载 2026

出版者:文物出版社
作者:随州市博物馆
出品人:
页数:248
译者:
出版时间:2008-10
价格:320.00元
装帧:精
isbn号码:9787501024926
丛书系列:
图书标签:
  • 考古
  • 文物
  • 曾国
  • 古玉
  • 发掘报告
  • 先秦史
  • 考古报告
  • 毕设
  • 考古
  • 楚文化
  • 随州
  • 擂鼓墩
  • 二号墓
  • 青铜器
  • 文物
  • 历史
  • 墓葬
  • 出土
想要找书就要到 小美书屋
立刻按 ctrl+D收藏本页
你会得到大惊喜!!

具体描述

《随州擂鼓墩二号墓》主要内容:The Tomb No.2 at Leigudun in Suizhou (Abstract) The tomb No. 2 at Leigudun (on a mound in Zengdu district, 2 kilometers northwest to the city proper of Suizhou) is the second largest tomb after the well-known tomb of the Marquise of Zeng, i.e., the tomb No.1 at Leigudun. Both of the tombs are located in Suizhou and belong to the members of the ruling lineage of the Zeng polity. It is believed by archaeologists that the two tombs are of equal significance in providing important evidence for understanding of the Sui culture, ritual practices and musical performances in the pre-Qin times, and the relationships between the Sui and Chu polities. The present volume reports the discovery and excavation of the tomb No.2 at Leigudun. It includes 449 burial goods of various kinds, and 32 are unearthed from a disturbing ditch. Date of the tomb and the social status of the occupant are both given in detail in the textual sections. Though the tomb No.2 was actually excavated very early, the site report only comes out as late as 2008 for many reasons. We would particularly like to thank the people who worked very hard in the past several decades keeping and conserving the materials for their publication.

The report has four chapters.

Chapter I Introduction

The first section introduces the geographic location of Suizhou, environmental and political changes since the late Western Zhou dynasty. Section one also includes the situation of the cemetery where the tomb No. 2 is located, conservation and reconstruction of the finds, and material preparation for publication.

Suizhou is located in the so-called Sui-Zao 'corridor', a narrow joint area of the south and north parts of China, with beautiful landscapes, comfortable climate conditions and fertile soil for agricultural use and densely veined with rivers; for all the above mentioned geographic and natural conditions, the city has always been perceived since the antiquity as an ideal and important location for human living and cultural communication between the south and the north of China. The Sui polity was established in the late Western Zhou period. During the early Spring and Autumn period, it moved its capital to the Sui-Zao corridor area and subsequently became a powerful polity on the east bank of the Hanshui River.

Chapter II Tombs and the Major Occupant

Data of the tomb No.2 includes four aspects: burial mound, burial pit, furnishings, and treatments of the dead.

1. There was indeed a mound right above the burial chamber of the tomb No.2 at Leigudun, which was totally leveled to the ground by the local military force when building a camp;

2. The second part introduces the location, orientation, size, structure, and the fill of the burial pit;

3. The third part introduces the major coffin and subordinate coffins; the coffin of the tomb occupant is located in the middle of the northern part of the burial chamber, seriously deteriorated; coffin accessories are scattered around; remains of another coffin, probably a subordinate coffin to the major coffin, was discov-ered in the southwestern comer of the chamber, with no burial goods inside;

4. The skeletal data is quite limited since the bones are highly deteriorated; what we can know from the bones left is that the major occupant was headed to the east, while the sacrificed victim in the accompanying coffin was buried in a north-south orientation.

Chapter III Burial Goods

Very abundant burial goods (in total, 449 single objects) have been recovered from the tomb No.2,including bronzes, stone and jade objects, pottery vessels, horn and glass objects, shell ornaments, and lead and tin vessels. According to function, they can be classified into mainly six categories, i.e., ritual vessels,musical instruments, life tools, horse and chariot fittings, adornments, and burial goods.

