The Asakusa quarter of Tokyo has a shady past--it was the home of some of Japan's most notorious pleasure palaces. Today it embraces this history by remaining a steadfast holdout of independent culture, which encompasses traditional comedy theater and some of the most innovative burlesque in the world. Asakusa has long attracted bohemians who opt out of Japan's contemporary consumer society, yet it is also home to the famous Senso-ji temple, which attracts floods of tourists. Over the past two decades, Hiroh Kikai has created an extensive and unforgettable series of street portraits from the diverse mass of people who pass through the district. Posed against the stark walls of the temple, his portraits of Asakusa's iconoclasts radiate a sense of hard-won individuality. The photographs are accompanied by Kikai's own pithy commentary.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
隻在淺草寺的一麵紅牆下拍。形式簡單強烈，難度高。
评分淺草寺下一紅牆
评分跟練練在ゴールデン街一傢酒吧裏被老奶奶推薦這個攝影師，一遍喝著酒一遍翻完瞭這本影集。直到今天讀鷲田清一的『顔の現象學』，裏麵提到現代社會“臉”的過剩——廣告、傳單、屏幕——是一種對於“臉（身份）”的徹底拋棄，而人像snap則，用他的話「それは顔の純粋現象である。」看到這裏，想起瞭在酒吧裏翻看的鬼海的影集。
评分淺草寺下一紅牆
评分人之趣
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