具体描述
When we first tackled this project, it was still a siege on the
heels of a shootout. With no great intelligent foresight, we authors
blindly stumbled on what we now--with hindsight--believe was
the perfect approach.
In the uncertain days following the shootout on ~,
1993, as we began planning how to tackle this subject, we realized
that there was absolutely no way on earth that we could plan for
it. No way in the worldmnot and do a good job.
If, as we began our planning on Day Three, we had decided to
focus on current aspects--the siege, the players in the Now,
tactics---well, fine.., but what if Dave had come out on Day 5?
It would have been wonderful news, much better news than
we all ultimately gotmbut a book? Five Whole Days of Purest
Heck, with photos? We realized that the siege alone was by no
means the whole story, that its roots and "reasons" lay farther
back along the time line; at least as far back as the 1920s,
demonstrably as far back as 1833, arguably as far back as about 90
AD to John the Divine, and thence to be the Christian Year 1 and
the birth of Jesus----of whom Koresh claimed to the Second Edition.
And then, philosophically, if not from the standpoint of narrative,
all the way back to the first human ever to hear his name being
called by the wind.
So, do we therefore bury our noses in the history? But... what
if the siege itself began to take on a life of its own, motives of its
own, pressures of its own, passions of its own---and all of it
suddenly boiled over into an unforeseeable outcome of its own?
And we were just caught sitting there with our noses covered in
History Dust when it happened?
After about five minutes of sheer panic, we decided to cover
our bets. It fell thusly: Darden would totally immerse himself in
Davidian Past, a subject with which he was already well acquainted,
and do it with no distractions from the present. And then he
would write it.
Just in case the siege petered on out to die with a whimper.
Bailey would totally immerse himself in the Present, a subject
which couldn t completely elude even him, especially with no
distractions from the past. And then he would write it.
Just in case the siege became overheated enough to die
with a bang.
As it turns out, both were the right ways to go.
With most publications, dual authorship can be taken to mean,
"two writers sat down and wrote one book."
作者简介
目录信息
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评分我必须承认，这本书的叙事结构非常具有实验性，初读时会让人有些许迷失，但一旦适应了这种非线性的时间跳跃和多视角的切换，其精妙之处便会显现出来。作者似乎故意打乱了时间线，将关键的线索碎片化地抛给读者，迫使我们必须主动去拼凑出一个完整的、令人不安的真相。这种“拼图式”的阅读体验，极大地增强了代入感和探索欲。书中对于细节的把控简直到了偏执的程度，比如对某种特定型号老旧汽车发动机声音的反复描写，或者某种特定民间传说的细致引用，都不仅仅是为了增加篇幅，而是作为一种强烈的心理暗示，烘托出一种挥之不去的宿命感。读到一半时，我甚至开始怀疑叙述者本身的可靠性，这种对信息源的质疑，是高明惊悚文学的标志。这本书的节奏感把握得非常成熟，有缓慢的铺垫，也有突然爆发的冲击，让你的心跳始终处于不稳定的区间。看完之后，感觉像是经历了一场漫长而压抑的侦探马拉松，最终的揭示虽然残酷，却在逻辑上无懈可击。
评分这本书的节奏和情绪把控令人叹服，它像一部精心编排的交响乐，每一个音符——无论是突兀的尖叫，还是低沉的大提琴旋律——都精确地放置在应该出现的位置。我很少读到一部作品能够如此有效地利用“留白”和“未言明”来制造紧张感。很多时候，最恐怖的不是作者告诉你发生了什么，而是他让你自己去想象那些被故意省略的细节。这种阅读过程中的主动参与，极大地拉高了阅读的沉浸度。而且，这本书的结局处理得非常高明，它没有提供一个简单的“正义战胜邪恶”的陈词滥调式收尾，而是留下了一个更具哲学意味和开放性的余韵，让人久久不能释怀。它让你走出故事，依然带着角色的阴影，去审视现实世界中那些未被解决的矛盾。对于那些厌倦了传统、公式化惊悚小说套路的读者，这本书提供了一种久违的新鲜感和智力上的回馈。它不仅仅是在讲一个故事，更是在探讨恐惧本身的存在形态。
评分这本书简直是心理惊悚小说的教科书式范本，作者的笔力之深厚，对人性的阴暗面剖析得入木三分，让人读完后不寒而栗。那种缓慢渗透的恐惧感，就像藤蔓一样紧紧缠绕住读者的神经，让你在每一个安静的夜晚都忍不住回头看一眼，生怕那个“疯子”就站在你的身后。情节的推进并不急躁，反而用了大量的篇幅去描绘主角在那种极端压力下的内心挣扎与细微的情绪变化。我尤其欣赏作者对环境氛围的营造，那种德克萨斯小镇特有的炎热、尘土飞扬和疏离感，被描绘得如此真实，仿佛我能闻到空气中弥漫的干燥气味。书中对于“正常”与“疯狂”界限的探讨，更是引人深思。它不是简单地讲述一个坏人如何作恶，而是深入挖掘了是什么样的经历和环境，将一个普通人推向了极端。书中的一些侧写段落，比如对某种特定宗教狂热的描绘，虽然篇幅不长，却精准地捕捉到了那种盲目信仰下集体失控的可怕景象。总的来说，这是一部需要你全神贯注、屏住呼吸去阅读的作品，读完后，你对日常生活的安全感可能会产生动摇。
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