After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr Faraday know how closely, and how terrifyingly, their story is about to become entwined with his. Prepare yourself. From this wonderful writer who continues to astonish us, now comes a chilling ghost story.
Sarah Waters, 35, was born in Pembrokeshire, South West Wales, United Kingdom. She studied English Literature at the undergraduate and postgraduate levels, at the universities of Kent and Lancaster. As a student she lived for two years in Whitstable, the sea-side town—famous for its oysters—in which her first novel, Tipping the Velvet, is partly set. In 1988 she moved to London; her first full-time job was in an independent bookshop; later she worked in public libraries. In 1991 she decided to return to postgraduate study, and she spent the next three years writing a Ph.D. thesis, on lesbian and gay historical fiction. She developed a daily writing routine, and a passion for language and composition. She had articles on gender, sexuality, and history published in various scholarly journals, including Feminist Review, Journal of the History of Sexuality, and Science as Culture.
But while working on her thesis, and becoming increasingly interested in London life of the nineteenth century, Waters began to conceive the historical novel that would become Tipping the Velvet. With the thesis complete, and supporting herself with bits of teaching and part-time library work, she started to write. The novel was finished in just over a year, and was published in the U.K. by Virago (1998) and in the U.S. by Riverhead (1999). The BBC is in the process of adapting the book into a major series with director Andrew Davies, who also directed the BBC’s adaptation of Jane Austen’s Pride and Prejudice and Anthony Trollope’s The Way We Live Now.
By 1991, Waters had already begun her second novel, Affinity. This was completed with help from a London Arts Board New London Writers Award, and appeared in the U.K. in 1999 and in the U.S. in 2000. Waters taught for a time for the Open University, a national educational institution offering undergraduate schooling to mature students from a range of social backgrounds. She has also tutored on creative writing programs. She published articles on literature as recently as 1999, but now devotes herself full time to the writing of fiction. Her third novel, Fingersmith, was completed in 2001, and she is currently at work on her next book. She still lives in London, a city she finds endlessly inspiring; but she dreams, too, of returning to a life by the sea.
Sarah Waters made the Granta list for 2003.
2011年转眼就过去了,真没想到这一年最让我难以释怀的书竟是萨拉·沃特斯的《小小陌生人》。当然这可能跟《唐顿庄园》的热播相关:一战前英国仍森严的等级制度,楼上楼下穿插交错,时代变迁中贵族的衰落和平民的崛起,人心的边角沟坎细节老道,再加上视感美轮美奂的布景道具服...
评分2011年转眼就过去了,真没想到这一年最让我难以释怀的书竟是萨拉·沃特斯的《小小陌生人》。当然这可能跟《唐顿庄园》的热播相关:一战前英国仍森严的等级制度,楼上楼下穿插交错,时代变迁中贵族的衰落和平民的崛起,人心的边角沟坎细节老道,再加上视感美轮美奂的布景道具服...
评分j说:虽然干净,但阴气好重,像冷寂游魂。 我说:你这么一说,我更觉得适合这本书——写的就如此。 《小小陌生人》是一本心理(学)小说,精神分析学融入其中。挑战了(身体)医学观点。 这是一个血色的故事。每次回想其中情节,太冷了。如同身处冬日,结冰了,却一直没有融...
评分1947年的英国,战后。整个欧洲都被战争所创,日不落帝国的米字旗终于缓缓落下。人们既无力挽救昔日的辉煌,也无法面对悲观的未来。旧世纪的幽灵还在昔日堂皇的庄园中回响,而已经落魄的贵族们还在竭尽全力维持他们最后的一点荣光。英国女作家萨拉•沃特斯(Sarah Waters)的...
评分看罢中文版只觉面目可憎不想再读,开撸原版竟然一发而不可收。爽快的阅读感,哪怕多掉几根头发也值了
评分个人不太喜欢!!
评分我觉得小孩书一向是不可小觑的
评分我觉得这是一个描述双重人格的故事啊。。。The Ayres一家真是倒了八辈子霉了。
评分就觉得bleak house 却完全不如的感觉啊。虽然读起来很顺畅。非常讨厌男主的那种狭隘的科学至上……
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