Lucian and Norman Parker are as close as twin brothers can be.Together with their father, they run a railway station in Warm Springs, Oklahoma, during the Depression. But when both brothers fall in love with the same girl and Lucien marries her, a rift they never imagined begins to form between them.Soon, World War II takes the twins away from home, to the Pacific, and it is there, as prisoners of war, that their bond is forever broken: one of them dies, and the other makes an agonizing decision that will change his life forever.TICKET HOME takes readers on a journey back through youthful days of wonder, past the loss of innocence, and explores the power of the kind of love that can salvage dreams.AUTHORBIO: James Michael Pratt is a full time writer and radio host. His weekly syndicated radio show, "The Bestsellers Show," is produced by PCBroadcast.com and is heard in a growing number of markets nationwide.A native Californian, he has been married to his wife Jeanne for twenty-four years and is the father of two children, Michael and Amy. Before beginning his writing career he was active in financial and real estate related business in SouthernCalifornia.A frequent guest speaker, James focuses on the motivational themes of hope, belief, love, and achieving success with a balanced life. ENDISBN: 0312266928 TITLE: Waiting for My Cats to Die: A Morbid Memoir AUTHOR: Horn, Stacy DESCRIPTION: You ve passed forty. You re single, deeply addicted to watching television, and obsessed by the past. Your business seems to be failing. You re hopelessly devoted to two diabetic cats, whose dietary and medical regimens dictate your schedule. Not only are you informed your apartment is haunted, you re actually starting to believe it may be true. This is a life? Waiting for My Cats to Die is Stacy Horn s heartbreakingly honest and achingly funny reply to her own question. Here is a memoir that goes straight to the indignities and preoccupations of midlife: what happens the moment we realize that life has a distinctly downward pull to it, and that death is more than simply some theoretical possibility. Stacy decides dying is not something she s going to take lying down. Having polled subscribers on echonyc.com, the online service she founded, for advice, she concludes that the best strategy in the battle against aging is a frontal assault. We re all going to end up in graveyards? Fine. Let s make them as homey and welcoming as we can. She clears away underbrush from abandoned cemeteries, wipes cobwebs from forgotten crypts, looks for gems amid the clutter of storage rooms and basements, tracks down precious records of long-dead relatives, interviews the elderly for the wisdom of their age, and pores over local archives, seeking the identity of her ghostly roommate (and hoping to learn why it seems to have nothing better to do than hang around a small one-bedroom apartment in the West Village of Manhattan). As this wonderful, courageous, and irresistible memoir shows, acting out can be both survival strategy and affirmation. There s no avoiding the day when the credits will roll on your life, so accumulate as many credits as you can (that way, they ll take longer to unroll). Stacy seizes her days with fierce passion: she learns to drum, sings with a choir, writes treatments for TV shows, somehow manages to keep her business on an even keel, and freely embraces all the fantasies and denials that sustain every one of us. And those poor afflicted cats? Their furry, stubborn will to live provides reason enough to celebrate. Waiting for My Cats to Die will make you weep, laugh, commiserate, and fall back in love with life.AUTHORBIO: Stacy Horn is the founder of echonyc.com, a virtual community, and the author of Cyberville. She and her cats, Beems and Buddy, live in New York.