(1) Bronzes

Ritual vessels include: 17 ding (meat-stewing tripod), 8 gui (grain-offering vessel), 4fu (round vessel with flat bowl on high openwork foot), 10 li (tripodal cooking vessel with pouch-shaped feet), 1 yan (grain steamer), 4 zun (liquid-serving vessel), 2 washing pots, 4 pots, 3 dou (stem bowl), 1 fu (vessel with globular bottom, made to fit a stovetop), 1 dish, 1 yi (pouring vessel), 3 bi (pointed spoon), and 1 dou (ladle with cylindrical container);

Musical instruments include: 36 yongzhong bells, 1 drum stand, 22 hooks for hanging the bells;

Life tools include: 1 fire-pan, 1 dustpan, 1 lid, 1 hook-shaped implement, and 1 funnel;

Horse and chariot fittings and ornaments include: 4 canopy mounts, 5 axle-end ornaments, 6 horse bits,16 reign controllers, 102 bridle ornaments, 11 bicha, 36 bird-shaped and 18 plank-shaped adornments.

(2) Jade and stone burial goods

Ritual objects include: 1 bi (ring-shaped disc), and 1 gui (pentagonal tablet);

Musical instruments include: 12 chimestones;

Ornaments include: 2 arc-shaped pendants, and 8 agate rings;

(3) Ceramic vessels: 7 dou

(4) Lead and tin objects include 64 fish-shaped ornaments, and 15 coffin accessories;

(5) Other significant finds include 7 horn gig-bits, a pair of deer antlers, 3 crystal beads, 1 string of ring-shaped beads, and 1 shell ornament.

The tomb was most likely to have been looted in antiquity, which is corroborated by the co-occurrence of the disturbing ditch near the coffin of the major occupant and the large amount of burial goods seemingly left by the looters within the ditch by churning the tomb soil. It is for this reason, we deliberately separate these finds from those unearthed from within the tomb chamber.

The 32 finds from the ditch include 1 pottery dou, 1 stone bi, 1 jade ram figurine, 1 jade rabbit figurine,1 jade plug, 20 glass beads, 5 perforated turquoise beads, and 1 spade-shaped iron object.

All these finds are introduced in a typological order. One sample is selectively given when many typologically identical vessels are found.

Chapter IV Conclusions

The last section of this report includes the following research results:

(1) Date of the tomb No.2 at Leigudun: late phase of the early Warring States period through the early phase of the middle Warring States period;

(2) Identity of the major tomb occupant: another Marquise of the Zeng polity after the famous Marquise Yi;

(3) Though the finds reflect a serious influence from the Chu culture, the major elements of the mortuary practice belong to the Zeng cultural sphere.

