From Publishers Weekly At first sight it seems inconceivable that another word could usefully be written about the endlessly dissected House of Windsor, but Spoto, biographer of Elizabeth Taylor, Marlene Dietrich and Marilyn Monroe, has skillfully assembled what could be entitled "Windsors 101." They are all here: from Victoria, overweight matriarch, to Diana, bulimic princess. Finally the sequence is clear: all those Edwards and Georges sorted out neatly and laid before us, each with his idiosyncrasies. And, clearly, one of their strengths is their women. Spoto is on firm ground here. He enjoys profiling strong women. His Victoria is the standard cliche of imperial entitlement, but he also devotes a lot of space to Edward VII's beautiful and gracious consort, Queen Alexandra, who supported her erratic and unfaithful husband even to the point of inviting his mistress, Alice Keppel, to console him on his deathbed. Queen Mary, wife of his successor, George V, was devoted to first the monarchy and then her husband; even her wardrobe was "frozen in time at the express command of the king," causing her to go down in history clad always in stiff, formal gowns and with piled-up hair. Sensibly, Spoto devotes less attention to the current generation of wayward Windsors. He points out, almost wistfully, that with a divorced sister (Margaret), a divorced and remarried daughter (Anne), and two divorced or separated sons (Charles and Andrew), Elizabeth II, as head of the Church of England, which does not officially countenance divorce, is having a hard time maintaining the mystique of the royalty. The earlier Windsors were unfaithful, extravagant and intemperate, but at least they did it out of the public eye. If the dreaded media hadn't put Princess Di on the front of almost every publication in the world, however, would there be an international audience for this entertaining and informative tour of a dynasty that named itself after its biggest castle? Photos. First serial to Cosmopolitan; BOMC alternate; author tour. Copyright 1995 Reed Business Information, Inc. From Library Journal Spoto's (A Passion for Life: The Biography of Elizabeth Taylor, HarperCollins, 1993) well-written and extremely readable look at the British royal family begins with the life of Queen Victoria and ends with a portrait of Prince Charles and the younger royals. The author has clearly done his research, and his conclusion, that the young Windsors themselves are causing the downfall of the royal family, will not surprise anyone. It's interesting to note that two of the people Spoto