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Amazon.com Herbert Block， or Herblock， as he is more commonly known， has been an editorial cartoonist for the Washington Post since 1945. A Cartoonist's Life reproduces 250 of his best cartoons from those years (along with some from his earlier stints in Chicago and Cleveland)， skewering politicians from Hoover and FDR to Clinton and Gingrich. Herblock also offers his candid reflections on life in the newspaper trade， rubbing shoulders with the people he drew， including the evaluation offered by Lyndon Johnson at a White House reception: "Oh， he'll come over and eat your cookies， but then he'll go back and draw a cartoon giving you hell the next day." Herblock's always been willing to choose giving the objects of his criticism hell over the easy laugh， as many of the grimmer cartoons on subjects like antigun control lobbyists and the Bosnian conflict attest. The paperback edition includes added material going up to July 1998 addressing campaign finance reform， the unfinished war in Iraq， and the political showdown between President Clinton and independent prosecutor Kenneth Starr. --This text refers to an out of print or unavailable edition of this title. From Publishers Weekly The prize-winning Washington Post editorial cartoonist Herblock is feared by erring politicians and admired by others for his humorous and pointed drawings on issues of the day. Along with 200 examples of his graphic style and ingenious ideas (Nixon holding the GOP elephant hostage， Carter viewing his own "Fuzzy" TV image， Ollie North turning shredded evidence into lucrative contracts)， the artist here engagingly recalls a baseball-and-trolley-car Chicago boyhood followed by his start as a poorly paid cartoonist， a career which ultimately won him nation-wide recognition. Block includes hard-hitting capsule histories of Nixon， Reagan and Bush administration scandals he chronicled. His quietly told press corps anecdotes， such as helping a colleague authenticate a letter from President Truman， his insider bits on the famous and descriptions of correspondence he has received from people he has criticized are all pure delight. Copyright 1993 Reed Business Information， Inc. See all Editorial Reviews
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这本书的叙事节奏把握得非常巧妙，它不是那种平铺直叙的流水账，而是在历史的洪流中精准地捕捉到了那些关键的转折点和那些塑造了历史人物命运的瞬间。读起来，你会有一种强烈的代入感，仿佛自己也站在那个时代的风口浪尖，亲历了那些激动人心的变革与挣扎。作者对于历史细节的考据可谓是下足了功夫，每一个引用的事件、每一个提及的对话，都显得那么真实可信，让人在享受故事性的同时，也获得了扎实的知识增益。更难得的是，在如此宏大的叙事背景下，作者依然能保持对个体命运的细腻关怀，使得整个阅读体验既有史诗般的厚重感，又不失人性的温度。这种平衡的拿捏，无疑是作者功力的体现。
评分这本书最令人称道的地方，在于它那股不屈不挠的批判精神，那种敢于直面权力阴影的勇气，简直要从书页里喷薄而出。作者仿佛化身为时代最敏锐的观察者，用一种近乎冷峻的幽默感，剖析着社会结构中的虚伪与荒谬。它不是简单的记录，而是一种带着强烈道德立场和人文关怀的质问。每一次读到那些尖锐的讽刺时，我都忍不住会心一笑，但笑声背后，更多的是一种对现实深刻的反思。这本书的价值不在于提供标准答案，而在于它能持续不断地激发读者去质疑、去思考，去捍卫那些应该被捍卫的价值，它提供了一种精神上的支撑和一种批判性的工具。
评分从装帧设计和纸张选择来看，出版方显然对这本书倾注了极大的心血，这绝非一本快消品，而是一件可以世代流传的物件。纸张的质感厚实而又不失柔韧，油墨的印制清晰锐利，即便是那些最细微的笔触也能完美呈现出来，这对于一本侧重视觉呈现的作品来说至关重要。打开书本时散发出的那种淡淡的油墨香，也为阅读体验增添了一份仪式感。这种对物理形态的重视，恰恰体现了对内容本身价值的最高敬意。它不仅仅是知识的载体，更是一件可以触摸、可以把玩的艺术品，那种沉甸甸的质感握在手中，本身就是一种享受，让人更加珍惜每一次翻阅的机会。
评分这本书的插图简直是视觉的盛宴，每一页都充满了鲜活的生命力，让你忍不住想要停下来细细品味那些精妙的线条和富有深意的构图。作者似乎拥有一种魔力，能将复杂的社会现象提炼成一幅幅直击人心的画面。我特别喜欢那些对人物神态的捕捉，那种微妙的表情变化，比千言万语都更能传达出背后的情绪和立场。阅读的过程就像在欣赏一场永不落幕的艺术展，每一次翻页都带来新的惊喜，那种酣畅淋漓的视觉体验是很多平面作品难以企及的。它不仅仅是文字的配角，更像是故事本身的主宰者，用沉默的力量引导着读者的思考方向。对于喜爱图像叙事艺术的人来说，这本书绝对是值得珍藏的典范之作，它的艺术水准足以让专业人士也为之侧目。
评分我发现这本书的结构布局非常具有启发性，它没有固守传统的传记式线性时间轴，而是采用了一种更具解构性的方式来组织材料，将主题、影响和时代背景巧妙地穿插编织在一起。这种非线性的叙事反而让历史的脉络更加清晰，不同时期的事件因为主题的牵引而被赋予了更深层次的关联性。这种编排手法本身就体现了一种高超的组织智慧，它迫使读者跳出单一的时间框架，从更宏观的视角去审视人物的成长与时代的变迁。对于喜欢深度分析和结构美感的读者来说，这本书的内在架构本身就值得反复揣摩和研究，它展示了一种讲述复杂故事的全新可能。
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