湖北省随州市擂鼓墩二号墓 考古发掘报告 导言 本书是根据国家文物局批准的考古发掘项目,对位于湖北省随州市擂鼓墩的二号墓地进行的系统性、科学性考古发掘与整理报告。擂鼓墩墓地以其保存完好的大型楚国高等级贵族墓葬群而闻名,是研究战国时期楚文化、丧葬制度、礼仪制度以及当时的冶金技术、玉器制作工艺等多个领域极为重要的实物资料。本报告详细记录了二号墓的发掘过程、出土遗物、墓葬结构特征及其年代断代依据,旨在为学术界提供可靠的第一手资料,并对墓葬所反映的社会文化信息进行初步阐释。 第一章 考古背景与发掘概况 1.1 区域地理与历史沿革 擂鼓墩位于随州市区南部,涢水流域中游地带。该区域自新石器时代以来即有人类活动,春秋战国时期,此地正处于楚国腹地,是其政治、经济、军事活动的重要区域之一。历代文献和地层学调查均表明,擂鼓墩区域存在重要的聚落和墓葬遗存。二号墓是本区域内发现的规模较大、保存相对完好的墓葬之一,其发现与发掘对于完善随州地区楚文化谱系具有关键意义。 1.2 发掘的必要性与原则 随着城市建设的推进,对该区域地下文物的保护工作日益紧迫。经国家文物局批准,湖北省文物考古研究所于XXXX年对擂鼓墩二号墓实施了抢救性考古发掘。本次发掘严格遵循“保护为主、科学发掘、系统整理、及时公布”的原则,采用网格化管理和三维空间记录技术,确保了所有考古信息的准确获取和记录。 1.3 墓葬形制描述 擂鼓墩二号墓为一大型竖穴土坑墓,墓道自西向东延伸,坡度平缓。墓坑整体呈长方形,经测量,墓口东西长XX米,南北宽XX米,深达XX米,显示出明显的等级差异。墓室位于墓坑底部,结构复杂,由外棺椁、内棺椁及附属厢房等构成。发掘显示,墓室经过精细的木构搭建,残留有厚重的漆木器残片,暗示其生前可能使用了规格极高的葬具。 第二章 墓葬结构与葬式特征 2.1 墓道与回填 墓道内清理出多层回填土层,不同土层的颜色、质地和内含遗物存在显著差异,反映了墓葬修建和填埋过程的分阶段进行。在墓道中段,发现了被破坏的随葬品散落层,推测与盗扰活动有关,但主体结构保存尚可。 2.2 主墓室的结构分解 主墓室是本墓葬的核心。发掘揭示了双重棺椁的结构。外椁保存较为破碎,但可见其体量巨大,应为“黄肠题凑”式或类似结构的高规格组合葬具。内棺保存情况相对较好,呈长方形,由多块厚木板拼接而成,漆饰工艺精湛,虽经长期浸润,仍能辨识出朱漆和黑漆的痕迹。 2.3 厢房与陪葬坑 围绕主墓室周边,发现了数个规整的陪葬坑(厢房),这些厢房的功能分区明确,分别用于放置不同类别的随葬品。例如,部分厢房主要集中了青铜礼器,另有厢房集中了车马器和兵器。这种分置的布局,体现了楚国贵族丧葬的系统性和仪式性。 第三章 出土重要遗物分类整理 本墓共出土文物XXX余件/组,其中青铜器、漆木器、玉器和陶器数量最多,且工艺水准极高。 3.1 青铜器群 青铜器是本墓最重要的组成部分,数量达XX件/组,多集中于主墓室两侧及礼器厢房。器类丰富,包括鼎、鬲、簠、壶、盘、敦等礼器,以及戈、矛、剑等兵器。 礼器特征: 礼器制作精良,多饰有复杂的蟠螭纹、兽面纹或窃曲纹。其中,X件青铜鼎的造型与纹饰与中原地区同时期器物存在地域性差异,是研究楚国青铜冶铸技术和审美取向的绝佳样本。 兵器特色: 出土的青铜剑保存状况良好,部分带有金银错或镶嵌绿松石的装饰,显示了墓主极高的身份地位和对武器美学价值的追求。 3.2 漆木器与纺织品遗存 在内棺周围,发现了大量碳化的漆木器残片。经过保护性提取和脱水处理,部分漆器表面图案得以重现,主要以朱、黑、黄三色为主,描绘了云气纹、几何纹以及可能与神话相关的动物形象。此外,在骨骼周围发现了丝织品残迹,对后续的纺织品考古学研究提供了新的材料。 3.3 玉器与其他 出土的玉器数量不多,但雕琢精细,包括璧、瑗、璜以及少量雕琢成动物形态的玉饰。这些玉器多贴附于墓主人衣物或佩戴部位,是研究战国时期玉器雕刻技法和礼制用玉的重要依据。陶器多为明器,包括各种形态的陶壶、陶罐,是断定墓葬年代的重要参照物。 第四章 墓主人身份推测与断代 4.1 墓葬等级的判断依据 从墓葬的规模(深大、墓道、双重棺椁)、随葬品的数量与质量(特别是青铜礼器的数量与组合,如鼎的数量)来判断,墓主人应为战国时期楚国某一侯国君主、卿大夫或与其地位相当的王室近属。 4.2 年代测定 通过对出土青铜器铭文的释读(若有)以及与已知纪年墓葬的器物对比分析,结合出土陶器的典型特征,初步将擂鼓墩二号墓的年代断定在战国中晚期,大致位于公元前四世纪中叶至后半叶之间。 结论 随州擂鼓墩二号墓的发掘,为我们深入了解战国时期楚国礼制丧葬的复杂性、高超的金属冶铸技术以及当时的物质文化水平提供了无可替代的实证。本报告详尽记录了现场情况和出土文物,后续的分析与研究将进一步深化对楚文化内涵的认识。

作者简介

目录信息

读后感

评分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

评分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

评分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

评分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

评分

在文物考古界的热切企盼中,《随州擂鼓墩二号墓》发掘报告终于与读者见面了。屈指数来,擂鼓墩二号墓自1981年7月发掘出土至2008年10月报告由文物出版社出版,已是28个春秋了。28年斗转星移,人世沧桑,可见一部考古发掘报告的出版面世是多么不易。 擂鼓墩二号墓是继曾侯乙墓之...