portrays more favorably than one might have expected are Wallis Simpson and Princess Margaret. This is a fascinating read, sure to be talked about. If your library has Andrew Morton's books, as well as Anthony Holden's Tarnished Crown (Putnam, 1993) or Nigel Dempster's Behind Palace Doors (Random, 1993), this is not an absolutely necessary purchase. Spoto's work offers less analysis and dwells a bit more on scandals than does A.N. Wilson's The Rise and Fall of the House of Windsor (LJ 6/15/93). Still, given the seemingly insatiable demand, Spoto's book will undoubtedly be requested.--Elizabeth Mellett, Brookline P.L., Mass.Copyright 1995 Reed Business Information, Inc. See all Editorial Reviews
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这部作品的叙事手法极为大胆,它巧妙地将历史的厚重感与对当下社会现象的敏锐洞察融为一体,构建了一个既熟悉又充满陌生感的叙事空间。作者似乎对权力结构的衰变有着一种近乎病态的迷恋,笔下的每一个场景都充满了象征意义,仿佛每一个细节都在低语着某种不可避免的宿命。初读之下,我被那种宏大叙事的气场所震撼,那种对时间流逝和荣耀褪色的描摹,让人联想到古典悲剧的磅礴气势。然而,更令人称奇的是,作者并未停留在简单的历史回顾或批判,而是通过一系列看似松散却又暗藏玄机的片段,引导读者去思考“结构性衰落”的内在逻辑。文字的密度极高,需要反复咀嚼才能体会到其中蕴含的微妙讽刺和复杂情感。书中对人物内心世界的刻画,更是细腻入微,即便是那些处于权力边缘的小角色,也被赋予了深刻的人性挣扎和道德困境。这种对复杂性的追求,使得阅读体验更像是一场智力上的探险,而非轻松的消遣。总而言之,它成功地将一个看似传统的题材,处理出了一种前卫的、令人不安的当代气质。
评分从结构上看,这部作品采取了一种非线性的、碎片化的叙事策略,这对于习惯了传统线性故事的读者来说,或许会带来一定的挑战,但正因如此,它才获得了超越时空的叙事自由。作者仿佛是一位高明的策展人,将不同时间维度、不同视角下的“片段”精心排列组合,意图让读者自己去拼凑出那幅关于“衰亡全景图”。这种手法迫使读者必须保持高度的警觉和主动性,去寻找隐藏在看似不相关事件之间的因果链条和情感共鸣。书中对场景的描摹,也极具空间感和压迫感,无论是对宏伟建筑的衰败记录,还是对私密空间中紧张气氛的捕捉,都展现出一种电影般的画面感。这种空间的象征意义,似乎在暗示着外部世界的崩塌最终都会在内心的孤岛上投下巨大的阴影。它不是在讲述一个故事,而是在构建一个氛围,一个关于失落和瓦解的心理剧场,让人在阅读过程中持续感受到一种智识上的刺激和情感上的沉重。
评分这本书最让我感到惊喜的是其语言的驾驭能力,简直可以用“变幻莫测”来形容。时而,它会跳跃到一种极度诗意的散文体,用如同古典油画般浓墨重彩的词汇描绘出一种末日的美感,那种颓废而华丽的景象,仿佛能从纸页间散发出旧日的香氛。然而,在下一刻,笔锋陡然一转,又变得异常冷静、近乎冷酷的学术分析腔调,用精准的术语和严密的逻辑剖析着体制运转中的裂痕。这种风格的频繁切换,非但没有造成阅读上的断裂感,反而形成了一种独特的节奏张力,如同交响乐中突然插入的强烈的打击乐段。我尤其欣赏作者在处理对话时的精妙之处——人物间的言语交锋,往往滴水不漏,每一个词语的选择都饱含着未尽的潜台词和权力博弈的暗流。这种对语言本身力量的极致运用,使得整部作品的阅读门槛虽然略高,但一旦沉浸其中,便会被那种文字构建的精妙迷宫深深吸引,让人不得不为作者深厚的文学功底而折服。
评分总的来说,阅读这本书像是一场漫长而艰苦的攀登,它拒绝提供廉价的答案或易于消化的结论。作者的立场是暧昧的,他似乎既是记录者,又是某种程度上这场衰落过程的参与者,这使得他的叙述带有一种复杂的、近乎自相矛盾的真诚。书中不乏对人物的深切同情,但这种同情又总是被一种清醒的、不可避免的悲观论调所稀释。它成功地营造了一种“末日之美”的氛围,即在事物走向终结的过程中所展现出的最后的光芒和挣扎。对于那些期望获得轻松娱乐的读者来说,这本书可能会显得过于沉重和晦涩,但对于那些渴望在文学中寻求对时代脉搏进行深度诊断的求知者而言,它无疑是一部令人振聋发聩的杰作。它留下的不是一个清晰的结局,而是一系列挥之不去的问题,以及对我们所处时代结构性脆弱性的深刻警示。
评分我发现作者对“符号”和“仪式”的运用达到了登峰造极的程度。书中那些看似琐碎的礼仪、重复的流程、以及世代相传的陈旧物件,都被赋予了非同寻常的重量。它们不再是简单的背景装饰,而是权力合法性赖以维系的最后几根稻草。通过对这些仪式性行为的反复书写和解构,作者极其深刻地揭示了“形式主义”如何取代实质内容,成为维持一个摇摇欲坠的机构继续运转的僵硬外壳。这种对表征和实存之间鸿沟的关注,非常具有批判精神。此外,书中对“记忆”的探讨也极为出色——过去的辉煌如何被选择性地遗忘或扭曲,以服务于当下的叙事需要,这是一个耐人寻味的主题。这种对历史建构过程的揭示,让这部作品不仅仅停留在对某一特定家族的观察,而是上升到了对所有试图固守旧有秩序的体系的深刻反思。
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