54994,13TH CLUE, THE ,13TH CLUE, THE ,0440408873,Ann Jonas,30.00,10.00,Yearling,1-Oct-93,简装,,,,13TH CLUE, THE , From Publishers Weekly Jonas ( Round Trip ) provides several unusual twists and turns in this visually engaging mystery, once again displaying her penchant for unorthodox formats. An ignored birthday girl's disappointed diary entry is interrupted--That's funny. The light just went on!"--setting into motion a string of clues that require the reader to spin the book into a variety of positions. Inanimate objects (extension cords, mown grass, garments on a clothesline) form letters and words when viewed from a particular angle. No characters appear in this virtually textless book until its surprise ending; but the protagonist's shadow falling across each spread reveals the proper perspective from which to view the clues. Scrambled letters, mirror writing and rebus add to the sleuthing fun. Jonas's large-scale, full-toned watercolors function as both word and image, cleverly couching hints amid the scenery. In this mystery-adventure, the hunt is more enjoyable than the (somewhat predictable) treasure. Ages 4-up. Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From School Library Journal Grade 1-3-- From the large magnifying glass on the front cover to the collage cutouts on the back, Jonas's latest work is an open invitation for young mystery fans. Beginning with a diary entry of a child complaining about her terrible day, the book leads the protagonist (and readers) on a merry chase from the attic to the backyard, across the pond, through the woods and up a hill where a surprise birthday party awaits her. Although the foreshadowing of the surprise in the opening diary entry seems a bit obvious, children will be immediately captivated by the clever clues that form the main part of the text. As she did with animals in The Trek (Greenwillow, 1985) , Jonas has worked the messages inventively into the motif of each scene; in a particularly brilliant stroke, the words of one clue are created by the laundry hanging on the line. To entice readers even further, some hints are written backwards, others upside down, and still others as a rebus. The strong natural tones used in portraying the lush woods, the craggy stone wall, and the mossy pond form a definite contrast to the bright primary colors found in the party scene and in the closing diary entry. It is also interesting to watch the protagonist evolve from a mere hint of a shadow to a full portrait of a young girl as the story progresses. Although the book could be shared with small groups, it will work best one-on-one since some of the clues are rather difficult to decipher from a distance. In any case, it will have wide appeal for would-be detectives who will be inspired to try their hand at designing their own clues, and it should also be an effective choice for reluctant readers. A guaranteed-to-please selection that deserves a spot in any collection.- Nancy Menaldi-Scanlan, Wheeler School, Providence, RICopyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews"
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这本绘本的插图简直是视觉的盛宴!那些色彩的运用大胆又和谐,每一个小小的细节都充满了匠心。我尤其喜欢作者对光影的处理,那种柔和的光线透过树叶洒下来的感觉,简直让人身临其境。故事虽然简单,但通过这些精美的画面,即便是最小的孩子也能感受到那种纯粹的快乐和探索的欲望。封面上那只胖乎乎的小动物,造型憨态可掬,光是看着它,心情都会不由自主地雀跃起来。印刷质量也非常好,纸张厚实,即便是经常翻阅也不会轻易损坏,这一点对于经常和年幼的读者打交道的家长来说非常重要。我注意到封底还有一小段关于作者创作理念的介绍,那种对儿童早期阅读教育的深刻理解,从这些精心设计的视觉元素中就能窥见一斑。总而言之,这是一本从内到外都散发着高品质气息的书籍,非常值得收藏。
评分说实话,这本书的叙事节奏把握得非常精准,简直像是一首精心编排的短诗。作者没有使用任何复杂的长句或晦涩的词汇,语言的精炼达到了教科书级别的标准,但又丝毫没有那种枯燥的说教感。它巧妙地利用了重复和韵律感,让那些初学阅读的孩子能够轻松地跟上情节的推进,并在不知不觉中记住了新的词汇组合。我试着让我的侄女读了几遍,她第一次读的时候还有些磕绊,但到第三遍时,她已经可以带着非常自信的语气,甚至自己加入了停顿和强调,那种成就感是任何电子阅读器都无法替代的。这种“自然习得”而非“强行灌输”的教学方式,是很多所谓的教育类书籍望尘莫及的。作者对“简单”的定义,绝不是“肤浅”,而是一种对核心信息提纯后的极致表达。
评分我最欣赏的是其中蕴含的某种哲学思辨,尽管它面向的是非常低龄的读者群体。整个故事的核心似乎围绕着“解决问题”和“合作共赢”展开,但它没有直接说教,而是通过角色之间的互动自然地展现出来。那只小动物在面对第一个障碍时表现出的那种沮丧,以及随后如何寻求帮助,直至最终达成目标的过程,为孩子们提供了一个极佳的情感投射模型。我观察到,在讲述到关键转折点时,插画中的眼神交流处理得特别到位,没有多余的对话,仅仅是目光的交汇,就传达了信任和鼓励的力量。这不仅仅是一本教认字的工具书,它更像是一本关于情商和基础社会技能的微型指南。读完后,我甚至觉得成年人重温一下,或许都能从中汲取一些为人处世的朴素智慧。
评分从书籍装帧的角度来看,这本书的设计者显然对“儿童友好”有着深刻的理解。书本的尺寸拿在手里大小适中,边缘处理得非常圆润,完全不用担心划伤孩子娇嫩的皮肤。我特别喜欢它所采用的字体——那种略带手写感的无衬线字体,既清晰易读,又保留了一丝亲切感。更妙的是,在关键的动作词汇旁,作者似乎有意留出了一点点额外的留白,这种空间感极大地减轻了阅读时的视觉负担,让孩子可以专注于理解那个词汇本身的功能性。这是一种潜移默化的设计哲学,它尊重了读者的认知负荷。很多出版社只注重内容,却忽略了载体本身对阅读体验的决定性影响,而这本书在这方面做得堪称典范,显示了制作团队对细节的极致追求。
评分这本书的耐读性超乎我的想象,它的魅力是那种随着阅读次数增加而愈发显现的“复利效应”。初次阅读,我们关注的是故事情节和生词;第二次,我们会注意到画面细节和色彩变化;但到了第十次,我们会开始关注那些隐藏在背景中的小彩蛋——也许是角落里路过的一只小虫,也许是远处山峦的层次感。这种层次感,使得家长在陪读时也能保持新鲜感,不会像很多重复性读物那样很快就感到厌倦。而且,书中传递的积极情绪极具感染力,那种“万物皆可达成”的乐观精神,像阳光一样穿透文字的缝隙洒出来。它不是那种读完一次就束之高阁的书,它更像是家庭阅读角里,那个永远不会被遗忘的“常客”,每一次翻开,都会带来新的慰藉与力量。
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