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这本书的魅力在于它对“失落”的独特诠释。它不是那种老生常谈的悲伤故事,而更像是一场关于如何与“缺憾”共存的哲学探讨。主角追寻的那个“家”,与其说是一个地理位置,不如说是一种心理状态的回归,一种对完整自我的期盼。作者运用了大量的自然意象来烘托这种追寻的艰辛,风暴、荒原、迷雾……每一个环境都像是主角内心世界的投射。我尤其喜欢它对配角的刻画,那些看似只是过客的人物,其实都带着各自沉重的“行李”,他们与主角的每一次交集,都像是在彼此的伤口上撒了一把盐,但也同时给予了对方继续前行的微弱力量。这本书的节奏变化很大,有那种像慢镜头一样的内心独白,也有短促、像子弹一样的对话,这种节奏上的张弛有度,让阅读过程充满了活力,一点也不会觉得拖沓。它更像是一部用文字拍摄的独立电影,画面感极强,充满了留白,让你有足够的空间去填充自己的理解和感受。
评分说实话,一开始拿到《Ticket Home》我还担心它会是那种故作高深的文学作品,读起来晦涩难懂,但事实证明我的担忧是多余的。它确实有深度,但表达方式却是惊人的清晰和直观,尤其是在描绘人与人之间那种微妙的张力时。主角的几次关键抉择,每次都让我紧张得手心冒汗,因为你知道,无论他选择哪条路,都将意味着某种程度的牺牲。作者对“选择”这个主题的探讨,达到了一个非常高的水准,它不提供简单的对错答案,只是呈现出选择的必然代价。我记得其中有一段关于告别的场景,没有声嘶力竭的哭喊,只有两个人在微弱的灯光下,沉默地整理着彼此不再需要的物品,那份克制与心碎交织的情感,比任何激烈的场面都更具杀伤力。这本书的结构设计得像一个精巧的迷宫,每一次转折都看似随机,实则早已布下伏笔,读完后回过头去看,你会惊叹于作者的布局之深远。
评分我得说,这本书的文笔带着一种疏离的、近乎冷峻的美感,但正是这种冷静,反衬出故事核心那种难以言喻的炽热情感。它不是那种直白地告诉你“爱”或者“痛苦”的书,而是通过一系列隐晦的象征和反复出现的意象,让你自己去拼凑出那种浓烈的情绪。我尤其喜欢作者处理时间线的方式,它不是线性的,更像是记忆的碎片被不断重组和排列,这要求读者必须全神贯注地去跟随,稍有分神可能就会错过某个至关重要的线索。这种阅读体验非常挑战,但回报是巨大的,当你终于理清了所有的来龙去脉,那种豁然开朗的感觉,简直是妙不可言。整本书的氛围营造得非常成功,那种带着潮湿泥土和旧时光味道的场景描写,让我仿佛真的能闻到、触摸到那个世界。对于那些追求文学深度和复杂叙事结构的读者来说,这本绝对是一部不容错过的佳作,它会强迫你跳出舒适区,去进行一次真正意义上的“阅读修行”。
评分我很少会为了读一本书而推迟其他所有计划,但《Ticket Home》做到了。它有一种近乎催眠的魔力,让你心甘情愿地被它牵引着走。这本书最成功的地方在于,它没有将“旅程”描绘成一场英雄式的冒险,反而更像是一次充满迷茫和自我怀疑的探索。主角的弱点、他的犹豫,都展现得淋漓尽致,这使得他这个人物非常立体,非常真实,我能感受到他每一步走下去的沉重。作者的语言风格非常成熟,有一种老派的优雅,但在处理现代人的焦虑和疏离感时,又显得无比贴切。我特别欣赏它在结尾处理的那种“开放式”的收尾,它没有给你一个明确的结局,而是让你自己去想象“回家”之后会发生什么,这种处理方式极大地扩展了故事的生命力。这本书读完后,我感受到的不是故事结束的失落,而是一种被唤醒的感觉,好像它在我心里种下了一颗种子,关于勇气和重新出发的勇气,这远远超出了我阅读一本小说的预期。
评分这本《Ticket Home》真的让我沉浸了好久,读完之后,感觉心里空落落的,像是跟着主角经历了一场漫长又奇妙的旅程,最后却不得不回到现实。书里对那种复杂的情感描绘得特别细腻,那种既渴望回归又害怕面对现实的矛盾心理,简直是写到了我心坎里。作者的叙事节奏把握得非常好,有时候平缓得让人想深思,有时候又突然加快,推着你往前走,直到最后的转折点,那种震撼感让我几乎无法呼吸。我特别欣赏作者在构建世界观上的功力,那个虚构的城市和它的规则,虽然带着一丝魔幻色彩,但内核却是对我们现实生活的一种深刻反思,关于身份认同、关于失去与获得,这些宏大的主题被巧妙地融入到日常生活的琐碎细节里,显得既真实又引人入胜。读完合上书的那一刻,我甚至在想,是不是我也该为自己买一张“回家的票”,去重新审视一下自己真正想要的生活。这本书的文字本身就像是精心打磨过的宝石,每一句都闪烁着独特的光芒,让人忍不住一读再读,每次都会有新的感悟。
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