Music at the Limits pdf epub mobi txt 电子书下载 2024

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Edward W. Said

Columbia University Press

2007

344

USD 50.00

Hardcover

9780231139366

图书标签: Said 音乐 Music 钢琴萨义德 review music #FDP #

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发表于2024-12-23

Music at the Limits epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

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From Publishers Weekly

Though best known for his political writings (Orientalism), Said was also, from 1986 until his death in 2003, the music critic for the Nation, and this collection draws together reviews from that publication and other magazines. Said had very firm opinions and lashed out against New York City's classical music scene in the 1980s and early '90s for producing safe but grimly uninteresting performances and repertories. Instead of simply blaming the intellectual cowardice of most contemporary musicians, however, he was able to provide detailed technical critiques of a conductor's handling of a Beethoven symphony or a singer's inadequacies in a Wagnerian role. Glenn Gould's intellectualized style of playing was a source of fascination to the critic, and new biographies or films about the pianist would inevitably draw his attention. Said also writes about his friendship with Daniel Barenboim (who contributes an introduction), which leads to one of the few discussions of Middle Eastern politics; a review of the controversial opera The Death of Klinghoffer sparks another. For the most part, however, his attention is strictly on the music, and he proves himself to have been astute and passionately engaged. (Nov.)

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著者简介

作者简介

萨义德，1935年生于巴勒斯坦的耶路撒冷，接受过英式教育，取得哈佛大学博士学位，哥伦比亚大学英文系与比较文学系教授，担任The Nation杂志乐评，著作等身，包括《乡关何处》（又译《格格不入》）、《文化与帝国主义》、《东方主义》。他由哥伦比亚大学出版社出版的著作包括《康拉德与自传小说》、《人文主义与民主的批评》、《开始：意图与方法》、《音乐的阐释》及《并行与吊诡》。2003年逝于纽约。

译者简介

彭淮栋，1953年生。译有《后殖民理论》（Bart Moore-Gilbert）、《意义》（博蓝尼）、《俄国思想家》（以撒•柏林）、《自由主义之后》（华勒斯坦）、《西方政治思想史》（麦克里兰）、《乡关何处》（萨义德）、《现实意义》（以撒•柏林）、《贝多芬：阿多诺的音乐哲学》（阿多诺）、《美的历史》和《丑的历史》（艾可）等书。

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用户评价

评分☆☆☆☆☆

薩義德同學不但研究orientalism，也寫過很漂亮的關於音樂的文字。可是，您不必爲了Barenboim的一篇序言，就把他誇成非人類吧。您讚美Glenn Gould那些文字我們自然提不出異議，可是將誇Gould先生的話（甚至更炫目的讚美）用在Barenboim身上，後者未免當不起吧。而且，您明顯對Ashkenazy爺爺有成見，對他演奏和指揮的評價遠稱不上中肯。。。

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读得一点儿不认真。~~~~(>_<)~~~~

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读得一点儿不认真。~~~~(>_<)~~~~

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读后感

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挑着看的，主要因为对于一些歌剧的评论部分，自身没有观看聆听的经验，也就没去看了。关于古尔德，萨伊德用来大篇幅，开头第一句是，与其他现世所有演奏家，古尔德都是独一无二的。关于古尔德在舞台演奏的时候，整个人会趴在钢琴上面，底下的观众只看到头跟肩膀。我没...

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在我的心中，早已认定萨义德的古典乐随笔《音乐的极境》是我在2019年读过的最好的书。也许后面还会再读其他新书，但它的地位却无可撼动，常读常新，常读常感动。我读过不少古典乐随笔和乐评，而萨义德的这本是最让我爱不释手的。他的创作切入点不局限在古典乐及作曲家本身，他...

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梅梢译 The core repertory of Western classical music is dominated by a small number of composers, mostly German and Austrian, mostly of the 18th and 19th centuries. In their work, perfection – of form, melody, harmony and rhythm – is common; in fact it o...

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Music at the Limits pdf epub mobi txt 电子书下载 2024