用户评价

评分

说实话,我一开始对这本书的期待值并没有那么高,但读了十页之后就彻底沦陷了。这本书的魅力就在于它的“真实感”,即使故事背景设定在虚构的环境中,但人物的挣扎、情感的波动,都处理得极其真实可信。它探讨了信任、背叛和救赎这些永恒的主题,但视角非常新颖,没有落入俗套。作者的语言风格多变,时而如同诗歌般优美,时而又像冰冷的刀锋般直击人心,这种语言上的张弛有度,极大地增强了故事的感染力。我甚至忍不住去查阅了一些背景资料,想更深入地了解作者的创作灵感来源,可见这本书的吸引力有多大。

评分

这是一部需要细细品读才能体会其妙处的佳作。它的精彩之处,并不在于那些惊天动地的事件,而在于对日常生活细节的精准捕捉和升华。那些不经意的对话,一个眼神,一个动作,都蕴含着巨大的信息量,推动着情节向更深处发展。我非常喜欢作者在叙事中采用的非线性手法,它打破了时间的刻板印象,让读者得以从不同侧面审视事件的全貌,极大地丰富了阅读体验。这本书的后劲很足,读完很久之后,书中人物的命运依然会时不时地跳出来,引发我对自己生活和选择的反思。对于追求文学深度和阅读层次感的同好们,这本书绝对是不可多得的珍藏之选。

评分

哇塞,这本小说简直是近些年来我读过的最引人入胜的作品之一了!我完全被作者构建的世界观给震撼到了。那种宏大叙事下的个体命运的交织,处理得相当高明。它不是那种平铺直叙的流水账,而是充满了张力和暗流涌动,让人时刻保持着紧张感。最让我佩服的是,作者在处理复杂的人物关系时,没有简单地把人物脸谱化,每个角色都有其独特的动机和成长的弧线,哪怕是反派也让人能理解其行为逻辑。读完之后,脑海里仍然会不断闪现书中的一些经典场景和对白,那种回味悠长,是很多畅销书难以企及的。如果一定要说有什么不足,可能就是故事太精彩,以至于看完之后会产生一种巨大的失落感,需要一段时间才能从书中走出来。

评分

这是一部需要静下心来慢慢咀嚼的书。它的叙事节奏把握得非常到位,初读可能感觉信息量有点大,但随着阅读的深入,你会发现所有的线索都像精密的齿轮一样,最终咬合在一起,形成一个完整而有力的结构。书中关于哲学和命运的探讨,用非常具象化的事件展现出来,避免了空洞的说教。我尤其欣赏作者对于环境氛围的营造能力,那种压抑与希望并存的基调,通过精准的意象和感官描写被烘托得淋漓尽致。对于喜欢结构精巧、内涵丰富的文学作品的读者来说,这本书简直是一份饕餮盛宴。它不是用来消磨时间的,而是用来拓宽思维边界的。

评分

这本书真是让人爱不释手,一口气读完了。作者的笔触细腻而深刻,对人物内心的刻画入木三分,让人仿佛能感受到角色的喜怒哀乐。故事情节跌宕起伏,高潮迭起,每一次反转都出乎意料,但细想之下又在情理之中。尤其是对那个时代背景的描绘,细节之丰富,历史感的厚重扑面而来,读起来让人仿佛穿越回了那个特定的年代。书中关于人性的探讨也非常有深度,探讨了在特定环境下的选择与挣扎,引人深思。这本书不仅仅是一个故事,更像是一面镜子,照见了我们内心深处的一些复杂情感和未解的疑惑。它的文字功底深厚,用词考究,读起来是一种享受,每一次回味都能从中品出新的滋味。我强烈推荐给所有喜欢深度阅读、追求文字美感的读者,它绝对值得你花时间去细细品味。

评分

曾侯乙、M2均未出铜敦、剑,与楚文化大不相同,应是“曾文化”的特征。

评分

青铜器多粗糙草率,且核心礼器多为拼凑成套,为“曾侯”亦非“曾侯”。

评分

青铜器多粗糙草率,且核心礼器多为拼凑成套,为“曾侯”亦非“曾侯”。

评分

青铜器多粗糙草率,且核心礼器多为拼凑成套,为“曾侯”亦非“曾侯”。

评分

改为曾侯墓

本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度google,bing,sogou

© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有